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Ernest Newman's book on Hugo Wolf spread the Austrian composer's fame as a song writer throughout the English-speaking world. First published in 1907, it was the first exhaustive study in English of Wolf's qualities as a song writer, and remained, indeed, for nearly half acentury, the only book on Wolf written in English. Beginning with Wolf's early struggles (his father's objections to his becoming a musician, his repeated failures at school, his prolonged bouts with poverty), the book follows Wolf's career, first as the musical critic of the Vienna "Salonblatt," where his acid comments earned him the enmity of many, his productive years as a composer, and his final mental collapse and general paralysis that ended in his premature death at the age of 43. The author reconstructs the alternating periods of depression and creativity, describing with special excitement the birth of Wolf's beautiful song cycles: the Keller songs, the Spanish, Mörike, Goethe, and Eichendorff volumes. Even more fascinating and valuable than the biographical narrative are the sections that analyze Wolf's music and his unique contribution to song writing. Never hiding his own deep admiration for Wolf, Newman writes with exuberance and keen perception, guiding the reader to a true awareness of Wolf's genius as a composer. His chapter headed "The Songs" is particularly significant, not only for its insights into Wolf's own work, but for the extremely sensitive handling of the whole problem of song writing and the important relationship between music and poetry. Other chapters deal with Wolf's miscellaneous choral and instrumental works and his operas "Der Corregidor" and "Manuel Venegas."
From the author of the critically acclaimed "Choral Music in the Twentieth Century" comes an indispensable resource for choral conductors, choral singers, and other music lovers, and an essential text for educators and their students. Strimple covers repertory by Beethoven, Brahms, Mendelssohn, and lesser figures.
With a foreword by the legendary accompanist, Gerald Moore, Eric Sams' study (Faber 1961, revised 1983) is a notable landmark in the establishment of Wolf as one of the supreme masters of German song. Comprehensively revised and enlarged in 1983, the main subject matter remains the 242 published songs that Wolf wrote for voice and piano, though the Ibsen songs for voice and orchestra are also discussed. English translations are provided and the backgrounds to the original poems by Morike, Eichendorff and Goethe, as well as the Italian and Spanish sources from which the songbooks were drawn, are fully explored. Each song is dated, its keys identified and vocal range determined. 'This is the most important book in the English language on the songs of Hugo Wolf since Ernest Newman proclaimed the composer's genius in 1907 . . . To the English-speaking student this work is a treasure to which he will find himself returning again and again: it is indispensable to those of us anxious to gain a deeper knowledge of Wolf.' Gerald Moore