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Men And Women Of Maturai Of The Four Temples! I Curse This City. Its King Erred In Killing The Man I Loved One Of The World'S Masterpieces, The Cilappatikaram (5Th Century Ce) By Ilanko Atikal Is India'S Finest Epic In A Language Other Than Sanskrit. It Spells Out In Unforgettable Verse The Problems That Humanity Has Been Wrestling With For A Long Time: Love, War, Evil, Fate And Death. The Tale Of An Anklet Is The Love Story Of Kovalan And Kannaki. Originating In Tamil Mythology, The Compelling Tale Of Kannaki Her Love, Her Feats And Triumphs, And Her Ultimate Transformation To Goddess Follows The Conventions Of Tamil Poetry And Is Told In Three Phases: The Erotic, The Heroic And The Mythic. This Epic Ranks With The Ramayana And The Mahabharata As One Of The Great Classics Of Indian Literature And Is Presented For The First Time In A Landmark English Verse Translation By The Eminent Poet R. Parthasarathy, Making It Accessible To A Wider Audience. Winner Of The 1995 Sahitya Akademi Prize For Translation (English), The 1994 Pen/ Book-Of-The-Month Club Translation Citation Of The Pen American Centre, And The 1996 Association For Asian Studies A.K. Ramanujan Book Prize For Translation.
Originating in Tamil mythology, Cilappatikaram is the love story of Kannaki and Kovalan. Kannaki wears a circular anklet representing the power, strength and dignity of the goddess Pattini. Goddess status is bestowed upon Kannaki as her life undergoes the same fate as the anklet that is stolen and used as a weapon.
Originating in Tamil mythology, Cilappatikaram is the love story of Kannaki and Kovalan. Kannaki wears a circular anklet representing the power, strength and dignity of the goddess Pattini. Goddess status is bestowed upon Kannaki as her life undergoes the same fate as the anklet that is stolen and used as a weapon.
The peerless young Kovalan leaves his loyal wife Kannaki for the courtesan Madhavi, and though he returns to her, he still meets his death because of her ill-omened ankle bracelet. The Shilappadikaram has been called an epic and even a novel, but it is also a book of general education. Adigal packed his story with information: history merging into myth, religious rites, caste customs, military lore, descriptions of city and country life. And four Cantos are little anthologies of the poetry of the period (seashore and mountain songs, hunters and milkmaid s song). Thus the story gives us a vivid picture of early Indian life in all its aspects.
According to the Kama Sutra, the erotic handbook written two thousand years ago, when the wheel of ecstasy is in motion “there is no textbook at all, and no order.” Indian Love Poems is a unique gathering of poems from across more than two and a half millennia that attempts to catalog the disordered ecstasies of love, ranging from the Kama Sutra and earlier works up to present-day India and the poets of the Indian diaspora. Indian Love Poems features works from the classical languages of Sanskrit and Tamil and such later languages as Hindi, Urdu, Malayalam, Bengali, and English. Emerging from many Indian cultures and eras, the poems collected here reflect a variety of erotic and spiritual passions, and celebrate the powerful role of desire–both male and female–in the intricate dance of existence. From the twelfth-century female poet Mahadeviyakka to the twentieth-century Nobel Prize winner Rabindranath Tagore to such contemporary poets as Kamala Das and Vikram Seth, this glittering tapestry of lyric voices beautifully and sensually evokes the transfiguring force of love.
Shilappadikaram or the Ankle Bracelet is one of the five major epics of Tamil literature. It was composed as a verse romance in Tamil by Ilango Adigal, a Jain prince who lived in the second century ad and was one of the most renowned classical poets of ancient India. Shilappadikaram is a tale of wonders and misfortunes, of hapless mortals and capricious deities, of magic and heroism in a bright but also cruel world in which the law of karma rules and where 'actions committed in past lives must always bear fruit'. Thus the peerless young Kovalan will leave his loyal wife Kannaki for the courtesan Madhavi and though he returns to her, still meets his death because of her ill-omened ankle bracelet. It has been called an epic and even a novel, but it is also a book of general education. Ilango packed his story with information: history merging into myth, religious rites, caste customs, military lore, descriptions of city or country life. And four cantos are little anthologies of the poetry of the period (seashore and mountain songs, hunters' and milkmaids' songs), thereby giving us a vivid picture of early Indian life in all its aspects.
A focal study of the methodological changes that confront historians of pre-colonial India.
Open Boundaries provides a new perspective on Jainism, one of the oldest yet least-studied of the world's living religions. Ten closely-focused studies investigate the interactions between Jains and non-Jains in South Asian society, with detailed studies of yoga, tantra, aesthetic theory, erotic poetry, theories of kingship, goddess worship, temple ritual, polemical poetry, religious women, and historiography. Viewing the Jains within a South Asian context results in a strikingly different portrait from the standard models represented in both traditional Western and Indian scholarship.