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The Chorus Girl and Other Stories is the eighth volume of the Tales of Chekhov; a collection of twelve short stories by Russian author Anton Chekhov. Stories in this collection include: The Chorus Girl; Verotchka; My Life; At A Country House; A Father; On The Road; Rothschild's Fiddle; Ivan Matveyitch; Zinotchka; Bad Weather; A Gentleman Friend; and, A Trivial Incident.
Reproduction of the original: The Chorus Girl and Other Stories by Anton Chekhov
ONE day when she was younger and better-looking, and when her voice was stronger, Nikolay Petrovitch Kolpakov, her adorer, was sitting in the outer room in her summer villa. It was intolerably hot and stifling. Kolpakov, who had just dined and drunk a whole bottle of inferior port, felt ill-humoured and out of sorts. Both were bored and waiting for the heat of the day to be over in order to go for a walk. All at once there was a sudden ring at the door. Kolpakov, who was sitting with his coat off, in his slippers, jumped up and looked inquiringly at Pasha.
Stephen Crane was an American poet, novelist, and short story writer. He is recognized by modern critics as one of the most innovative writers of his generation. In fiction, Crane pioneered a naturalistic and unsentimental style of writing that was strongly influenced by Crane's experiences as a journalist. He wrote notable works in the Realist tradition as well as early examples of American Naturalism and Impressionism. His Civil War novel The Red Badge of Courage (1895) is a classic of American literature that realistically depicts the psychological complexities of fear and courage on the battlefield. Crane's novella Maggie: A Girl of the Streets (1893) is also acclaimed as an important work in the development of literary Naturalism. Crane was also the author of some of the most unusual poetry in all of nineteenth century English literature. Written in free verse and focusing on paradoxical, almost dream-like images, Crane's poetry endures as one of the most unique contributions to the American canon. Crane authored a single collection of poetry, The Black Riders, and Other Lines. THE RED BADGE OF COURAGE MAGGIE: A GIRL OF THE STREETS THE THIRD VIOLET THE MONSTER AND OTHER STORIES THE LITTLE REGIMENT AND OTHER EPISODES OF THE AMERICAN CIVIL WAR LAST WORDS WOUNDS IN THE RAIN THE OPEN BOAT AND OTHER STORIES MEN, WOMEN, AND BOATS THE BLACK RIDERS AND OTHER LINES
A lively look at the ways in which American women in the 1920s transformed their lives through performance and fashion. New definitions of American femininity were formed in the pivotal 1920s, an era that vastly expanded the "market" for sexually explicit displays by women. Angela J. Latham shows how quarrels over and censorship of women's performance — particularly in the arenas of fashion and theater — uniquely reveal the cultural idiosyncracies of the period and provide valuable clues to the developing iconicity of the female body in its more recent historical phases. Through disguise, display, or judicious appropriation of both, performance became a crucial means by which women contested, affirmed, mitigated, and revolutionized norms of female self-presentation and self-stylization. Fashion was a hotly contested arena of bodily display. Latham surveys 1920s fashion trends and explores popular fashion rhetoric. Resistance to social mandates regarding women's fashion was nowhere more pronounced than in the matter of "bathing costumes." Latham critiques locally situated contests over swimwear, including those surrounding the first Miss America Pageant, and suggests how such performances sanctioned otherwise unacceptable self-presentations by women. Looking at American theater, Latham summarizes major arguments about censorship and the ideological assumptions embedded within them. Although sexually provocative displays by women were often the focus of censorship efforts, "leg shows," including revues like the Zeigfeld Follies, were in their heyday. Latham situates the popularity of such performances that featured women's bodies within the larger context of censorship in the American theater at this time.