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Bobby “Blue” Bland’s silky-smooth vocal style and captivating live performances helped propel the blues out of Delta juke joints and into urban clubs and upscale theaters. Until now, his story has never been told in a book-length biography. Soul of the Man: Bobby “Blue” Bland relates how Bland, along with longtime friend B. B. King, and other members of the loosely knit group who called themselves the Beale Streeters, forged a new electrified blues style in Memphis in the early 1950s. Combining elements of Delta blues, southern gospel, big-band jazz, and country and western music, Bland and the Beale Streeters were at the heart of a revolution. This biography traces Bland’s life and recording career, from his earliest work through his first big hit in 1957, “Farther Up the Road.” It goes on to tell the story of how Bland scored hit after hit, placing more than sixty songs on the R&B charts throughout the 1960s, ’70s, and ’80s. While more than two-thirds of his hits crossed over onto pop charts, Bland is surprisingly not widely known outside the African American community. Nevertheless, many of his recordings are standards, and he has created scores of hit albums such as his classic 1961 Two Steps from the Blues, widely considered one of the best blues albums of all time. Soul of the Man contains a select discography of the most significant recordings made by Bland, as well as a list of all his major awards. A four-time Grammy nominee, he received Lifetime Achievement Awards from the National Academy of Recording Arts and Sciences and the Blues Foundation, as well as the Rhythm & Blues Foundation’s Pioneer Award. He was also inducted into the Rock & Roll Hall of Fame and the Blues Foundation’s Hall of Fame. This biography at last heralds one of America’s great music makers.
The vivid history of Beale Street—a lost world of swaggering musicians, glamorous madams, and ruthless politicians—and the battle for the soul of Memphis. Following the Civil War, Beale Street in Memphis, Tennessee, thrived as a cauldron of sex and song, violence and passion. But out of this turmoil emerged a center of black progress, optimism, and cultural ferment. Preston Lauterbach tells this vivid, fascinating story through the multigenerational saga of a family whose ambition, race pride, and moral complexity indelibly shaped the city that would loom so large in American life. Robert Church, who would become “the South’s first black millionaire,” was a mulatto slave owned by his white father. Having survived a deadly race riot in 1866, Church constructed an empire of vice in the booming river town. He made a fortune with saloons, gambling, and—shockingly—white prostitution. But he also nurtured the militant journalism of Ida B. Wells and helped revolutionize American music through the work of composer W.C. Handy, the man who claimed to have invented the blues. In the face of Jim Crow, the Church fortune helped fashion the most powerful black political organization of the early twentieth century. Robert and his son, Bob Jr., bought and sold property, founded a bank, and created a park and auditorium for their people finer than the places whites had forbidden them to attend. However, the Church family operated through a tense arrangement with the Democrat machine run by the notorious E. H. “Boss” Crump, who stole elections and controlled city hall. The battle between this black dynasty and the white political machine would define the future of Memphis. Brilliantly researched and swiftly plotted, Beale Street Dynasty offers a captivating account of one of America’s iconic cities—by one of our most talented narrative historians.
A Rolling Stone-Kirkus Best Music Book of 2020 “[Brother Robert} book does much to pull the blues master out of the fog of myth.”—Rolling Stone An intimate memoir by blues legend Robert Johnson's stepsister, including new details about his family, music, influences, tragic death, and musical afterlife Though Robert Johnson was only twenty-seven years young and relatively unknown at the time of his tragic death in 1938, his enduring recordings have solidified his status as a progenitor of the Delta blues style. And yet, while his music has retained the steadfast devotion of modern listeners, much remains unknown about the man who penned and played these timeless tunes. Few people alive today actually remember what Johnson was really like, and those who do have largely upheld their silence-until now. In Brother Robert, nonagenarian Annye C. Anderson sheds new light on a real-life figure largely obscured by his own legend: her kind and incredibly talented stepbrother, Robert Johnson. This book chronicles Johnson's unconventional path to stardom, from the harrowing story behind his illegitimate birth, to his first strum of the guitar on Anderson's father's knee, to the genre-defining recordings that would one day secure his legacy. Along the way, readers are gifted not only with Anderson's personal anecdotes, but with colorful recollections passed down to Anderson by members of their family-the people who knew Johnson best. Readers also learn about the contours of his working life in Memphis, never-before-disclosed details about his romantic history, and all of Johnson's favorite things, from foods and entertainers to brands of tobacco and pomade. Together, these stories don't just bring the mythologized Johnson back down to earth; they preserve both his memory and his integrity. For decades, Anderson and her family have ignored the tall tales of Johnson "selling his soul to the devil" and the speculative to fictionalized accounts of his life that passed for biography. Brother Robert is here to set the record straight. Featuring a foreword by Elijah Wald and a Q&A with Anderson, Wald, Preston Lauterbach, and Peter Guralnick, this book paints a vivid portrait of an elusive figure who forever changed the musical landscape as we know it.
