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In the rich tapestry of Japanese folklore, legends of mystical beings, magical artifacts, and heroic deeds come to life. Nestled within these stories are the tales of ninja warriors, the elusive and the powerful, the protectors of the realm. This book invites you on a riveting journey, tracing the lives of three such warriors, bound by a shared destiny and an unbreakable bond. "The Chronicles of the Kage no Kami" is an epic tale of courage, unity, and resilience. It follows the journey of Ryu, Kenji, and Tatsu, three aspiring ninjas from different backgrounds, each with a unique set of skills and a shared dream. United by a prophecy, they are chosen as the Kage no Kami, the Shadows of the Gods, protectors of their homeland. Their path is not an easy one. They face numerous trials, confront terrifying threats, and learn valuable lessons. They grow from aspiring ninjas to become formidable warriors, their bond strengthening with each passing day. This book tells a story of their journey through forty chapters, each presenting a unique adventure, a challenging trial, or a profound lesson. The narrative seamlessly blends the elements of fantasy and Japanese folklore, creating a vivid and captivating world. "The Chronicles of the Kage no Kami" is not just a tale of heroes and adventures. It is a story of friendship, of growth, and of unwavering determination. It's a testament to the strength of unity and the power of resilience. As you delve into its pages, you will find yourself immersed in their world, experiencing their triumphs, their struggles, their growth. And as you journey alongside Ryu, Kenji, and Tatsu, you'll discover that the true essence of a ninja is not in his sword but in his heart. So, prepare yourself for an adventure like no other. Welcome to "The Chronicles of the Kage no Kami." Let the journey begin.
For the first time, this study examines in depth how the medieval Japanese masters of Heiho – the Art of War – sought to interpret, illustrate and transmit the principles of China’s time-honoured military strategist Sun-Tzu during possibly the most turbulent period of Japanese history, the war-torn Muromachi period (c. 1350 – 1575). In these two centuries a number of gifted warriors, steeped in the teachings of Sun-Tzu and the Chinese Military Classics, developed their own concepts of the arts of warfare, expressed in personal combat, to heights of formidable effectiveness. Rather than consider the weaknesses and strengths of the medieval military command structures, the author focuses instead on certain basic strategies still to be found in the upper levels of these individual masters’ teachings, some of which have fortunately survived the five hundred or more years that have elapsed since these strategists passed away. Sun-Tzu’s lasting legacy was encapsulated in one simple statement: ‘All warfare is based on deception’. This volume, supported by a sixteen-page Plate Section, demonstrates how, and from where, some of these master swordsmen derived their unique understanding of these ancient teachings.
Shinchō-Kō ki, the work translated here into English under the title “The Chronicle of Lord Nobunaga,” is the most important source on the career of one of the best known figures in all of Japanese history—Oda Nobunaga (1534-1582), the first of the “Three Heroes” who unified Japan after a century of fragmentation and internecine bloodshed. The other two of the triad, Toyotomi Hideyoshi (1537-1598) and Tokugawa Ieyasu (1543-1616), also make frequent appearances in this chronicle, playing prominent although clearly subordinate roles. So the chronicle also is an important source on their early careers, as it is on a constellation of other actors in Japan’s sixteenth-century drama. The chronicle’s author, Ōta Gyūichi, was Nobunaga’s former retainer and an eyewitness of some of the events he describes. He completed his work about the year 1610.
In an environment where Budo has lost much of its original spirit in the inevitable process of changing attitudes towards sport, Roald Knutsen reappraises and reaffirms the profound and intrinsic importance of the underlying warrior culture and its real legacy. Technical knowledge rests entirely in the dojo; this book is intended to show those interested something of the roots that underpin the true Bujutsu and Budo, and to throw some light on the other complex influences from the past that have enriched so many of the surviving traditions. A number of these roots are purely warrior-based in nature, others are intellectual or even esoteric. If a student is only searching for technique, then this book will be of limited value. But for those inclined to look below the surface, there is much to commend it. Indeed, it will be widely welcomed by more serious Budo practitioners, as well as interested observers, who are looking for a return to 'first principles', concerned more about substance than style, and thereby gain valuable insight into the mind-set of Japan's unique warrior culture.
With the Meiji Restoration in 1868, Japan opened its doors to the West and underwent remarkable changes as it sought to become a modern nation. Accompanying the political changes that Western trade ushered in were widespread social and cultural changes. Newspapers, novels, poems, and plays from the Western world were soon adapted and translated into Japanese. The combination of the rich storytelling tradition of Japan with the realism and modernism of the West produced some of the greatest literature of the modern age. Historical Dictionary of Modern Japanese Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Japanese literature.
With the Meiji Restoration in 1868, Japan opened its doors to the West and underwent remarkable changes as it sought to become a modern nation. Accompanying the political changes that Western trade ushered in were widespread social and cultural changes. Newspapers, novels, poems, and plays from the Western world were soon adapted and translated into Japanese. The combination of the rich storytelling tradition of Japan with the realism and modernism of the West produced some of the greatest literature of the modern age. The A to Z of Modern Japanese Literature and Theater presents a broad perspective on the development and history of literature-narrative, poetry, and drama-in modern Japan. This book offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Japanese literature.
Traces the life of the Japanese author who went from sickly youth to dedicated student of the martial arts, looking at his family life, the wartime years, and his career as a writer who advocated for traditional values.
This is the first book in English to provide a fully illustrated guide to the use of polearms - ranging from the earliest halberds and spears reaching Japan from the Asian mainland to the sophisticated naginata, nagamaki and various forms of yari used by the Japanese samurai through the medieval period. While the sword remains the best known of Japanese weapons, it was the halberd (naginata) and then the yari that dominated the battlefields up to the early seventeenth century, and thereafter the yari became an important status symbol to many warrior families. Additionally, the authors focus on the actual method of use of these weapons, hitherto an almost unknown aspect in the West.
The Clear Mirror (Masukagami) is an account of Japanese history from 1185 to 1333 by an anonymous author, almost certainly a court noble writing around the third quarter of the fourteenth century. During this time, the military government at Kamakura controlled the country, maintaining the emperor with his court at Kyoto as symbolic head of state. Though the imperial court had little real power, it attempted to maintain as much of its former dignity and prestige as it could. The Clear Mirror is at least semi-fictionalized, promoting a picture of a court healthier and more powerful than it really was. Moreover, the work sees the court as guardian of its own traditional arts and lifestyle, and thus provides not only a history of imperial succession and other events but also copious examples of poetic expressions and descriptions of courtly traditions and ceremonies. Because of its attempt to exemplify the best in the courtly prose tradition (it is noted for its imitation of the style of the masterpiece The Tale of Genji), the work has long been valued in Japan as much for its artistic literary contribution as for its historical significance. The present translation makes available to English readers the last significant work belonging to the genre of "historical tales" (rekishi monogatari), another example of which is A Tale of Flowering Fortunes (translated by William and Helen Craig McCullough, Stanford, 1980). The introduction provides a brief summary of the significant historical and political events of the period, together with a discussion of the significance of The Clear Mirror within the "historical tales" tradition, and comments on the literary strengths and weaknesses of the work. A glossary identifies people and places mentioned in the text, and an appendix discusses details concerning the work's authorship, possible dates of initial publication, and other matters relating to the original manuscript.