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The Chester Oboe Anthology presents 15 popular works for Oboe with Piano accompaniment. The selected works are taken from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. As well as the joint piano and oboe score, a dedicated oboe score is included along with performance notes by Nicholas Daniel. The tracks included are: - Sonatina for Recorder and Piano, Op. 41 [Malcolm Arnold] - Adagio (Sinfonia from Cantata No. 156) [J. S. Bach] - Canzonetta, Op. 48 [Samuel Barber] - Oboe Sonatina [Lennox Berkeley] - Sonata in C (arr. Evelyn Rothwell) [Alessandro Besozzi] - Sonata in G (arr. Evelyn Rothwell) [Giovanni Boni] - Soliloquy [Edward Elgar] - Nocturne (arr. Evelyn Rothwell) [John Field] - Air and Rondo (arr. Evelyn Rothwell) [G. F. Handel] - Silent Aria (Abridged Version) [Philip Herbert] - Three Old French Dances (trans. Craxton/Richardson) [Marin Marias] - Dawn [Thea Musgrave] - Humoresque (from Fantasy Pieces, Op. 2) [Carl Nielsen] - Sonata For Oboe And Piano [Francis Poulenc] - Elegia [Nino Rota]
The Chester Flute Anthology presents 14 popular works for Flute with Piano accompaniment. The selected works are taken from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. As well as the joint piano and flute score, a dedicated flute score is included along with performance notes by Trevor Wye. The tracks included are: - Sonatina for Recorder and Piano, Op. 41 [Malcolm Arnold] - Sonata No. 6, BWV 1035 [J. S. Bach] - Six Tunes for the Instruction of Singing-Birds [Richard Rodney Bennett] - Sonata for Flute and Piano, Op. 97 [Lennox Berkeley] - Cinq Chansons sur des Themes Japonais pour Flute et Piano [Eugéne Bozza] - Syrinx [Claude Debuss] - Fantasie, Op.79 [Gabriel Fauré] - Suite de Trois Morceaux [Benjamin Godard] - Tambourin [François-Joseph Gossec] - First Sonata for Flute and Piano [Bohuslav Martinů] - Flute Concerto in D Major, K. 314 [W. A. Mozart] - Sonata For Flute and Piano [Francis Poulenc] - Vocalise, Op. 34 No. 14 [Sergei Rachmaninov] - Aria [Albert Roussel]
The Chester Bassoon Anthology presents 12 popular works for Bassoon with Piano accompaniment. The selected works are taken from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. As well as the joint piano and bassoon score, a dedicated bassoon score is included along with performance notes by Amy Harman. The tracks included are: - Fantasio [Robert Bariller] - Sonata For Bassoon And Piano [Richard Rodney Bennett] - Notturno for Bassoon and Piano [Robert Clérisse] - Sonata No. 1 in C Major, Op. 24 [François Devienne] - Romance, Op. 62 [Edward Elgar] - Piece for Bassoon and Piano [Gabriel Fauré] - 12 Danzas Espanolas [Enrique Granados] - Bassoon Concerto [Joseph Horovitz] - Sonata in Bb Major, K. 292 [W. A. Mozart] - Pièce En Forme De Habañera [Maurice Ravel] - Sonatine Sportive, Op. 63 [Alexander Tcherepnin] - Scherzo-Kolomyjka [Hynek Vokáček]
Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)
This horror anthology is a remarkable collection that spans the gamut of the most chilling and macabre tales in English literature, from the eerie subtleties of psychological terror to the stark dread of the supernatural. The collection showcases a diverse range of literary styles, from the gothic to the modernist, encapsulating the evolution of horror as a genre across different periods. Standouts in the collection reveal the genre's capacity to explore the deepest fears of the human psyche, making manifest the anxieties of the times. The editors have meticulously curated works that not only entertain but also serve as a critical lens through which to examine the broader cultural and historical contexts from which these stories spring. The contributing authors and editors, hailing from varied backgrounds, bring a rich tapestry of cultural perspectives to the anthology, underscoring the universal appeal and adaptability of the horror genre. Figures such as Edgar Allan Poe and H.P. Lovecraft, whose work has defined and redefined horror literature, are presented alongside authors like Charlotte Perkins Gilman and Elizabeth Gaskell, who contribute uniquely feminist perspectives to the collection. This amalgam of voices aligns with notable literary movements, including Romanticism, Victorianism, and Modernism, providing readers with a comprehensive overview of the genre's evolution and its intersections with social and political issues. This anthology presents a unique opportunity for readers to engage with the horror genre in all its diversity and complexity. It encourages a deeper exploration of the themes of fear, the unknown, and the supernatural, showcasing how these themes resonate across different times and cultures. The collection is an invaluable resource for both aficionados of horror literature and those new to the genre, offering educational insights and prompts for further reflection. By fostering a dialogue between the works of different authors, this anthology serves not only as a testament to the enduring power of horror literature but also as an invitation to explore the shadows that linger in the human mind.
The Chester Alto-Saxophone Anthology presents 15 popular works for Alto-Sax with Piano accompaniment. The selected works are taken from the major exam board syllabuses, spanning Grades 5 to 8 and beyond. As well as the joint piano and Alto-Saxophone score, a dedicated Alto-Sax score is included along with performance notes by Amy Dickson. The tracks included are: - Gush [Hans Abrahamsen] - Chant D'amour [Isaac Albéniz] - Orchestral Suite No. 2, BWV 1067 [J. S. Bach] - Three Piece Suite [Richard Rodney Bennett] - Pulcinella, Op. 53 No. 1 [Eugène Bozza] - Barcarolle (from Sylvia) [Léo Delibes] - Suite Francaise [Pierre Max Dubois] - Chanson De Matin Op.15 No.2 [Edward Elgar] - No. 1 from Melodies for Saxophone [Philip Glass] - Allegro, Largo et Finale, Op. 1 No. 12 [G. F. Handel] - San Antonio (Sonata for Alto Saxophone and Piano) [John Harbison] - Tango And Charleston [Trevor Hold] - Histoires [Jacques Ibert] - Canzonetta, Op. 19 [Gabriel Pierné] - Sonatine Sportive, Op. 63 [Alexander Tcherepnin]
"The Premier Oboist of Europe": A Portrait of Gustave Vogt describes the life and achievements of the most prolific composer of oboe music in the nineteenth century. This book attempts to stimulate appreciation of Gustave Vogt (1781-1870) as musician and historical personality. It brings together portraiture, personal correspondence, concert reviews, autographs, and countless other documents including Vogt's Conservatoire exam reports, a detailed work list of Vogt's compositions, and the first complete transcription and translation of his unpublished oboe method. Despite his exceptional career and the seminal position in the history of the oboe, Vogt's long and active career have been largely passed over. He is remembered primarily for being the teacher of oboists who took up posts in France and England. In truth, however, during his long life Vogt witnessed huge transformations, affecting not only musical fashion but the social fabric of the world about him. After being trained at the Paris Conservatoire, he earned considerable repute from his appearances in concert hall and salon. Like most artists of his day, Vogt performed his own compositions but was also praised for his skill as a chamber musician, most notably in the wind quintet that premiered the works of Anton Reicha. As well as reawakening appreciation of a musician, known in his day as Europe's greatest oboist, this book posits an alternative viewpoint by writing history from the perspective of a musician caught up in the flow of his times--an extraordinary personality who was representative of the place and time in which he lived, rather than an exception to them.