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The vast array of CIA black "ops" (operations) has turned the agency into a policy maker dangerously independent of the government that created it. This is an unprecedented declassification of foreign exploits and domestic secrets.
Nutter, who has studied the subject for years, argues that the US has become too enamored with covert action such as acts against Saddam Hussein and international terrorists, secret Afghan missions, the overthrow of Guatemalan leaders, assassination plots against Castro and others, domestic and foreign narcotics conspiracies, underground Mafia relations, and even plans to dupe top US officials. His account is a public declassification of exploits and secrets. Annotation copyrighted by Book News, Inc., Portland, OR
The Explosive National Bestseller A memoir by the highest-ranking covert warrior to lift the veil of secrecy and offer a glimpse into the shadow wars that America has fought since the Vietnam Era. Enrique Prado found himself in his first firefight at age seven. The son of a middle-class Cuban family caught in the midst of the Castro Revolution, his family fled their war-torn home for the hope of a better life in America. Fifty years later, the Cuban refugee retired from the Central Intelligence Agency as the CIA equivalent of a two-star general. Black Ops is the story of Ric’s legendary career that spanned two eras, the Cold War and the Age of Terrorism. Operating in the shadows, Ric and his fellow CIA officers fought a little-seen and virtually unknown war to keep USA safe from those who would do it harm. After duty stations in Central, South America, and the Philippines, Black Ops follows Ric into the highest echelons of the CIA’s headquarters at Langley, Virginia. In late 1995, he became Deputy Chief of Station and co-founding member of the Bin Laden Task Force. Three years later, after serving as head of Korean Operations, Ric took on one of the most dangerous missions of his career: to re-establish a once-abandoned CIA station inside a hostile nation long since considered a front line of the fight against Islamic terrorism. He and his team carried out covert operations and developed assets that proved pivotal in the coming War on Terror. A harrowing memoir of life in the shadowy world of assassins, terrorists, spies and revolutionaries, Black Ops is a testament to the courage, creativity and dedication of the Agency’s Special Activities Group and its elite shadow warriors.
This book is light years ahead of any counterparts. In fact, it is one-of-a-kind. It is a page-turner. It provides shocking details about the CIA-sponsored assassination of JFK. The CIA kept a very accurate and detailed record of the plans and progress being made for the assassination right up to the date and time including telephone calls and meetings. Elements in the military-industrial-intelligence complex wanted Kennedy killed because he was threatening to put them out of business! The Cuban Missile Crisis, the closest the world has ever come to nuclear war, spurred him to do this. As a result he developed an ancient enemy, the Deep State as we know it. This Deep State apparatus also engineered a coup many years later with devastating results -- the current Ukraine War. We delve deeply into their modus operandi. Finally we discuss the major topic, once the background and foreground are understood. This is the mysterious UFO Phenomenon which has occurred worldwide since World War II. Every type of case is explored and analyzed. The participation of the Pentagon, the NSA, the DIA and other intelligence groups are pursued and brought to light. Some of the strangest cases in the world are reviewed. The truth is astounding.
When John F. Kennedy was asked what he thought about media criticism of the CIA the president retorted: "The triumphs are unheralded, its failures trumpeted." Succeeding presidents echoed similar sentiments about negative media reports.
A specialist in covert action argues that the U.S. has become too enamored with the CIA--that black ops have "become" U.S. foreign policy and that the CIA has developed into a policy "maker, " dangerous independent of the government that created it.
