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The Cynewulf Reader is a collection of classic and original essays presenting a comprehensive view of the elusive Anglo-Saxon poet Cynewulf, his language, and his work.
The Exeter Book (1936) contains the texts of the Exeter Book, the largest of the great miscellanies of Anglo-Saxon poetry, together with an extensive introduction and notes.
Published in 1910, this volume presents translations of eight poems attributed to the poet Cynewulf. Covering the poems Juliana, Christ, Elene and Fates of the Apostles, which have been signed by Cynewulf, and Andreas, Guthlac, Phoenix, Dream of the Rood and Riddles, that have been assigned to Cynewulf by experts from the field, the author provides accompanying historical reference points to provide focus and context for the writings.
What makes one Anglo-Saxon poem better than another? Why does Beowulf still have the power to move us after so many centuries? What might have been aesthetically pleasing to Old English readers and writers of poetry? While there is an apparent consensus by scholars on a core of poems considered to be exceptional literary achievements - Beowulf, Judith, the Vercelli book - there has been little systematic investigation of the basis for these appraisals. With new essays on rhetoric, wordplay, meter, structure, irony, form, psychology, ethos, and reader response, the contributors to this collection aim to find objective aesthetic qualities in Anglo-Saxon poetry. Posing questions of quality and beauty as discoverable in artefacts, On the Aesthetics of Beowulf and Other Old English Poems significantly advances our understanding not only of aesthetics and Old English poetry, but also of Old English attitudes towards literature as an art form.