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This “ridiculous” religious thinking—that when we help the poor, they end up helping us—is at the heart of the 30 stories that Jane Knuth shares in Thrift Store Graces, the sequel to her popular Thrift Store Saints. Similar to the first book, Thrift Store Graces contains personal accounts of Knuth’s experiences serving as a once reluctant, now enthusiastic volunteer at a thrift store in Kalamazoo, Michigan. What sets Thrift Store Graces apart from her first book is that Knuth introduces us to some far more challenging personal situations that emerge as a result of her volunteer work. Additionally, she invites us to join her as she hesitantly embarks on a pilgrimage to Medjugorje in war-ravaged Bosnia. Through it all, her delightful sense of humor keeps her going, along with her conviction that some of God’s greatest gifts come disguised as difficulties. Witty, inspiring, and thought-provoking all at once, the stories in Thrift Store Graces subtly compel us to redefine what it means to volunteer and to rethink why it is that we volunteer in the first place.
A thrift store in inner-city Kalamazoo, Michigan. Exactly the place where you'd expect to meet Jesus, right? Knuth's church-going background had not prepared her for the soul-stirring experiences she experienced there. By serving the poor, they gave her much more than she could ever give them.
In this surprising new look at how clothing, style, and commerce came together to change American culture, Jennifer Le Zotte examines how secondhand goods sold at thrift stores, flea markets, and garage sales came to be both profitable and culturally influential. Initially, selling used goods in the United States was seen as a questionable enterprise focused largely on the poor. But as the twentieth century progressed, multimillion-dollar businesses like Goodwill Industries developed, catering not only to the needy but increasingly to well-off customers looking to make a statement. Le Zotte traces the origins and meanings of "secondhand style" and explores how buying pre-owned goods went from a signifier of poverty to a declaration of rebellion. Considering buyers and sellers from across the political and economic spectrum, Le Zotte shows how conservative and progressive social activists--from religious and business leaders to anti-Vietnam protesters and drag queens--shrewdly used the exchange of secondhand goods for economic and political ends. At the same time, artists and performers, from Marcel Duchamp and Fanny Brice to Janis Joplin and Kurt Cobain, all helped make secondhand style a visual marker for youth in revolt.