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The Routledge Handbook of Chinese Translation presents expert and new research in analysing and solving translation problems centred on the Chinese language in translation. The Handbook includes both a review of and a distinctive approach to key themes in Chinese translation, such as translatability and equivalence, extraction of collocation, and translation from parallel and comparable corpora. In doing so, it undertakes to synthesise existing knowledge in Chinese translation, develops new frameworks for analysing Chinese translation problems, and explains translation theory appropriate to the Chinese context. The Routledge Handbook of Chinese Translation is an essential reference work for advanced undergraduate and postgraduate students and scholars actively researching in this area.
Thinking Chinese Translation is a practical and comprehensive course for advanced undergraduates and postgraduate students of Chinese. Thinking Chinese Translation explores the ways in which memory, general knowledge, and creativity (summed up as ‘schema’) contribute to the linguistic ability necessary to create a good translation. The course develops the reader’s ability to think deeply about the texts and to produce natural and accurate translations from Chinese into English. A wealth of relevant illustrative material is presented, taking the reader through a number of different genres and text types of increasing complexity including: technical, scientific and legal texts journalistic and informative texts literary and dramatic texts. Each chapter provides a discussion of the issues of a particular text type based on up-to-date scholarship, followed by practical translation exercises. The chapters can be read independently as research material, or in combination with the exercises. The issues discussed range from the fine detail of the text, such as punctuation, to the broader context of editing, packaging and publishing translations. Major aspects of teaching and learning translation, such as collaboration, are also covered. Thinking Chinese Translation is essential reading for advanced undergraduate and postgraduate students of Chinese and translation studies. The book will also appeal to a wide range of language students and tutors through the general discussion of the principles and purpose of translation.
Lyrical translations of two famous Chinese works - Chu Sun's Three Hundred Poems of the T'ang and the Tao Te Ching - as interpreted by renowned poet Witter Bynner.
Introduction to Chinese-English Translation is the first book published in the U.S. that addresses how to translate from Chinese into English. Part One discusses basic issues in translation. Part Two introduces ten essential skills with the help of actual translation examples. Part Three deals with more advanced issues such as metaphors, idioms, and text analysis. Part Four presents six texts of different types for translation practice. A sample translation is provided for each, and translation strategies are analyzed and discussed. --This unique book is the only resource on Chinese-English translation published in the U.S. --A practical, hands-on book for anyone involved in Chinese-English translation, including professional translators, interpreters, and advanced students --Full of examples, explanations, and exercises Zinan Ye has had a long career in translation, as a medical translator and as an educator at Hangzhou University and the Monterey Institute of International Studies. He has written books on translation and writes regularly for Chinese Translators Journal. Lynette Xiaojing Shi has been a translator and interpreter for 30 years, including at the United Nations. She has taught at the University of Hawaii and the Monterey Institute of International Studies. She has translated a novel and has consulted on Chinese-English dictionaries published in China.
This book presents a thoughtful and thorough account of diverse studies on Chinese translation and interpreting (TI). It introduces readers to a plurality of scholarly voices focusing on different aspects of Chinese TI from an interdisciplinary and international perspective. The book brings together eighteen essays by scholars at different stages of their careers with different relationships to translation and interpreting studies. Readers will approach Chinese TI studies from different standpoints, namely socio-historical, literary, policy-related, interpreting, and contemporary translation practice. Given its focus, the book benefits researchers and students who are interested in a global scholarly approach to Chinese TI. The book offers a unique window on topical issues in Chinese TI theory and practice. It is hoped that this book encourages a multilateral, dynamic, and international approach in a scholarly discussion where, more often than not, approaches tend to get dichotomized. This book aims at bringing together international leading scholars with the same passion, that is delving into the theoretical and practical aspects of Chinese TI.
The first full-length monograph on the history of the translation of the Bible into Chinese, this book tells a fascinating story beginning with Western missionaries working closely with Chinese assistants. They struggled for one hundred years to produce a version that would meet the needs of a growing Chinese church, succeeding in 1919 with publication of the Chinese Union Version (CUV). Celebrating the CUV’s centennial, this volume explores the uniqueness and contemporary challenges in the context of the history of Chinese Bible translation, a topic that is attracting more and more attention. Peng’s experiences give her a unique perspective and several advantages in conducting this research. Like the majority of readers of the CUV, she grew up in mainland China. When Chinese Christians went through severe political and economic ordeals, she was there to witness the CUV comforting those who were suffering under persecution. She has participated in Chinese Bible revision under the United Bible Societies. She was also director of the Commission on Bible Publication at the China Christian Council and chief editor of the CUV concise annotated version (1998).
Arthur Sze has rare qualifications when it comes to translating Chinese: he is an award-winning poet who was raised in both languages. A second-generation Chinese-American, Sze has gathered over 70 poems by poets who have had a profound effect on Chinese culture, American poetics and Sze's own maturation as an artist. Also included is an informative insightful essay on the methods and processes involved in translating ideogrammic poetry. MOONLIGHT NIGHT by Tu Fu can only look out alone at the moon. From Ch'ang-an I pity my children who cannot yet remember or understand. Her hair is damp in the fragrant mist. Her arms are cold in the clear light. When will we lean beside the window and the moon shine on our dried tears? Sze's anthology features poets who have become literary icons to generations of Chinese readers and scholars. Included are the poems of the great, rarely translated female poet Li Ching Chao alongside the remorseful exile poems of Su Tung-p'o. This book will prove a necessary and insightful addition to the library of any reader of poetry in translation. The poets include: T'ao Ch'ien Wang Han Wang Wei Li Po Tu Fu Po Chü-yi Tu Mu Li Shang-yin Su Tung-p'o Li Ch'ing-chao Shen Chou Chu Ta Wen I-to Yen Chen Arthur Sze is the author of six previous books of poetry, including The Redshifting Web and Archipelago. He has received the Asian American Literary Award for his poetry and translation, a prestigious Lannan Literary Award, and was recently a finalist for the Leonore Marshall Poetry Prize. He teaches at the Institute of American Indian Arts. from A Painting of a Cat Nan Ch'uan wanted to be reborn as a water buffalo, but who did the body of the malicious cat become? Black clouds and covering snow are alike. It took thirty years for clouds to disperse, snow to melt. -Pa-ta-shan-jen (1626-1705) The Last Day Water sobs and sobs in the bamboo pipe gutter. Green tongues of banana leaves lick at the windowpanes. The four sur
Past attempts at writing a history of Chinese translation theory have been bedeviled by a chronological approach, which often forces the writer to provide no more than a list of important theories and theorists over the centuries. Or they have stretched out to almost every aspect related to translation in China, so that the historical/political backdrop that had an influence on translation theorizing turns out to be more important than the theories themselves. In the present book, the author hopes to devote exclusive attention to the ideas themselves. The approach adopted centers around eight key issues that engaged the attention of theorists through the course of the twentieth century, in the hope that a historical account will be presented that is not time-bound. On the basis of 38 articles translated into English by teachers and scholars of translation, the author has written four essays discussing the Chinese characteristics of this body of theory. Separately they focus on the impressionistic, the modern, the postcolonial, and the poststructuralist approaches deployed by leading Chinese theorists from 1901 to 1998. It is hoped that publication of this book will make possible cross-cultural dialogue with translation academics in the West, although the general reader will find much firsthand information on Chinese thinking about translation.
Broken tools -- The name is changed, but the tale is told of you -- Double exposure -- Looking backward? -- The national classicist -- Becoming Wang Jingxuan -- Conclusion : pure and chaste writing