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Discusses the history of spoon carving and provides tips for the craft, outlining the tools that are needed and providing instructions for making such items as a basic spoon and a turned spoon.
Chip Carving is the art of removing small sections of wood from a single piece of timber, usually to form geometric patterns. Finished pieces can be very intricate and complex but amazing results can be achieved surprisingly easily with the right guidance. Unlike many types of woodworking, chip carving requires very few tools, usually just two knives, and is a wonderful way too decorate all manner of existing objects including boxes, plates and furniture. The author guides the reader through the process of creating 15 distinctive projects. The necessary stages are explained with the use of detailed step-by-step photographs and accompanying text. The author also explains how to go about planning and designing each project in preparation for the actual carving process.
“A beautiful, intricate meditation on creativity and discovery, on fire and rebirth.” —Elizabeth Gilbert Awestruck at the sight of a Grinling Gibbons carving in a London church, David Esterly chose to dedicate his life to woodcarving—its physical rhythms, intricate beauty, and intellectual demands. Forty years later, he is the foremost practitioner of Gibbons’s forgotten technique, which revolutionized ornamental sculpture in the late 1600s with its spectacular cascades of flowers, fruits, and foliage. After a disastrous fire at Henry VIII’s Hampton Court Palace, Esterly was asked to replace the Gibbons masterpiece destroyed by the flames. It turned out to be the most challenging year in Esterly’s life, forcing him to question his abilities and delve deeply into what it means to make a thing well. Written with a philosopher’s intellect and a poet’s grace, The Lost Carving explores the connection between creativity and physical work and illuminates the passionate pursuit of a vocation that unites head and hand and heart.
Full-color, illustrated instructions for learning chip carving, showing how to create borders, rosettes, and lettering.
Detailed instructions and full-size templates for constructing 16 beautiful, marvelously practical decoys according to the time-honored South Jersey method.
"This first volume deals with the selection, sharpening and maintenance of woodcarving tools."--Back cover.
Provides instructions for selecting and using knives and axes to make traditional Swedish woodworking projects such as carved spoons and ladles.
For woodworkers, hand tools put the emphasis on the process of woodworking rather than the result. Yet hand tools also are essential to the highest level of craftsmanship, bringing a refinement to work that machines alone cannot produce. Whether using hand tools alone as a source of pleasure, quality, or efficiency, or in combination with machines, woodworker can trust the information in Woodworking with Hand Tools, a collection of 35 articles from the experts at Fine Woodworking magazine. In Woodworking with Hand Tools, expert craftsmen explain how they choose, sharpen, and use every kind of hand tool. There's advice on tool maintenance, techniques for getting the most from the tools, and projects made using hand tools. With clear photographs, drawings, and step-by-step instructions, Woodworking with Hand Tools will be a useful and necessary resource for anyone who works wood.
The longing for authenticity, on an individual or collective level, connects the search for external expressions to internal orientations. What is largely referred to as production of authenticity is a reformulation of cultural values and norms within the ongoing process of modernity, impacted by globalization and contemporary transnational cultural flows. This collection interrogates the notion of authenticity from an anthropological point of view and considers authenticity in terms of how meaning is produced in and through discourses about authenticity. Incorporating case studies from four continents, the topics reach from art and colonialism to exoticism-primitivism, film, ritual and wilderness. Some contributors emphasise the dichotomy between the academic use of the term and the one deployed in public spaces and political projects. All, however, consider authenticity as something that can only be understood ethnographically, and not as a simple characteristic or category used to distinguish some behaviors, experiences or material things from other less authentic versions.