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Born in Oakland, California, in 1910, the young Toshio Mori dreamed of being an artist, a Buddhist missionary, and a baseball player. Instead, he grew flowers in the family nursery business, and -- influenced by contemporaries such as Sherwood Anderson and Ernest Hemingway -- produced a body of extraordinary fiction. Unfinished Message includes fifteen stories, a novella, correspondence, and an interview with Toshio Mori.
A classic work on gender culture exploring how the women’s movement has evolved to Girls Gone Wild in a new, self-imposed chauvinism. In the tradition of Susan Faludi’s Backlash and Naomi Wolf’s The Beauty Myth, New York Magazine writer Ariel Levy studies the effects of modern feminism on women today. Meet the Female Chauvinist Pig—the new brand of “empowered woman” who wears the Playboy bunny as a talisman, bares all for Girls Gone Wild, pursues casual sex as if it were a sport, and embraces “raunch culture” wherever she finds it. If male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women—and of themselves. They think they’re being brave, they think they’re being funny, but in Female Chauvinist Pigs, Ariel Levy asks if the joke is on them. In her quest to uncover why this is happening, Levy interviews college women who flash for the cameras on spring break and teens raised on Paris Hilton and breast implants. She examines a culture in which every music video seems to feature a stripper on a pole, the memoirs of porn stars are climbing the bestseller lists, Olympic athletes parade their Brazilian bikini waxes in the pages of Playboy, and thongs are marketed to prepubescent girls. Levy meets the high-powered women who create raunch culture—the new oinking women warriors of the corporate and entertainment worlds who eagerly defend their efforts to be “one of the guys.” And she traces the history of this trend back to conflicts between the women’s movement and the sexual revolution long left unresolved. Levy pulls apart the myth of the Female Chauvinist Pig and argues that what has come to pass for liberating rebellion is actually a kind of limiting conformity. Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come, it only proves how far they have left to go.
Essays by the author of Fatal Flowers
In this new collection, Chioniso and other stories, we are once again reminded how Shimmer Chinodya mines his experience for nuggets. Playing with his doppelganger, Godfrey, he looks back on life in Harare, and in Zimbabwe, over the last decade, exploring it from a familial perspective. How does a father cope with a rebellious daughter or a wife he perceives as wayward? How does one mediate traditional gender roles? What to do when status in the form of a car undermines the stability of a marriage? How does one manage a friendship with a new farmer? What moral compromises are demanded by new wealth and political cronyism? And what is the effect of religion on our lives? Have we become more caring and compassionate, or does piety provide a mask, to disguise greed and ambition, and justify a contempt for the poor? This collection of stories will make you laugh, but it will also challenge you to reconsider what it means to be Zimbabwean in the 21st century.
Yokohama, California, originally released in 1949, is the first published collection of short stories by a Japanese American. Set in a fictional community, these linked stories are alive with the people, gossip, humor, and legends of Japanese America in the 1930s and 1940s. Replaces ISBN 9780295961675
Esteemed critic Blanche Gelfant's brilliant companion gathers together lucid essays on major writers and themes by some of the best literary critics in the United States. Part 1 is comprised of articles on stories that share a particular theme, such as "Working Class Stories" or "Gay and Lesbian Stories." The heart of the book, however, lies in Part 2, which contains more than one hundred pieces on individual writers and their work, including Fitzgerald, Hemingway, Richard Ford, Raymond Carver, Eudora Welty, Andre Debus, Zora Neal Hurston, Anne Beattie, Bharati Mukherjee, J. D. Salinger, and Jamaica Kincaid, as well as engaging pieces on the promising new writers to come on the scene.
A guide to understanding the inner workings and outer limits of technology and why we should never assume that computers always get it right. In Artificial Unintelligence, Meredith Broussard argues that our collective enthusiasm for applying computer technology to every aspect of life has resulted in a tremendous amount of poorly designed systems. We are so eager to do everything digitally—hiring, driving, paying bills, even choosing romantic partners—that we have stopped demanding that our technology actually work. Broussard, a software developer and journalist, reminds us that there are fundamental limits to what we can (and should) do with technology. With this book, she offers a guide to understanding the inner workings and outer limits of technology—and issues a warning that we should never assume that computers always get things right. Making a case against technochauvinism—the belief that technology is always the solution—Broussard argues that it's just not true that social problems would inevitably retreat before a digitally enabled Utopia. To prove her point, she undertakes a series of adventures in computer programming. She goes for an alarming ride in a driverless car, concluding “the cyborg future is not coming any time soon”; uses artificial intelligence to investigate why students can't pass standardized tests; deploys machine learning to predict which passengers survived the Titanic disaster; and attempts to repair the U.S. campaign finance system by building AI software. If we understand the limits of what we can do with technology, Broussard tells us, we can make better choices about what we should do with it to make the world better for everyone.
The Small Faces & Other Stories is a trip back in time, charting the rise and fall of one of the Sixties most energetic and successful bands. It is the extraordinary story of how this bold four-piece, led by mercurial cockney Steve Marriot, found fame and then splintered by the end of the decade to evolve into Humble Pie with Peter Frampton, and the Faces fronted by Rod Stewart. Along the way their trademark songs Itchycoo Park, All or Nothing, Stay With Me and Baby I Love Your Way would influence future generations of musicians such as Paul Weller, Ocean Colour Scene and Blur. By way of anecdote, interview and analysis, Uli Twelker and Roland Schmitt lift the lid on the bands’ complex histories and the explosive characters involved that built one of rock music’s most enduring and successful family trees.