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"An impressive collection of ninety-two abridged essays identifying the Christian elements in Shakespeare's plays . . . a great feast of learning and beauty." —First Things "This is an exceptionally valuable book . . . very highly recommended" —Sixteenth Century Journal " . . . an exemplary work. In an age when footling matters often replace the great religious quandaries about what it means to live and die before God, Shakespeare's Christian Dimension helps restore our focus." —Pro Ecclesia This anthology reprints abridged versions of 92 critical commentaries on the influence of Shakespeare's Christian heritage on the shaping of his plays. It does not attempt to be exhaustive in its coverage, but to provide a useful sampling of valuable work. A supplementary bibliography of more than 250 further items encourages interested readers to further exploration.
This interdisciplinary study traverses the disciplines of translation studies, hermeneutics, theater studies, and sociology. Under the "power turn" or "political turn" in translation studies, the omission and untranslatability of religious material are often seen as the product of censorship or self-censorship. But the theology of each individual translating agent is often neglected as a contributing factor to such untranslatability. This book comprehensively traces the hermeneutical process of the translators as readers, and the situational process and semiotics of theater translation. Together these factors contribute to an image of translated literature that in turn influences the literature's reception. While translation theorists influenced by the current "sociological turn" view social factors as determining translation activities and strategies, this volume argues that the translator's or the dramatist's theology and religious values interact with the socio-cultural milieu to carve out a unique drama production. Often it is the religious values of the translating agents that determine the product, rather than social factors. Further, the translatability of religious discourse should be understood in a broader sense according to the seven dimensions proposed by Ninian Smart, rather than merely focusing on untranslatability as a result of semantic and linguistic differences.
An essential introductory text that provides students with a lively and enjoyable tour of Shakespeare's life, his writing career and the theatre of his time. Concise yet comprehensive, the guide examines the texts of twenty widely-studied plays, and the Sonnets, illuminating both their original contexts and their later reception. Lucidly written, with no jargon, this is an invaluable overview of Shakespeare's life and works for students who may be studying Shakespeare for the first time. This is an ideal set text for modules on Shakespeare, Jacobean Drama or Renaissance/ Early Modern Literature which may be offered at all levels of an undergraduate Literature degree. In addition it is a helpful resource for students who may be studying Shakespeare's plays as part of a taught postgraduate degree in Literature. New to this Edition: - New material on politics and history - Clearer chapter titles and explanation of the scope and rationale of the book - Updated and expanded bibliography with more on gender, performance, politics and history
This book assesses William Shakespeare in the context of political and religious crisis, paying particular attention to his Catholic connections, which have heretofore been underplayed by much Protestant interpretation. Bourgeois Richmond's most important contribution is to study the genre of romance in its guise as a 'cover' for recusant Catholicism, drawing on a long tradition of medieval-religious plays devoted to the propagation of Catholic religious faith.
Shakespeare has traditionally been viewed as Queen Elizabeth's 'poet laureate', and as the official mouthpiece of the Elizabethan age. But the Elizabethan world was torn apart by the religious divisions initiated by the Reformation, and vitiated by the government's merciless persecution of Catholics. As it was the victors who wrote the history, the English Reformation has been portrayed as a peaceful transition enjoying majority support, when in fact it was nothing of the kind. Elizabeth's regime was a police state which sanctioned the use of torture, where Catholic priests and those who harboured them were liable to summary and bloody execution. The persecution of Catholics was continued by James I, evoking the violent response of the Gunpowder Plot. The Heart of His Mystery examines Shakespeare's life and work against this background. There is strong biographical evidence that he was himself a Catholic, and a detailed survey of his plays and poems shows that his imagination was intimately bound up with his religious faith. When we realise that his human compassion grew from his membership in a persecuted community, we can glimpse the mystery he has encrypted in his works and we come closer to understanding the hidden heart of Shakespeare the man.
This book throws new light on the issue of the dramatist's religious orientation by dismissing sectarian and one-sided theories, tackling the problem from the angle of the variegated Elizabethan context recently uncovered by modern historians and theatre scholars. It is argued that faith was a quest rather than a quiet certainty for the playwright.
Explores the challenges of maintaining bonds, living up to ideals, and fulfilling desire in Shakespeare’s plays In Thinking About Shakespeare, Kay Stockholder reveals the rich inner lives of some of Shakespeare’s most enigmatic characters and the ways in which their emotions and actions shape and are shaped by the social and political world around them. In addressing all genres in the Shakespeare canon, the authors explore the possibility of people being constant to each other in many different kinds of relationships: those of lovers, kings and subjects, friends, and business partners. While some bonds are irrevocably broken, many are reaffirmed. In all cases, the authors offer insight into what drives Shakespeare’s characters to do what they do, what draws them together or pulls them apart, and the extent to which bonds can ever be eternal. Ultimately, the most durable bond may be between the playwright and the audience, whereby the playwright pleases and the audience approves. The book takes an in-depth look at a dozen of The Bard’s best-loved works, including: A Midsummer Night’s Dream; Romeo and Juliet; The Merchant of Venice; Richard II; Henry IV, Part I; Hamlet; Troilus and Cressida; Othello; Macbeth; King Lear; Antony and Cleopatra; and The Tempest. It also provides an epilogue titled: Prospero and Shakespeare. Written in a style accessible for all levels Discusses 12 plays, making it a comprehensive study of Shakespeare’s work Covers every genre of The Bard’s work, giving readers a full sense of Shakespeare’s art/thought over the course of his oeuvre Provides a solid overall sense of each play and the major characters/plot lines in them Providing new and sometimes unconventional and provocative ways to think about characters that have had a long critical heritage, Thinking About Shakespeare is an enlightening read that is perfect for scholars, and ideal for any level of student studying one of history’s greatest storytellers.
If Shakespeare's last plays—Pericles, Cymbeline, The Winter's Tale, The Tempest, and Henry VIII—are to be neither debunked nor idealized but taken seriously on their own terms, they must be examined within the traditions and conventions of romance. Howard Felperin defines this relatively neglected literary mode and locates these plays within it. But, as he shows, romance was not simply an established genre in which Shakespeare worked at both the beginning and end of his career but a mode of perceiving the world that pervades and shapes his entire work. The last plays are examined to answer such questions as: How does Shakespeare raise to a higher power the conventions of romance available to him, particularly those of the native medieval drama? How does he bring us to accept these elements of romance? Above all, how does romance, the mode in which the imagination enjoys its freest expression, become the vehicle, not of beautiful, escapist fantasy but of moral truth? Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.