The little-known story of an iconic photographer, whose work captured—and influenced—a critical moment in American history. Ernest Withers took some of the most legendary images of the 1950s and ’60s: Martin Luther King, Jr., riding a newly integrated bus in Montgomery, Alabama; Emmett Till’s uncle pointing an accusatory finger across the courtroom at his nephew’s killer; scores of African-American protestors carrying a forest of signs reading “i am a man.” But at the same time, Withers was working as an FBI informant. In this gripping narrative history, Preston Lauterbach examines the complicated political and economic forces that informed Withers’s seeming betrayal of the people he photographed, and “does a masterful job of telling the story of civil rights in Memphis in the 1960s” (Ed Ward, Financial Times), including the events surrounding Dr. King’s tumultuous final march in Memphis.
The man who could make you cry when he sang' - RONNIE WOOD. Bobby Womack was born on 4 March 1944, and died on 27 June 2014, aged 70. In a career that spanned two centuries and seven decades, the soul singer, songwriter and guitarist carved a niche for himself that has rarely been equalled, and never surpassed. He is, quite simply, irreplaceable.A phenomenally gifted musician, his incredible talent helped him to escape the ghetto and become a star, with 30 million record sales to his name. Yet behind his beautiful music lay a life scorched by tragedy. Having trod the harsh edge of the music business for decades, he finally told his explosive story in this intimate memoir. From finding success with his family gospel group The Valentinos and being whipped into shape by James Brown and Jimi Hendrix on the 'chitlin' circuit', to recording with Wilson Pickett, Eric Clapton and Elvis Presley, Womack's stellar career wove a colourful path through the history of soul, rock and R&B music. His collaborations with other musicians read like a roll of honour, from Aretha Franklin and Ray Charles to The Rolling Stones and Damon Albarn.Success came at a price, however. Womack lost his friend and mentor Sam Cooke when the soul star was gunned down in a motel. A doomed marriage to Cooke's widow followed, which severely damaged his reputation in the music business. Tragically, he lost two sons, one to suicide, as well as his brother Harry to a brutal murder. His escape was to turn to drugs. Years of riotous abuse took their toll on Womack and those closest to him - including Janis Joplin, who spent her last night drinking with the singer.But Womack's talent, searing guitar and soulful voice always survived. Cited as an influence by myriad musicians, even in death he remains the epitome of cool. Honest, insightful and unflinching, this is the authentic voice of the Midnight Mover, a supremely talented legend of music whose every day was lived to the full. 'Essential reading for any music lover' - THE INDEPENDENT
If Elvis Presley was a white man who sang in a predominantly black style, Johnny Ace was a black man who sang in a predominantly white one. This title presents a treatment of this influential performer taking the reader to Beale Street in Memphis and to Houston's Fourth Ward, both vibrant black communities where the music never stopped.
A comprehensive dictionary of blues lyrics invites listeners to interpret what they hear in blues songs and blues culture, including excerpts from original interviews with Dr. John, Bonnie Raitt, Hubert Sumlin, Buddy Guy, and many others.
“Engaging . . . [a] biography of three men bound by blood, music, and a lifelong struggle to strike a balance between the sacred and secular.”—Publishers Weekly Three cousins, inseparably bonded through music. Each became a star; their story would become a legend. J. D. Davis’s enthralling new biography of famous cousins Jerry Lee Lewis, Jimmy Swaggart, and Mickey Gilley, born within a twelve-month span in small-town Louisiana during the Great Depression, draws from exhaustive research and personal connections with friends and family. Davis recreates the irresistible and life-changing power of music that surrounded the cousins as boys and shaped their engagingly distinct paths to fame. With three personal journeys set alongside important landmarks in pop-culture history, Davis presents a unique tale of American music centered on the trials, tribulations, and achievements of three men who remain truly Unconquered. A ForeWord Reviews Book of the Year Award Honorable Mention for Biography “This is a good read, and not just for the hard-core fan. It will appeal to anyone interested in the dynamics of rock ’n’ roll, country music, and evangelical Christianity and what happens when the aesthetics and lifestyles of those three worlds collide. Highly recommended.”—Library Journal “God, the devil, and everything in between. This book is a great representation of the duality plane on which we exist.'”—Leon Russell, legendary musician, Rock and Roll Hall of Fame member “Unconquered clearly depicts the fascinating story of three great musical artists who were cousins in real life but icons in the world of music. Each man conquered life’s roadblocks to achieve his ultimate goals.”—Tom Schedler, former Louisiana Secretary of State
“Lauterbach’s tribute . . . is welcome and overdue.” —Jonathan Yardley, Washington Post For generations, "chitlin' circuit" has meant second tier—brash performers in raucous nightspots far from the big-city limelight. Now, music journalist Preston Lauterbach combines terrific firsthand reportage with deep historical research to offer a groundbreaking account of the birth of rock 'n' roll in black America.
Though many books have chronicled Jimi Hendrix's brilliant but tragically brief musical career, this is the first to use his own words to paint a detailed portrait of the man behind the guitar.