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NEW YORK TIMES BESTSELLER • Flavia de Luce—“part Harriet the Spy, part Violet Baudelaire from Lemony Snicket’s A Series of Unfortunate Events” (The New York Times Book Review)—takes her remarkable sleuthing prowess to the unexpectedly unsavory world of Canadian boarding schools in this captivating mystery. BONUS: This edition includes “The Curious Case of the Copper Corpse: A Flavia de Luce Story.” Banished! is how twelve-year-old Flavia de Luce laments her predicament, when her father and Aunt Felicity ship her off to Miss Bodycote’s Female Academy, the boarding school that her mother, Harriet, once attended across the sea in Canada. The sun has not yet risen on Flavia’s first day in captivity when a gift lands at her feet. Flavia being Flavia, a budding chemist and sleuth, that gift is a charred and mummified body, which tumbles out of a bedroom chimney. Now, while attending classes, making friends (and enemies), and assessing the school’s stern headmistress and faculty (one of whom is an acquitted murderess), Flavia is on the hunt for the victim’s identity and time of death, as well as suspects, motives, and means. Rumors swirl that Miss Bodycote’s is haunted, and that several girls have disappeared without a trace. When it comes to solving multiple mysteries, Flavia is up to the task—but her true destiny has yet to be revealed. Praise for As Chimney Sweepers Come to Dust “Flavia de Luce [is] perhaps contemporary crime fiction’s most original character—to say she is Pippi Longstocking with a Ph.D. in chemistry (speciality: poisons) barely begins to describe her.”—Maclean’s “Another treat for readers of all ages . . . [As Chimney Sweepers Come to Dust] maintains the high standards Bradley set from the start.”—Booklist “Exceptional . . . [The] intriguing setup only gets better, and Bradley makes Miss Bodycote’s a suitably Gothic setting for Flavia’s sleuthing. Through it all, her morbid narrative voice continues to charm.”—Publishers Weekly (starred review) “Even after all these years, Flavia de Luce is still the world’s greatest adolescent British chemist/busybody/sleuth.”—The Seattle Times “Plot twists come faster than Canadian snowfall. . . . Bradley’s sense of observation is as keen as gung-ho scientist Flavia’s. . . . The results so far are seven sparkling Flavia de Luce mysteries.”—Library Journal
'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.
Set in the streets of London in 1834, Lord Rivers' riveting tale "Charlie the Chimney Sweep" follows a hardworking young chimney sweep and his friends as they work through the day to earn some pocket money. What better way to send children to bed than by regaling them with tales of sweeping out the soot from chimneys, earning some shillings, and buying jellied eels for dinner in the park with friends! All the while some less than reputable fellows in Parliament conspire to keep Charlie from working, likely in order to keep all the money and jellied eels for themselves! This story extols the virtues of hardworking children and lightheartedly demonstrates that not everyone was keen on some of the various "reforms" of 19th century Britain. A brief history of the Chimney Sweepers Acts is to be found at the end. The Chimney Sweepers Act of 1834, herein referenced, was one of the first steps taken towards combating child labour in the United Kingdom in the 19th century.