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Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan’s longest and most significant people’s movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
Why did certain domestic murders fire the Victorian imagination? In her analysis of literary and cultural representations of this phenomenon across genres, Bridget Walsh traces how the perception of the domestic murderer changed across the nineteenth century and suggests ways in which the public appetite for such crimes was representative of wider social concerns. She argues that the portrayal of domestic murder did not signal a consensus of opinion regarding the domestic space, but rather reflected significant discontent with the cultural and social codes of behaviour circulating in society, particularly around issues of gender and class. Examining novels, trial transcripts, medico-legal documents, broadsides, criminal and scientific writing, illustration and, notably, Victorian melodrama, Walsh focuses on the relationship between the domestic sphere, so central to Victorian values, and the desecration of that space by the act of murder. Her book encompasses the gendered representation of domestic murder for both men and women as it tackles crucial questions related to Victorian ideas of nationhood, national health, political and social inequality, newspaper coverage of murder, unstable and contested models of masculinity and the ambivalent portrayal of the female domestic murderer at the fin de siècle.
A shocking account of the savage world in which Sherlock Holmes operated. The crimes of The Ripper; Conan Doyle's knowledge of the killer's identity; the methods employed by criminals, and of their pursuers; the harrowing truth about Holmes' drug abuse, and of his gang of 'street arabs', the long-lost crime monographs by the Baker Street sleuth; and much more, this book tells the true story of Holmes' gas-lit and sinister criminal world. "Victorian society was violent & exploitive..., footpads and garrotters stalked the streets of the City...beggars were rife.". Kelvin is the author of many books about Holmes, the definitive biography of Doyle as a spiritualist & the 3 volume edition of the author's spiritualist writings. A distinguished life member of the Sherlock Holmes Society of London, he has published contemporary crime novels and poetry, and is a member of the Crime Writers' Association. "The almost legendary Mr Jones..."- Roger Johnson, commissioning ed. of The Sherlock Holmes Journal. "Kelvin Jones takes the reader into Victorian England, walking side by side with the Great Detective..., an all-round, relentless researcher..." - Mark Alberstaat, ed. of Canadian Holmes.