An in-depth study of the CIA’s collaboration with Hollywood since the mid-1990s, and the important and troubling questions it creates. What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image. “Fascinating, highly readable . . . Overall, Jenkins’s work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA—its media relations with Hollywood—of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations.” —H-War
A bold account of one of the most controversial and haunting initiatives in American history, Black Site tells the full story of the post-9/11 counterterrorism world at the CIA. When the towers fell on September 11, 2001, nowhere were the reverberations more powerfully felt than at CIA headquarters in Langley, Virginia. Almost overnight, the intelligence organization evolved into a warfighting intelligence service, constructing what was known internally as “the Program”: a web of top-secret detention facilities intended to help prevent future attacks on American soil and around the world. With Black Site, former deputy director of the CIA Counterterrorist Center Philip Mudd presents a full, never-before-told story of this now-controversial program, directly addressing how far America went to pursue al-Qa’ida and prevent another catastrophe. Heated debates about torture were later ignited in 2014 after the US Senate published a report of the Program, detailing the CIA’s use of “enhanced interrogation techniques” to draw information from detainees. The report, Mudd posits, did not fully address key questions: How did the officials actually come to their decisions? What happened at the detention facilities—known as “Black Sites”—on a day-to-day basis? What did they look like? How were prisoners transported there? And how did the officers feel about what they were doing? Black Site seeks answers to these questions and more, first by examining pre-9/11 Langley, when the CIA was tasked with collecting, disseminating, and analyzing information related to overseas events. Mudd argues that September 12, 2001, marked an operational revolution, as officials suddenly felt the weight of protecting a nation from a second wave of attacks inside the United States. Re-creating the incredibly tense atmosphere of the time, Mudd reveals that many officials felt an unshakable personal responsibility to thwart another attack. Based on interviews from dozens of officials—many of whom have never spoken out before— Black Site illuminates how the Agency quickly stepped into the process of organizing a full-blown interrogation program. Mudd offers a deeper understanding of how the enhanced interrogation techniques were developed and how intelligence professionals prepared to talk to the world’s most hardened terrorists. With careful detail, he takes us through the process of each legally approved technique, including waterboarding. As compelling as it is revelatory, Black Site shows us the tragedy and triumph of the CIA during its most difficult days.
The Central Intelligence Agency is essential in the fight to keep America safe from foreign attacks. This two-volume work traces through facts and documents the history of the CIA, from the people involved to the operations conducted for national security. This two-volume reference work offers both students and general-interest readers a definitive resource that examines the impact the CIA has had on world events throughout the Cold War and beyond. From its intervention in Guatemala in 1954, through the Bay of Pigs, the Vietnam War, the Iran-Contra Affair, and its key role in Afghanistan following the terrorist attacks of September 11th, 2001, this objective, apolitical work covers all of this controversial intelligence agency's most notable successes and failures. The content focuses on describing how a U.S. government organization that is unlike any other conducts covert warfare, surreptitiously collects information, and conducts espionage. The work allows for easy reference of former CIA operations and spies, looking at the positive and negative aspects of each operation and the "why" and "how" of its execution. The second volume provides documentation that supports and amplifies more than 200 cross-referenced entries. Readers will be able to understand the reasons behind the CIA's various actions, perceive how the agency's role has evolved across its 75-year history, and intelligently consider the viability and future of the CIA.
This book investigates representations of the Central Intelligence Agency (CIA) in Hollywood films, and the synergies between Hollywood product, U.S. military/defense interests and U.S. foreign policy. As probably the best known of the many different intelligence agencies of the US, the CIA is an exceptionally well known national and international icon or even "brand," one that exercises a powerful influence on the imagination of people throughout the world as well as on the creative minds of filmmakers. The book examines films sampled from five decades - the 1960s, 1970s, 1980s, 1990s and 2000s - and explores four main issues: the relative prominence of the CIA; the extent to which these films appeared to be overtly political; the degree to which they were favorable or unfavorable to the CIA; and their relative attitude to the "business" of intelligence. A final chapter considers the question: do these Hollywood texts appear to function ideologically to "normalize" the CIA? If so, might this suggest the further hypothesis that many CIA movies assist audiences with reconciling two sometimes fundamental opposites: often gruesome covert CIA activity for questionable goals and at enormous expense, on the one hand, and the values and procedures of democratic society, on the other. This interdisciplinary book will be of much interest to students of the CIA/Intelligence Studies, media and film studies, US politics and IR/Security Studies in general.