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This book deals with Chinese immigrants' role in the struggle for Cuban liberation and in Cuba's twentieth-century revolutionary social movement; the history of the Chinese economy in Cuba; and the Chinese contribution to Cuban music, painting, food, sport, and language. The centerpiece of the book is a translation of a study by Mauro Garc a Triana and Pedro Eng Herrera on the history of the Chinese presence in Cuba. Over many years, Garc a and Eng have collaborated closely on scholarly research on the Chinese contribution to Cuban life and politics, although their work is not widely known. Both are well equipped for such an enterprise: Eng as a Cuban of Chinese descent and a participant in the ethnic-Chinese revolutionary movement in Cuba, starting in the 1950s; Garc a as a participant in the struggle against Batista and Cuban Ambassador to China during the period of the Cultural Revolution. The study is supplemented by an extensive collection of archival photographs and of paintings on Cuban-Chinese themes by Pedro Eng, who is not just a chronicler of the community but a well-known worker-artist who paints in a style described by commentators as "naive." The volume has three appendices: excerpts from the Cuba Commission's 1877 report on Chinese emigration to Cuba; the rebel leader Gonzalo de Quesada y Ar stegui's pamphlet "The Chinese and Cuban Independence," translated from his book Mi primera ofrenda (My first offering), first published in 1892; and the chapter on "Coolie Life in Cuba" from Duvon Clough Corbitt's Study of the Chinese in Cuba, 1847-1947 (Wilmore 1971).
Building on the pioneering work of Edward Said in fresh and useful ways, contributors to this volume consider both historical contacts and literary influences in the formation of Latin American constructs of the “Orient” and the “Self” from colonial times to the present. In the process, they unveil wide-ranging manifestations of Orientalism. Contributors scrutinize the “other” great encounter, not with Europeans but with Arabic, Chinese, and Japanese cultures, as they marked Latin American societies from Mexico, Central America, and the Caribbean to Peru, Argentina, and Brazil. The perspectives, experiences, and theories presented in these examples offer a comprehensive framework for understanding wide-ranging manifestations of Orientalism in Latin America and elsewhere in the developing world. Orientalism and Identity in Latin America expands current theoretical frameworks, juxtaposing historical, biographical, and literary depictions of Middle Eastern and Asian migrations, both of people and cultural elements, as they have been received, perceived, refashioned, and integrated into Latin American discourses of identity and difference. Underlying this intercultural dialogue is the hypothesis that the discourse of Orientalism and the process of Orientalization apply equally to Near Eastern and Far Eastern subjects as well as to immigrants, regardless of provenance—and indeed to any individual or group who might be construed as “Other” by a particular dominant culture.
A Chinese proverb that reminds us of this book reads: "The strongest and most luxuriant tree lives from what it has underneath." Thus, Cuban culture has nourishing sources that must be fully known in order to enjoy and understand what we are. Generally, the analyses of the nation's profile pay attention to the Hispanic and African components, and the important role of the Chinese channel in our culture is often overlooked. The Chinese Trace in Cuban Literature is, without a doubt, the most notable effort so far to reveal this trace in our literature, from the 19th century to today, and in different literary genres and discursive types; as its author maintains: "From the creation of novel characters designed within a reproductive realism, the assumption of signs typical of Chinese culture and thought for the shaping of the text, the treatment of historical issueseither in the evolutionary outline of a lineage or in the investigation of significant events, the incursion into this problem from generic modalities or literary renovation proposals, to the aesthetic feat of the transcoding of forms and meanings from Chinese to our language and culture".
In Contested Community, the authors analyze the Chinese immigrant community in Cuba between the years 1900–1968. While popular literature of the era portrayed the diasporic group as a closed, inassimilable ethnic enclave, closer inspection instead reveals numerous economic, political, and ethnic divisions. As with all organizations, asymmetrical power relations permeated Havana’s Barrio Chino and the larger Chinese Cuban community. The authors of Contested Community use difficult-to-access materials from Cuba’s national archive to offer a unique and insightful interpretation of a little-understood immigrant group.
The Future is Now: A New Look at African Diaspora Studies is an exciting collection of essays representative of new voices in this ever-expanding field. Writing in English, Spanish, French, and Haitian Creole, the volume’s contributors look at the fields of art, literature, film, and music. From the Hispanophone, Francophone, and Anglophone Caribbean to the United States and Europe, the scholars here interrogate themes of memory, power, gender, identity, race, and religion. In so doing, they uncover forgotten episodes of history previously lost to hegemonic tellings of the past. Here, readers will find studies on Haitian documentary, Puerto Rican art, Trinidadian calypso, Colombian poetry, the African-American novel, and African photography and collage. The Future Is Now serves as a celebration of the contributions made by peoples of African descent, providing a glimpse at the breadth of cultural offerings to be found throughout the African Diaspora in the Americas and Europe.
This book focuses on International migration among the Chinese long before European colonists set foot on the Asian continent. Long before European colonists set foot on the Asian continent, the Chinese moved across sea and land, seasonally or permanently, to other parts of Asia and the rest of the world to pursue economic opportunities and alternative means of livelihood. This volume addresses the new Chinese diasporas around the world, offering a snapshot of the cosmopolitan and shifting nature of Chinese population dynamics from the perspectives of anthropologists, sociologists, and scholars of international studies.
The phenomenon of “Chinatown” has been of great interest to the general public as well as scholars. Movies and story books have made Chinatown to be exotic, mysterious, gangster filled, and sometimes, a gilded ghetto, an ethnopolis, a cultural diaspora as well as a model community. The authors of Chinatowns around the World seek to expose the social reality of Chinatowns with empirical data. The authors also examine the changing nature and functions of Chinatowns around the world while scrutinizing how factors emanating from larger societies and other external factors have shaped Chinatown development and transformation. The activities of the recent Chinese transnational migrants are also critically appraised.
"This book provides a critical assessment of José Martí, relying primarily on his own writings. While Martí is influential in the construction of Cuban socio-philosophical thought, De La Torre explores how he still remains complicit with white Cuban/Spaniard supremacy and how that contributes to the construction of intra-Cuban oppression today"--
Focussing on one of the most influential scholars writing on international relations, Wang Gungwu, this book explores the limitations of Western international relations approaches to China, and explains China’s IR from a non-Western perspective, and demonstrates how the study of Chinese experiences can enrich the IR field.
In the mid-nineteenth century, Cuba's infamous "coolie" trade brought well over 100,000 Chinese indentured laborers to its shores. Though subjected to abominable conditions, they were followed during subsequent decades by smaller numbers of merchants, craftsmen, and free migrants searching for better lives far from home. In a comprehensive, vibrant history that draws deeply on Chinese- and Spanish-language sources in both China and Cuba, Kathleen Lopez explores the transition of the Chinese from indentured to free migrants, the formation of transnational communities, and the eventual incorporation of the Chinese into the Cuban citizenry during the first half of the twentieth century. Chinese Cubans shows how Chinese migration, intermarriage, and assimilation are central to Cuban history and national identity during a key period of transition from slave to wage labor and from colony to nation. On a broader level, Lopez draws out implications for issues of race, national identity, and transnational migration, especially along the Pacific rim.