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"Explores the early works of seventeenth-century Spanish painter Diego Velâazquez. Focuses on works from 1617 to 1623, examining the painter's critical engagement with the artistic, religious, and social practices of his native Seville"--Provided by publisher.
This book is a new translation, in contemporary English, of Miguel de Unamuno's 1920 masterpiece book-length poem about another masterpiece of Western Civilization, Diego Velázquez's "The Christ of San Plácido," which is commonly known as "The Christ of Velázquez." The translation by William Thomas Little is accompanied by a full scholarly introduction and poem-by-poem commentary. Unamuno, Spain's foremost public intellectual of the early twentieth century, considered this book his masterpiece. This is a book of poetry and religious devotion as well as an ekphrasis, that is, a detail-by-detail meditation on one of the world's greatest paintings. Composed of eighty-nine poems that are fully integrated one with the other, the result is a masterpiece of spiritual meditation via poetical expression.
Diego Velázquez (15991660) was one of the towering figures of western painting and Baroque art, a technical master renowned for his focus on realism and startling veracity. Everything he painted was treated as a portrait, from Spanish royalty and Pope Innocent X, to a mortar and pestle. This comprehensive introduction to Velázquezs life and art includes a discussion of all his major works, and illustrates most of Velázquezs surviving output of approximately 110 paintings. The artists greatest innovation his unorthodox and revolutionary technique is explored in relation to the styles of certain of his most celebrated contemporaries both in Spain and beyond, including Titian and Rubens. The book concludes with a final chapter on the influence and importance of Velázquezs art on later painters from the time of his own death to the art of recent times including Francisco Goya, Pablo Picasso, Francis Bacon and the Impressionists.
For so many champions of art history, the ultimate sounding board was--and remains--Diego Rodríguez de Silva y Velázquez. First available as an XXL volume, this accessible edition presents his complete works in beautiful reproductions, including enlarged details and photography of recently restored paintings.
Much of what happens in our lives is not what we planned, not what we expected, and certainly not what we would have chosen. At a young age, Jaci Velasquez’s singing career rocketed to stardom, and her marriage thrived—then both suddenly crashed. Losing her reputation, her record label, and even some of her most-treasured relationships, Jaci began a long, healing journey from thinking of herself not as a Christian music darling or a broken young woman but as a beloved child of God. Today, her renewed faith carries her through a resurrected career, the adventures of a second marriage, and the ups-and-downs of being a mother of a child who has autism. When God Rescripts Your Life is Jaci’s exploration of the lessons she’s learned living a story full of mistakes and grace, rejection and contentment, worldly success and spiritual rest. Drawing on lessons from biblical characters such as Aaron, Joseph, and Paul, as well as from illustrations from her own life, Jaci reminds us how God loves to rewrite pain and weakness into a glorious tale of redemption. The most difficult parts of life don’t need to be removed; they need to be rescripted.
This exploration of Iberian, Latin American, and US-Hispanic representations of Christ focuses on outliers in art, literature, and theology: Spanish painter Salvador Dalí, Mexican muralist José Clemente Orozco, Argentine writer Jorge Luis Borges, Spanish existentialist Miguel de Unamuno, Brazilian theologian Leonardo Boff, and Mexican philosopher José Vasconcelos, some of the most brilliant stars in the Spanish and Latin American firmament. Their work, and that of others, stands out from the conventional and the traditional, stretching our imagination by opening our eyes to what we do not want to see. The author also reflects on such significant lesser-known writers as New Mexican author, painter, and priest Fray Angélico Chávez; Argentine writer and political leader Ricardo Rojas, author of The Invisible Christ; Mexican American theologian Virgilio Elizondo; and Chicana feminist Gloria Anzaldúa, author of Borderlands/La Frontera: The New Mestiza. He shows how artists project their concerns onto representations of Christ and how the perceptions of the reader and viewer reflect their culture and their psychology. Along the way, Candelaria explores the philosophical issues of representation in aesthetics and the problems of hermeneutics and identity.
Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by Édouard Manet. Since then, further contemporary artists such as Pablo Picasso and Salvador Dalí have paid homage to their famous compatriot by recreating several of his most famous works.