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Anetso, a centuries-old Cherokee ball game still played today, is a vigorous, sometimes violent activity that rewards speed, strength, and agility. At the same time, it is the focus of several linked ritual activities. Is it a sport? Is it a religious ritual? Could it possibly be both? Why has it lasted so long, surviving through centuries of upheaval and change? Based on his work in the field and in the archives, Michael J. Zogry argues that members of the Eastern Band of Cherokee Nation continue to perform selected aspects of their cultural identity by engaging in anetso, itself the hub of an extended ceremonial complex, or cycle. A precursor to lacrosse, anetso appears in all manner of Cherokee cultural narratives and has figured prominently in the written accounts of non-Cherokee observers for almost three hundred years. The anetso ceremonial complex incorporates a variety of activities which, taken together, complicate standard scholarly distinctions such as game versus ritual, public display versus private performance, and tradition versus innovation. Zogry's examination provides a striking opportunity for rethinking the understanding of ritual and performance as well as their relationship to cultural identity. It also offers a sharp reappraisal of scholarly discourse on the Cherokee religious system, with particular focus on the Eastern Band of Cherokee Nation.
"This is a careful and innovative consideration of a remarkable and enduring Native American ritual. Zogry reflects deeply, critically, and sensibly on an amazing array of issues of theoretical interest to the study of religion, culture, game, ritual, secrecy, colonial contact, and even the impact of tourism on culture. An important and informative work."---SAM D. GILL, University of Colorado at Boulder "Zogry presents a very well researched, ethically grounded, and theoretically informed study of Anetso, the Cherokee ball game, which will instruct students of Native American religions, Cherokee traditions and history, and the anthropology of sport. A valuable book that is based on impressive archival and ethnographic work."---Michael d. Mcnally, Carleton College Anetso, a centuries-old Cherokee ball game still played today, is a vigorous, sometimes violent activity that rewards speed, strength, and agility. At the same time, it is the focus of several linked ritual activities. Is it a sport? Is it a religious ritual? Could it possibly be both? Why has it lasted so long, surviving through centuries of upheaval and change? Based on his work in the field and in the archives, Michael J. Zogry argues that members of the Eastern Band of Cherokee Nation continue to perform selected aspects of their cultural identity by engaging in anetso, itself the hub of an extended ceremonial complex, or cycle. Historically, this complex has featured virtually every activity that Cherokee people and non-Cherokee observers have identified as elemental to Cherokee "religion" or "ritual," However, interpreted as "game" within a broader framing of "religion," anetso simultaneously resists and problematizes such classifications. A precursor to lacrosse, anetso appears in all manner of Cherokee cultural narratives and has figured prominently in the written accounts of non-Cherokee observers for almost three hundred years. The anetso ceremonial complex incorporates a variety of activities that, taken together, complicate standard scholarly distinctions such as game versus ritual, public display versus private performance, and tradition versus innovation. Thus examination of this Cherokee bail game and the ceremonial complex that it anchors provides a striking opportunity for a rethinking of the understanding of ritual and performance as well as their relationship to cultural identity. Zogry draws on extensive cultural consultation with members of the Cherokee community in western North Carolina, undertaken with the approval of the Eastern Band of Cherokee Nation Tribal Council, as well as thorough archival research, to offer a sharp reappraisal of scholarly discourse on the Cherokee religious system, with particular focus on the Eastern Band of Cherokee Nation.
An ancient Cherokee legend, retold with lively dialogue and intriguing illustrations.
Explore the rich cultural heritage of the Cherokee people with this fascinating study of their traditional ball game. With detailed descriptions of the game and its spiritual significance, this book is a valuable resource for anyone interested in Native American history and culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Pictures tell the story of how a ballgame between the birds and mammals of the earth gave some common animals their characteristics. Includes text and suggestions for storytelling activities in the back of the book.
A classic folktale with roots in the traditional stories of many Indigenous peoples in North America, The Great Ball Game is adapted for today's kids by Rebecca Sheir, host of the award-winning Circle Round podcast. The stunning art of Joshua Mangeshig Pawis-Steckley, an Ojibwe woodland artist, along with creative activities, make this an engaging picture book that also fosters storytelling and promotes the values of diversity, acceptance, and understanding of others.
James Mooney (1861-1921) was an American anthropologist who lived for several years among the Cherokee. He did major studies of Southeastern Indians, as well as those on the Great Plains. His most notable work was his ethnographic study of the Ghost Dance, a widespread religious movement among various Native American culture groups. His works include: Myths of the Cherokees (1888), Sacred Formulas of the Cherokees (1891), Siouan Tribes of the East (1894) and The Messiah Religion and the Ghost Dance: Calendar History of the Kiowa Indians (1898). Walter James Hoffman (1846-1899) was also an anthropologist. His works include: The Mide'wiwin or Grand Medicine Society of the Ojibwa (1891), The Beginnings of Writing (1895), The Menomini Indians (1896) and The Graphic Art of the Eskimos (1897).
126 myths: sacred stories, animal myths, local legends, many more. Plus background on Cherokee history, notes on the myths and parallels. Features 20 maps and illustrations.