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Alex Grant has won recognition from dozens of the nations most prestigious poetry prizes, including Best New Poets, The Brittingham Prize, The Dorset Prize, the Philip Levine Prize and the Pablo Neruda Prize. The Circus Poems represents a distinctive and highly original body of poems from a poet with phenomenal ability to express both idea and image.
Dante Micheaux's superb poetic aptitude is wedded to an eually superb poetic amplitude. Intimate soliloquy, lyric address, and linguistic allegory merge with resonating voices and personae. This poem is masterful, paradoxical and spiritual. The "holiness in all its unholy rejoicing" is variously scored in Dante Micheaux's commanding Circus. --TERRANCE HAYES I still stand by words I wrote almost twenty years ago, when I read Dante Micheaux's poems for the first time: "I am impressed by the serious depth and masterful technique of Micheaux's poems. He is a true man of the world, mature beyond his years, one whose voracious intelligence and richly diverse background uniquely equip him for the literary vocation. Circus promises to be received as a masterpiece reminiscent of the best of Melvin Tolson's work, and some of Micheaux's poems bear an a nity to the delicate music and wisdom of Robert Hayden. But Micheaux's in uences are not limited to the stars of African American poetry; his experience and reading ranges wide. Dante Micheaux is a code-switcher fluent in many languages. Some of his lines bring this reader close to heartbreak." --MARILYN NELSON Dante Micheaux's Circus commands the reader's attention. In this long poem, each line is tuned by breath and image, serious play and heartfelt critiue, but also by the modern urban motifs of grief and love. At times, signifying can get us to a desperate truth. The reader or listener has to possess a sense of history in order to be transported to the here and now. In Circus, the borders between the imaginary and the real dissolve as the poem delivers us into verisimilitude. --YUSEF KOMUNYAKAA
Americas circusa spectacle of flying trapeze artists, colorful clowns and trained animal acts under the big topgrew out of the traveling menagerie phenomenon in Somers, New York, in the 1800s. To commemorate this proud local heritage, award-winning poet and Somers native Jo Pitkin presents a collection of poems inspired by the people, events and fantastic ephemera of the glory days of the Somers showmen. Complementing her dazzling lines are essays by regional historians that explain Somerss unique role as the Cradle of the American Circus. Ladies and gentlemen, boys and girls, children of all ages, step up, step up! The show is about to begin.
Includes eighteen short poems about the circus and its performers, with illustrations.
Poetry. Art. IN THE CIRCUS OF YOU is a deliciously distorted fun house of poetry and art by Nicelle Davis and Cheryl Gross. Both private and epic, this novel-in-poems explores one woman's struggle while interpreting our world as a sideshow, where not only are we the freaks, but also the onlookers wondering just how "normal" we are or ought to be. Davis' poetry and Gross' images collaborate over the themes of sanity, monogamy, motherhood, divorce, artistic expression, and self-creation to curate a menagerie of abnormalities that defines what it is to be human. The universe of this book is one in which dead pigeons talk, clowns hide in the chambers of the heart, and the human body turns itself inside out to be born again as a purely sensory creature. This grotesquely gorgeous peep show opens the velvet curtains on the beautiful complications of life."
What do you feed a trapeze family to keep them up in the air? A fire eater with a penchant for hot sauce? Or a lion with a gourmet palate? How do you satisfy a sweet-toothed human cannonball who's outgrowing his cannon? Find out what keeps these performers juggling, balancing, and entertaining—meals prepared by their tireless chef! Poems from this jolly cook give a glimpse of his unusual perspective, from delightful to downright funny. Enjoy a front-row seat for this whimsical look at circus life that just might make you hungry!
Kenneth Koch has been called “one of our greatest poets” by John Ashbery, and “a national treasure” in the 2000 National Book Award Finalist Citation. Now, for the first time, all of the poems in his ten collections–from Sun Out, poems of the 1950s, to Thank You, published in 1962, to A Possible World, published in 2002, the year of the poet’s death–are gathered in one volume. Celebrating the pleasures of friendship, art, and love, the poetry of Kenneth Koch has been dazzling readers for fifty years. Charter member–along with Frank O’Hara, John Ashbery, and James Schuyler–of the New York School of poets, avant-garde playwright and fiction writer, pioneer teacher of writing to children, Koch gave us some of the most exciting and aesthetically daring poems of his generation. These poems take sensuous delight in the life of the mind and the heart, often at the same time: “O what a physical effect it has on me / To dive forever into the light blue sea / Of your acquaintance!” (“In Love with You”). Here is Koch’s early work: love poems like “The Circus” and “To Marina” and such well-remembered comic masterpieces as “Fresh Air,” “Some General Instructions,” and “The Boiling Water” (“A serious moment for the water is when it boils”). And here are the brilliant later poems–“One Train May Hide Another,” the deliciously autobiographical address in New Addresses, and the stately elegy “Bel Canto”–poems that, beneath a surface of lightness and wit, speak with passion, depth, and seriousness to all the most important moments in one’s existence. Charles Simic wrote in The New York Review of Books that, for Koch, poetry “has to be constantly saved from itself. The idea is to do something with language that has never been done before.” In the ten exuberant, hilarious, and heartbreaking books of poems collected here, Kenneth Koch does exactly that.
Poems and illustrations depict the sights and sounds of the circus.