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Traditional Mother Goose rhymes illustrated by the cartoonist who created "The Addams Family."
An unusual approach to Mother Goose through the eyes of Charles Addams.
Charles Addams was renowned for his depictions of love (or lack thereof) in his cartoons. The passion of Morticia and Gomez Addams, the lonely desires of Fester, the numerous grim and ghastly fights between husband and wife—all found their way into Addams's signature drawings. Addams's concept of love was quite a bit different from the traditional idea of romance. Forget roses and chocolate, Addams will show you how to woo a mermaid or celebrate an anniversary on a desert island. Or how to keep your husband on a leash—literally. Learn what to do when your prince stays a frog, even after you've kissed him. Compiled from Addams's personal archive, many of these cartoons are previously unpublished gems, while others are Addams classics. The cartoons in Chas Addams Happily Ever After run the gamut from ecstatic love to disappointed affection to murderous obsession and demonstrate that love really does hurt.
Sylvester the donkey finds a magic pebble and unthinkingly wishes himself a rock when frightened by a lion. Although safe from the lion, Sylvester cannot hold the pebble to wish himself into a donkey again. Caldecott Medal winner. Full-color illustrations.
9781439103562:A Simon & Schuster eBook. Simon & Schuster has a great book for every reader.
"Gomez and Morticia’s misbegotten brood may have been creepy and kooky, but they were also happy, as the cartoons in the delightful anthology [attest]."—Los Angeles Times Book Review "One of the signs of genius is that an artist sheds new light on the human condition. Or, in Addams’s case, casts new shadows."—Wall Street Journal The Addams Family, 30 Deluxe Postcards features in a beautiful boxed set the 30 more hilarious original drawings of the famous family by its original creator, Chas Addams.
Memoir in cartoons by the longtime cartoon editor of The New Yorker People tell Bob Mankoff that as the cartoon editor of The New Yorker he has the best job in the world. Never one to beat around the bush, he explains to us, in the opening of this singular, delightfully eccentric book, that because he is also a cartoonist at the magazine he actually has two of the best jobs in the world. With the help of myriad images and his funniest, most beloved cartoons, he traces his love of the craft all the way back to his childhood, when he started doing funny drawings at the age of eight. After meeting his mother, we follow his unlikely stints as a high-school basketball star, draft dodger, and sociology grad student. Though Mankoff abandoned the study of psychology in the seventies to become a cartoonist, he recently realized that the field he abandoned could help him better understand the field he was in, and here he takes up the psychology of cartooning, analyzing why some cartoons make us laugh and others don't. He allows us into the hallowed halls of The New Yorker to show us the soup-to-nuts process of cartoon creation, giving us a detailed look not only at his own work, but that of the other talented cartoonists who keep us laughing week after week. For desert, he reveals the secrets to winning the magazine's caption contest. Throughout How About Never--Is Never Good for You?, we see his commitment to the motto "Anything worth saying is worth saying funny."
Cat bones, rat bones, and bat bones illustrate this spooky Halloween adventure, written by newbery-Honor-winning author Marion Dane Bauer. If you take your trick-or-treat sack and venture into the dark woods on Halloween night, you'll find cat bones, rat bones, and bat bones--and all are looking at YOU! "Take care! Beware! Despair!" the bone creatures will cry. "You can bet you've just met your worst nightmare!" What will you do? Cry? Sigh? NO! Because you're too tough / to worry about stuff / like the rattle / and prattle / of bones! Told in unmetered rhymed verse, this Halloween adventure is a real treat.