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Looking up from his busy life, Misplaced was troubled by what he saw. “I’m not sure how I got here, but this is not where I want to be.” The early-middle-aged entrepreneur was following a path which proved to be much more difficult and costly than anticipated. Invited to join a backpacking trip, Misplaced escaped the pressures of his business for a weekend and learned life-changing lessons on his journey from Here to There. Misplaced: Here, There, and the Journey Between is a mostly true story about difficult paths and personal growth. The allegorical tale follows six men whose names reveal their qualities: Faith, Loyalty, Wisdom, Strength, Resolve, and Misplaced. Join them as they travel their difficult path and perhaps you will gain helpful insight for your own journey from where you are to where you want to be.
Before the novel and the film Deliverance appeared in the early 1970s, any outsiders one met along the Chattooga River were likely serious canoeists or anglers. In later years, untold numbers and kinds of people have felt the draw of the river’s torrents, which pour down the Appalachians along the Georgia-South Carolina border. Because of Deliverance the Chattooga looms enigmatically in our shared imagination, as iconic as Twain’s Mississippi—or maybe Conrad’s Congo. This is John Lane’s search for the real Chattooga—for the truths that reside somewhere in the river’s rapids, along its shores, or in its travelers’ hearts. Lane balances the dark, indifferent mythical river of Deliverance against the Chattooga known to locals and to the outdoors enthusiasts who first mastered its treacherous vortices and hydraulics. Starting at its headwaters, Lane leads us down the river and through its complex history to its current status as a National Wild and Scenic River. Along the way he stops for talks with conservation activists, seventh-generation residents, locals who played parts in the movie, day visitors, and others. Lane weaves into each encounter an abundance of details drawn from his perceptive readings and viewings of Deliverance and his wide-ranging knowledge of the Chattooga watershed. At the end of his run, Lane leaves us still fully possessed by the Chattooga’s mystery, yet better informed about its place in his world and ours.
Set in what remains some of the wildest country in the United States, Sound Wormy recalls a time when regulations were few and resources were abundant for the southern lumber industry. In 1901 Andrew Gennett put all of his money into a tract of timber along the Chattooga River watershed, which traverses parts of Georgia, South Carolina, and North Carolina. By the time he wrote his memoir almost forty years later, Gennett had outwitted and outworked countless competitors in the southern mountains to make his mark as one of the region's most seasoned, innovative, and successful lumbermen. His recollections of a rough-and-ready outdoors life are filled with details of logging, from the first "cruise" of a timber stand to the moment when the last board lies "on sticks" in the mill yard. He tells how massive poplars, oaks, and other hardwoods had to be felled and trimmed by hand, dragged down mountain slopes by draft animals, floated downstream or carried by rail to the mill, and then sawn, graded, and stacked for drying. He tells of buying timber rights in a land market filled with "sharp" operators, where titles and surveys were often contested and kinship and custom were on an equal footing with the law. Gennett saw more than potential "boardfeet" when he looked at a tree. He recalls, for instance, his efforts to convince the U.S. Forest Service to purchase undisturbed areas of wilderness at a time when its mandate was to condemn and buy up farmed-out and clear-cut land. One such sale initiated by Gennett would become the Joyce Kilmer Wilderness in North Carolina. Filled with logging lore and portraits of the southern mountains and their people, Sound Wormy adds an absorbing new chapter to the region's natural and environmental history.
250 of the best waterfalls found in North Carolina with full descriptions, comprehensive directions, and four-color photographs.
Winner of the Morse Poetry Prize (2008) “In the Truth Room suggests the shape and necessity of a life, at once dramatically compelling and immediately believable, one in which children are eating smores while watching a Fawlty Towers video, and Volvos are skidding on ice, and people are going to 12-step meetings, museums are being visited, and jobs and essential human relationships hang in the balance. … On the face of it, the story at the center of the book seems archetypal: a daughter in midlife making sense of ongoing experience in the wake of her mother’s death while dealing with substantial crises and, eventually, undertaking what amounts to a pilgrimage. The overarching theme is individual, feminist, contemporary: how does a woman know herself apart from convention and duty? Certainly the intense poems about the mother are key to this theme. But In the Truth Room is less about one life than a fabric of interwoven lives: four generations of family, friends, dear ones, present and departed—I would be hard-pressed to name a poetry book that develops and displays affection for more characters, or, for that matter, one that contains more life.”—from the introduction by Rodney Jones