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Anetso, a centuries-old Cherokee ball game still played today, is a vigorous, sometimes violent activity that rewards speed, strength, and agility. At the same time, it is the focus of several linked ritual activities. Is it a sport? Is it a religious ritual? Could it possibly be both? Why has it lasted so long, surviving through centuries of upheaval and change? Based on his work in the field and in the archives, Michael J. Zogry argues that members of the Eastern Band of Cherokee Nation continue to perform selected aspects of their cultural identity by engaging in anetso, itself the hub of an extended ceremonial complex, or cycle. A precursor to lacrosse, anetso appears in all manner of Cherokee cultural narratives and has figured prominently in the written accounts of non-Cherokee observers for almost three hundred years. The anetso ceremonial complex incorporates a variety of activities which, taken together, complicate standard scholarly distinctions such as game versus ritual, public display versus private performance, and tradition versus innovation. Zogry's examination provides a striking opportunity for rethinking the understanding of ritual and performance as well as their relationship to cultural identity. It also offers a sharp reappraisal of scholarly discourse on the Cherokee religious system, with particular focus on the Eastern Band of Cherokee Nation.
The Great Ball Game, a classic folktale originating from the Cherokee, Creek, Ojibway and Menominee people of North America, is adapted for a contemporary audience by Rebecca Sheir, host of the award-winning Circle Round podcast, and accompanied by the vibrant illustrations of Joshua Mangeshig Pawis-Steckley, an Ojibwe Woodland artist. A dispute between the animals and the birds over who is best leads to a ball game challenge. When the game is disrupted by the arrival of a tiny creature named Bat, who doesn't seem to fit on either team, all the participants learn the value of diversity and celebrating those who seem "different." The accompanying activities and prompts encourage children to develop their own storytelling skills.
Finger is a descendant of the tribal remnant that avoided removal in the 1830s and instead remained in North Carolina. Most now live on a reservation adjacent to Great Smoky Mountains National Park.
To understand the aboriginal roots of lacrosse, one must enter a world of spiritual belief and magic where players sewed inchworms into the innards of lacrosse balls and medicine men gazed at miniature lacrosse sticks to predict future events, where bits of bat wings were twisted into the stick's netting, and where famous players were—and are still—buried with their sticks. Here Thomas Vennum brings this world to life.
Of the Five Civilized Tribes of Indians the Cherokees were early recognized as the greatest and the most civilized. Indeed, between 1540 and 1906 they reached a higher peak of civilization than any other North American Indian tribe. They invented a syllabary and developed an intricate government, including a system of courts of law. They published their own newspaper in both Cherokee and English and became noted as orators and statesmen. At the beginning the Cherokees’ conquest of civilization was agonizingly slow and uncertain. Warlords of the southern Appalachian Highlands, they were loath to expend their energies elsewhere. In the words of a British officer, "They are like the Devil’s pigg, they will neither lead nor drive." But, led or driven, the warlike and willful Cherokees, lingering in the Stone Age by choice at the turn of the eighteenth century, were forced by circumstances to transfer their concentration on war to problems posed by the white man. To cope with these unwelcome problems, they had to turn from the conquests of war to the conquest of civilization.
A sequence of poems inspired by the forced removal of the Southern Indians, written by contemporary American author William Jay Smith.
The myths given in this book are part of a large body of material collected among the Cherokee, chiefly in successive field seasons from 1887 to 1890, inclusive, and comprising more or less extensive notes, together with original Cherokee manuscripts, relating to the history, archeology, geographic nomenclature, personal names, botany, medicine, arts, home life, religion, songs, ceremonies, and language of the tribe. Contents: Historical Sketch of the Cherokee Stories and Story-tellers The Myths Cosmogonic Myths Quadruped Myths Bird Myths Snake, Fish, and Insect Myths Wonder Stories Historical Traditions Miscellaneous Myths and Legends
126 myths: sacred stories, animal myths, local legends, many more. Plus background on Cherokee history, notes on the myths and parallels. Features 20 maps and illustrations.
Pictures tell the story of how a ballgame between the birds and mammals of the earth gave some common animals their characteristics. Includes text and suggestions for storytelling activities in the back of the book.