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In The Chinese in Vancouver, Wing Chung Ng captures the fascinating story of the city's Chinese in their search for identity. He juxtaposes the cultural positions of different generations of Chinese immigrants and their Canadian-born descendants and unveils the ongoing struggle over the definition of being Chinese. It is an engrossing story about cultural identity in the context of migration and settlement, where the influence of the native land and the appeal of the host city continued to impinge on the consciousness of the ethnic Chinese.
Vancouver has one of the largest populations of Chinese in North America. In The Chinese in Vancouver, Wing Chung Ng captures the fascinating story of the city’s Chinese residents in their search for identity between 1945 and 1980. Ng also discusses the experiences of ethnic Chinese in various Southeast Asian countries and the United States, forcing a rethinking of "Chineseness" in the diaspora. Ng juxtaposes the cultural positions of different generations of Chinese immigrants and their Canadian-born descendants and unveils the ongoing struggle over the definition of being Chinese. Though not denying the reality of racism, Ng’s account gives the Chinese people their own voice and shows that the Chinese in Vancouver had much to say and often disagreed among themselves about the meaning of being Chinese.
Over the course of the twentieth century, sequential waves of immigrants from Europe, Asia, Latin America, and Africa settled in the cities of the Canadian Prairies. In Immigrants in Prairie Cities, Royden Loewen and Gerald Friesen analyze the processes of cultural interaction and adaptation that unfolded in these urban centres and describe how this model of diversity has changed over time. The authors argue that intimate Prairie cities fostered a form of social diversity characterized by vibrant ethnic networks, continuously evolving ethnic identities, and boundary zones that facilitated intercultural contact and hybridity. Impressive in scope, Immigrants in Prairie Cities spans the entire twentieth century, and encompasses personal testimonies, government perspectives, and even fictional narratives. This engaging work will appeal to both historians of the Canadian Prairies and those with a general interest in migration, cross-cultural exchange, and urban history.
From its origins as a project to rescue Chinese prostitutes and slave girls from a life of supposed depravity the Chinese Rescue Home became a feature of the moral and racial landscape of Victoria – a place where the Methodist Women’s Missionary Society attempted to reform Chinese and Japanese girls and women, in part by teaching them domestic skills meant to ease their integration into Western society. Between 1886 and 1923, over four hundred Chinese and Japanese women sheltered in the home. Yet, despite the significance of this iconic institution, little has been written on its history. From Slave Girls to Salvation draws on a rich collection of archival materials to uncover the organizational hierarchies, as well as the religious and racial tropes, which permeated the home. In doing so, it expands our understanding of the complex interplay of gender, race, and class in BC during this time period.
Becoming British Columbia is the first comprehensive, demographic history of British Columbia. Investigating critical moments in the demographic record and linking demographic patterns to larger social and political questions, it shows how biology, politics, and history conspired with sex, death, and migration to create a particular kind of society. John Belshaw overturns the widespread tendency to associate population growth with progress. He reveals that the province has a long tradition of thinking and acting vigorously in ways meant to control and shape biological communities of humans, and suggests that imperialism, race, class, and gender have historically situated population issues at the centre of public consciousness in British Columbia.
Founded in 1997 by producer Anita Lee and journalist Andrew Sun, the Toronto Reel Asian International Film Festival is a unique showcase of contemporary Asian cinema and work from the Asian diaspora. The festival fosters the exchange of cultural and artistic ideals between East and West, provides a public forum for homegrown Asian media artists and their work and fuels the growing appreciation for Asian cinema in Canada. In Reel Asian: Asian Canada on Screen, contributors, many of them filmmakers, examine East and Southeast Asian Canadian contributions to independent film and video. From artist-run centres, theories of hyphenation, distribution networks and gay and lesbian cinema to F-words, new media technologies and sweet n' sour controversies, Reel Asian: Asian Canada on Screen presents a multi-faceted picture of independent Asian film in Canada. The collection highlights the screen as a site for the reflection, projection and reimagination of identities and communities. Includes: David Eng, Ann Marie Fleming, Richard Fung, Monika Kin Gagnon, Colin Geddes, Kwoi Gin, Mike Hoolboom, Alice Ming Wai Jim, Cheuk Kwan, Julia Kwan, Anita Lee, Helen Lee, Karin Lee, Keith Lock, Pamila Matharu, Christine Miguel, Tan Hoang Nguyen, Midi Onodera, Mieko Ouchi, Alice Shih, Mina Shum, Mary Stephen, Ho Tam, Loretta Todd, Khanhthuan Tran, Phil Tsui, Paul Wong, Su-Anne Yeo, Iris Yudai and Wayne Yung.
Essays and photographs that document the anti-Asian riots of 1907 in the context of contemporary anti-Asian sentiment. White Riot: The 1907 Anti-Asian Riots in Vancouver explores the conditions leading up to and the impact of a demonstration and parade in Vancouver, Canada, organized by the Asiatic Exclusion League and the ensuing mob attack on the city’s Chinese Canadian and Japanese Canadian communities. Emblematic of a systemically racist era, White Riot reveals the social and political environment of the time, when racialized communities were targeted through legislated as well as physical acts of exclusion and violence. Based on 360 Riot Walk, a 360-degree video walking tour by artist and author Henry Tsang, White Riot offers an intersectional approach to this pivotal moment in the history of racialized communities and a cultural and social context for understanding for the current wave of anti-Asian sentiment. It features photographs of the riots colourized by Tsang as well as those of contemporary Vancouver where the riots took place. Essays by Tsang and others speak to the colonial times that preceded and followed the 1907 riots, as well as issues that Chinese and Japanese communities (and other racialized communities) in North America are facing today. White Riot poses the question: in the current ethos of anti-racism and decolonization, what does it take to reconcile our collective histories within the legacy of white supremacy? This publication meets the EPUB Accessibility requirements and it also meets the Web Content Accessibility Guidelines (WCAG-AA). It is screen-reader friendly and is accessible to persons with disabilities. A Simple book with few images, which is defined with accessible structural markup. This book contains various accessibility features such as alternative text for images, table of contents, page-list, landmark, reading order and semantic structure.
Based on extensive interviewing and access to a wide range of databases, this is an examination of the migration career of wealthy migrants who left East Asia and relocated to Canada, Australia, New Zealand, and the United States, in the 1980s and 1990s. An interdisciplinary project based on over 15 years of research in Vancouver, Toronto, and Hong Kong, with additional comparative visits and consultations in Sydney, Beijing, and Singapore Traces the histories of the migrants families over a 25 year period Offers a critical view of the spatial presuppositions of neo-liberal globalization, and an insertion of geography into transnational theory
In Eating Chinese, Lily Cho examines Chinese restaurants as spaces that define, for those both inside and outside the community, what it means to be Chinese and what it means to be Chinese-Canadian.
Bringing together a multidisciplinary team of scholars, this book explores the importance of ethnicity and cultural economy in the post-Fordist city in the Americas. It argues that cultural, political and economic elites make use of cultural and ethnic elements in city planning and architecture in order to construct a unique image of a particular city and demonstrates how the use of ethnicized cultural production - such as urban branding based on local identities - by the economic elite raises issues of considerable concern in terms of local identities, as it deploys a practical logic of capital exchange that can overcome forms of cultural resistance and strengthen the hegemonic colonization of everyday life. At the same time, it shows how ethnic communities are able to use ethnic labelling of cultural production, ethnic economy or ethno-tourism facilities in order to change living conditions and to empower its members in ways previously impossible. Of wide ranging interest across academic disciplines, this book will be a useful contribution to Inter-American studies.