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Reprint of the original, first published in 1882.
Sing! has grown from Keith and Kristyn Getty’s passion for congregational singing; it’s been formed by their traveling and playing and listening and discussing and learning and teaching all over the world. And in writing it, they have five key aims: • to discover why we sing and the overwhelming joy and holy privilege that comes with singing • to consider how singing impacts our hearts and minds and all of our lives • to cultivate a culture of family singing in our daily home life • to equip our churches for wholeheartedly singing to the Lord and one another as an expression of unity • to inspire us to see congregational singing as a radical witness to the world They have also added a few “bonus tracks” at the end with some more practical suggestions for different groups who are more deeply involved with church singing. God intends for this compelling vision of His people singing—a people joyfully joining together in song with brothers and sisters around the world and around his heavenly throne—to include you. He wants you,he wants us, to sing.
Excerpt from The Christian Hymnal: A Choice Collection of Hymns and Tunes for Congregational and Social Worship In the compilation of the christian hymnal, the Trustees beg leave to say that, while they have had an eye to a just economy, they have, at the Same time, spared no means to make the book as perfect as possible. To this end, they have not only secured the best copyrighted music now in use, but have also had written expressly for this work a number of new tunes by some of the most talented and popular composers in this country. Such names as Dr. Thomas Hastings, T. J. Cook, John Zundel, T. E. Perkins, Silas J. Vail; Philip Phillips, W. H. Doane, Solon Wilder, A. Squire, etc., need only be mentioned to assure the superior character of the new music introduced. These men have all been in constant correspondence with the Editing Com mittee in Cincinnati, and have rendered valuable assistance in the preparation of the work. Thanks are especially due to Mr. W. H. Doane, of this city, for suggestions in reference to the general plan and style Of the book, as well as for his admirable contributions to it. The Editing Committee have kept constantly in view the importance or meeting the wants of all classes in our churches; hence they have attempted to bring the Old and New together in such a dress, and in such relations to each other, as that there shall be no incompatibility between them. The old standard tunes that have stood the test of long use will be found always to occupy the first place, while many familiar pieces, that are especially valuable because of endearing associations, have been harmonized expressly for this work by the best harmonists in the United States. These, with all other new arrangements, are marked with a star thus: - and should not be used in other works without permission. The same caution should be observed in reference to all music marked (new), such pieces having been written ex pressly for the christian hymnal. The hymns, with a few exceptions, have been selected from the Christian Hymn Book, and embrace every variety of meter in that book. An index has been arranged, in which all the omitted hymns of the Christian Hymn Book are referred to pages in this book where suitable tunes may be found. Hence a complete adaptation to the entire Hymn Book is provided for, and this, of itself, renders the hymnal invaluable, as it contains 'a larger variety of metrical music than any other book now published. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Poet John Greenleaf Whittier (1807-1892) proved a significant contributor to American Protestant hymnody--since 1843, more than 2,100 hymnals published in the United States have included adaptations of his works--despite the fact that Whittier never considered himself a hymnist. This book compares and contrasts Whittier's original published texts with versions adapted as hymns, exhibiting the hymnodic elements of his poetry and displaying the textual changes to Whittier's lines by hymnal editors from a variety of denominations. The work offers in-depth comparative studies of many of his poems and their resultant hymns, a catalogue of hymns-from-poems, a chronology of Whittier's life and works, notes, bibliography and index.
The new Presbyterian hymnal, Glory to God, will be published in September of 2013 but is now available for pre-order for individuals and congregations. This new book of congregational song will include: Over 800 hymns, psalms, and spiritual songs. Approximately 50% of included hymns will be from the 1990 Presbyterian hymnal. The remaining pieces will come from former Presbyterian hymnals, other denominational songbooks, and individual authors and composers. A musical setting of almost every Sunday lectionary psalm. Music from six different continents. Music covering all major historical and contemporary sacred genres, including approximately thirty-five African American/Gospel hymns. Comprehensive indexes. Glory to God will also contain worship aids and printed liturgies for Sunday services (including baptism and the Lord's Supper) and services for daily prayer. Complete orders of service will include congregational responses, prayers, and creeds. These will be perfect resources for "green" congregations, camps and conference centers, daily prayer services, and time-pressed pastors. The pew edition of Glory to God is available in either of two colors, red and purple, in either of two versions: a Presbyterian edition and an ecumenical edition. The Presbyterian version is Glory to God: The Presbyterian Hymnal and will be stamped with the PC(USA) seal on the spine. The ecumenical version is Glory to God: Hymns, Songs, and Spiritual Songs and will not have the seal. The contents of both editions are identical. "
"This book originated in a conference, Music, Cultural History and the Wesleys, hosted by CHOMBEC (Centre for the History of Music in Britain, the Empire and the Commonwealth) and held at the University of Bristol in July 2007"--Pref.
From its beginnings in the Bible, Christian hymnology has fulfilled three functions -- praise, recital and teaching of the Myth, and collective and personal adoration as well as the foundation and worship of the church. In Hymns and the Christian Myth, Lionel Adey demonstrates that over the centuries shifts emphasizing particular elements of the Christian faith accord with the interests and concerns of the times in which the hymns were composed.