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Adapted for television in France, the first of the Nicolas Le Floch mysteries tells the story of murder against the backdrop of the glittering court of Louis XV. 'Has all the twists, turns and surprises the genre demands' Independent on Sunday It's France, 1761. Beyond the glittering court of Louis XV and Madame de Pompadour at Versailles, lies Paris, a capital in the grip of crime and immorality ... A police officer disappears and Nicolas Le Floch, a young recruit to the force, is instructed to find him. When unidentified human remains suddenly come to light, he seems to have a murder investigation on his hands. As the city descends into Carnival debauchery, Le Floch will need all his skill, courage and integrity to unravel a mystery which threatens to implicate the highest in the land. This is the first in a series of six historical crime novels which has sold in excess of 400,000 copies in French. The author brings eighteenth-century Paris vividly to life and the story features real-life characters Madame de Pompadour and Louis XV as well as engaging hero Nicolas le Floch.
Paris, February 1761. A police officer disappears and Nicolas Le Floch, a young Breton police recruit is instructed to find him ...
2nd Nicolas Le Floch investigation - a sinister death at the opera reveals something rotten at the French court.
The troubled head of the Detective Branch returns, in an intriguing case of kidnap, rebellion and murder... The body of a vagrant is discovered in a ditch in County Tipperary. Knox, a young Irish policeman with divided loyalties is told that the landowner wants the case dealt with swiftly and quietly. However, when Knox examines the corpse, he realises that this supposed vagrant was wearing a Savile Row suit . . . Three months earlier, Detective Inspector Pyke was investigating a kidnapping in Wales. The crime seems to be linked to a group of rebels, but Pyke soon suspects the case is not as clear cut as it seems. What are the links between the rebellion in Wales and the unrest in Ireland - and has Pyke finally bitten off more than he can chew?
“[Pynchon's] funniest and arguably his most accessible novel.” —The New York Times Book Review “Raunchy, funny, digressive, brilliant.” —USA Today “Rich and sweeping, wild and thrilling.” —The Boston Globe Spanning the era between the Chicago World's Fair of 1893 and the years just after World War I, and constantly moving between locations across the globe (and to a few places not strictly speaking on the map at all), Against the Day unfolds with a phantasmagoria of characters that includes anarchists, balloonists, drug enthusiasts, mathematicians, mad scientists, shamans, spies, and hired guns. As an era of uncertainty comes crashing down around their ears and an unpredictable future commences, these folks are mostly just trying to pursue their lives. Sometimes they manage to catch up; sometimes it's their lives that pursue them.
From the author of The Red Notebook, described as 'Parisian perfection' by HRH The Duchess of Cornwall, Red is My Heart is a stunning collection of words and images in collaboration with Parisian street artist, Le Sonneur, about how to mend a broken heart. 'Enchanting' Washington Post How can you mend a broken heart? Do you write a letter to the woman who left you – and post it to an imaginary address? Buy a new watch, to reset your life? Or get rid of the jacket you wore every time you argued, because it was in some way … responsible? Combining the wry musings of a rejected lover with playful drawings in just three colours – red, black and white – bestselling author of The Red Notebook, Antoine Laurain, and renowned street artist Le Sonneur have created a striking addition to the literature of unrequited love. Sharp, yet warm, whimsical and deeply Parisian, this is a must for all Antoine Laurain fans.
In Figuring Space Gilles Châtelet seeks to capture the problem of intuition of mobility in philosophy, mathematics and physics. This he does by means of virtuality and intensive quantities (Oresme, Leibniz), wave-particle duality and perspective diagrams, philosophy of nature and Argand's and Grassman's geometric discoveries and, finally, Faraday's, Maxwell's and Hamilton's electrophilosophy. This tumultuous relationship between mathematics, physics and philosophy is presented in terms of a comparison between intuitive practices and Discursive practices. The following concepts are treated in detail: The concept of virtuality; thought experiments; diagrams; special relativity; German Naturphilosophie and `Romantic' science. Readership: The book does not require any considerable mathematical background, but it does insist that the reader quit the common instrumental conception of language. It will interest professional philosophers, mathematicians, physicists, and even younger scientists eager to understand the `unreasonable effectiveness of mathematics'.
In Spanish Books in the Europe of the Enlightenment (Paris and London) Nicolás Bas examines the image of Spain in eighteenth-century Europe, and in Paris and London in particular. His material has been scoured from an exhaustive interrogation of the records of the book trade. He refers to booksellers’ catalogues, private collections, auctions, and other sources of information in order to reconstruct the country’s cultural image. Rarely have these sources been searched for Spanish books, and never have they been as exhaustively exploited as they are in Bas’ book. Both England and France were conversant with some very negative ideas about Spain. The Black Legend, dating back to the sixteenth century, condemned Spain as repressive and priest-ridden. Bas shows however, that an alternative, more sympathetic, vision ran parallel with these negative views. His bibliographical approach brings to light the Spanish books that were bought, sold and ultimately read. The impression thus obtained is likely to help us understand not only Spain’s past, but also something of its present.
A brilliant work from the most influential philosopher since Sartre. In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.