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In this chronology Gordon Campbell brings his unique command of manuscripts associated with John Milton to the first synthesis of the Milton documents attempted in forty years. Many manuscripts that have been lost to view have been rediscovered, and some manuscripts that have never been seen by students of Milton are recorded here for the first time. These new discoveries, together with many unrecorded printed allusions that have never been integrated into biographical studies of Milton, make this chronology an essential research and reference tool that creates a new context for many of Milton's poems and prose writings.
William Poole recounts Milton's life as England’s self-elected national poet and explains how the greatest poem of the English language came to be written. How did a blind man compose this staggeringly complex, intensely visual work? Poole explores how Milton’s life and preoccupations inform the poem itself—its structure, content, and meaning.
This analysis of the progressive definition of John Milton’s social, political, and religious opinions during the fertile years of the Puritan Revolution has become a classic work of scholarship in the thirty-five years since it was first published. Professor Barker interprets Milton’s development in the light of his personal problems and of the changing climate of opinion among his revolutionary associates.
This nine volume set presents in easily accessible format the extensive information now available about John Milton. It has grown to be a study of English civilization of Milton's time and a history of literary and political matters since then.
The author, in a landmark study, traces the advancing deterioration of Milton's eyesight & relates significant passages in his works to various stages in his loss of vision. Presents documentary evidence identifying the poet's eye trouble as albinotic vision & glaucoma.
While Johnson charged that Milton "unhappily perplexed his poetry with his philosophy," Stephen M. Fallon argues that the relationship between Milton's philosophy and the poetry of Paradise Lost is a happy one. The author examines Milton's thought in light of the competing philosophical systems that filled the vacuum left by the repudiation of Aristotle in the seventeenth century. In what has become the classic account of Milton's animist materialism, Fallon revises our understanding of Milton's philosophical sophistication. The book offers a new interpretation of the War in Heaven in Paradise Lost as a clash of metaphysical systems, with free will hanging in the balance.