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This collection of twenty-three essays by Duncan Stroik shows the development and consistency of his architectural vision. Packed with informative essays and over 170 photographs, this collection clearly articulates the Church’s architectural tradition.
Jeanne Halgren Kilde's survey of church architecture is unlike any other. Her main concern is not the buildings themselves, but rather the dynamic character of Christianity and how church buildings shape and influence the religion. Kilde argues that a primary function of church buildings is to represent and reify three different types of power: divine power, or ideas about God; personal empowerment as manifested in the individual's perceived relationship to the divine; and social power, meaning the relationships between groups such as clergy and laity. Each type intersects with notions of Christian creed, cult, and code, and is represented spatially and materially in church buildings. Kilde explores these categories chronologically, from the early church to the twentieth century. She considers the form, organization, and use of worship rooms; the location of churches; and the interaction between churches and the wider culture. Church buildings have been integral to Christianity, and Kilde's important study sheds new light on the way they impact all aspects of the religion. Neither mere witnesses to transformations of religious thought or nor simple backgrounds for religious practice, church buildings are, in Kilde's view, dynamic participants in religious change and goldmines of information on Christianity itself.
Every Sunday we walk through those doors and enter a sacred space. It is familiar, maybe comforting--or maybe not. It might be downright uncomfortable and unwelcoming. What can we do about it? In twelve thoughtful and provocative essays, the writers ask important questions about the relationship between sacred spaces and the worship that takes place in them: -How do our buildings convey a vision of God's kingdom on earth? -How are our places of worship reflecting our beliefs? -In what visible, tangible forms are we proclaiming a faith in the living God? -How are our church buildings helping this church bring the Gospel into a new century?
How Catholic churches are being sapped of their spiritual vitality and what you can do about it The problem with new-style churches isn't just that they're ugly they actually distort the Faith and lead Catholics away from Catholicism. So argues Michel S. Rose in these eye-opening pages, which banish forever the notion that lovers of traditional-style churches are motivated simply by taste or nostalgia. In terms that non-architects can understand (and modern architects can't dismiss!), Rose shows that far more is at stake: modern churches actually violate the three natural laws of church architecture and lead Catholics to worship, quite simply, a false god.
Sacred places are not static entities but reveal a historical dynamic. This volume explores both the cultural developments that have shaped them and their varied multidimensional levels of significance.
In every church building, art and architecture become the joint work of the Holy Spirit and the local community, in preparing a place to receive God's Word and to enter more fully into communion with him. In this volume, the bishops offer instruction on how to design places of worship that are dignified, beautiful, and "suited to sacred celebrations."
As architectonic objects of basic structural and design integrity, canopies provide means for an innovative understanding of the materialization of the idea of the Byzantine-rite church. The Framing of Sacred Space considers both the material and conceptual framing of sacred space and explains how the canopy bridges the physical and transcendental realms.
Sacred Space for the Missional Church examines the strong link between the theology and mission of the Church and the spaces in which and from which that theology and mission are lived out. The author demonstrates that the built environment is not incidental or even subservient to mission. Rather it is a key player in the fulfillment and the communication of that mission. The book begins with a working definition of the missional church, underscoring the connection between God's mission (missio Dei) and the Church's mission. The reader is presented with historical and theological frameworks for sacred space, and reminded of the pivotal role of the built environment in the fulfillment of the mission of the Church. The design and construction of sacred spaces are shown to be fundamentally a theological exercise and not solely a matter of function, pragmatics and fiscal astuteness. The author questions the uncritical application of blanket statements such "form must follow function," and challenges the conviction that it does not matter where worship occurs, only that it occurs. The book addresses genuine concerns such as legitimizing the cost of church buildings and concludes with practical suggestions and essential questions that must be considered in posturing the built environment within the missional praxis of the Church.
In the 1950s the brethren at the Benedictine Abbey of Saint John the Baptist in Collegeville, Minnesota—the largest Benedictine abbey in the world—decided to expand their campus, including building a new church. From a who’s who of architectural stars—such as Walter Gropius, Richard Neutra, Pietro Belluschi, Barry Byrne, and Eero Saarinen—the Benedictines chose a former member of the Bauhaus, Marcel Breuer. In collaboration with the monks, this untested religious designer produced a work of modern sculptural concrete architecture that reenvisioned what a church could be and set a worldwide standard for midcentury religious design. Saint John’s Abbey Church documents the dialogue of the design process, as Breuer instructed the monks about architecture and they in turn guided him and his associates in the construction of a sacred space in the crucial years of liturgical reform. A reading of letters, drawings, and other archival materials shows how these conversations gave shape to design elements from the church’s floor plan to the liturgical furnishings, art, and incomparable stained glass installed within it. The book offers a rare detailed view of how a patron and architect work together in a successful building campaign—one that, in this case, lasted for two decades and resulted in designs for twelve buildings, ten of which were completed. The post–World War II years were critical in the development of religious and architectural experiences in the United States—experiences that came together in the construction of Saint John’s Abbey and University Church and that find their full expression in Victoria M. Young’s account of the process. Using the liturgy of the mid-twentieth century as a cornerstone for understanding the architecture produced to support it, her book showcases the importance of modernism in the design of sacred space, and of Marcel Breuer’s role in setting the standard.
Subject: Places of worship can inspire, evoke humility, bring together communities, or provide solace. In a richly illustrated volume of photographs featuring sacred spaces across America, House of Worship illustrates how through design a physical space becomes scared. Remarkable for an architecture that expresses spirituality, each of the structures represented in this book are notable in their design--and spirit. Included are great photographers' pictures of churches of various denominations, Buddhist temples, small chapels, mosques, and synagogues that are presented by inspiring informative texts