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Critics have compared the work of French writer Henri Michaux (1899-1984) to such diverse artists as Kafka, Goya, Swift, Klee, and Beckett. This anthology contains substantial selections from almost all of Michaux's major works, most never before published in English, and allows readers to explore the haunting verbal and pictorial landscape of a 20th-century visionary. 30 photos.
A collection of interviews with the most intriguing film director to emerge in Denmark since the days of his great mentor in spirit Carl Theodor Dreyer
Orphaned siblings create a macabre secret world for themselves in this “irresistibly readable” novel by the New York Times-bestselling author (The New York Review of Books). This “powerful and disconcerting” novel by the Booker Prize-winning author of The Children Act and Atonement (The Daily Telegraph) tells the story of a dying family who live in a dying part of the city. A father of four children decides, in an effort to make his garden easier to control, to pave it over. In the process, he has a heart attack and dies, leaving the cement garden unfinished and the children to the care of their mother. Soon after, the mother too dies and the children, fearful of being separated by social services, decide to cover up their parents’ deaths: they bury their mother in the cement garden. The story is told from the point of view of Jack, one of the sons, who is entering adolescence with all of its attendant curiosity and appetites. Julie, the eldest, is almost a grown woman. Sue is rather bookish and observes all that goes on around her. And Tom is the youngest and the baby of the lot. The children seem to manage in this perverse setting rather well—until Julie brings home a boyfriend who threatens their secret by asking too many questions. “[A] beautiful but disturbing novel.”—The AV Club “McEwan’s evocative detail and perfect British prose lend a genteel decorum to the death and decay that surround the family.”—The New Yorker
Snapping hiphop, rap, soul, rnb, blues, jazz artists on Polaroid, is not as easy as you might think.0I am not a journalist, a professional photographer nor am I a groupie. The thing is, Polaroid does not like movement, so the artists have to pose and that is the tricky part. This book explains how I succeed or fail in my ultimate hunt for that one polaroid while facing hardcore fans, managements, bodyguards, heavy security and protective entourage."00In 2009 Elisabeth Ouni, who is passionate about urban music, hiphop, rap and the mindset that comes along with it, decided to follow her dream: to make a Polaroid portrait of all the big and emerging stars of this scene. Ouni lives in Ostend and has Tunisian roots. She embraces her passion fearlessly and starts a quest that brings her places. Fans of Kendric Lamar, Jamie Woon, Jay-Z, D'Angelo, Pusha T, Pharell Williams, The Roots and so on, can only dream about, being in the same room as the artist, for a Polaroid picture and an exclusive conversation.0Her first feature was Pharrell Williams, straight to the core of where it all started: the American hiphop scene. Ten years and an international renowned blog and website later it is time for a book and travelling exhibition in Berlin, Paris and New York.
In this, the first English biography to capture Gainsbourg in all his contradiction and gleeful outrageousness, Simmons tells the fascinating story of the Gallic star. Drawing on hours of new interviews with his intimates-among them Jane Birkin, Sly & Robbie, Marianne Faithfull, and celebrated producer Philippe Lerichomme-Simmons describes in crackling prose the scope of Gainsbourg's achievement while doing full justice to his complicated emotional life. Simmons's work will stand as the definitive take on a dizzying genius.
"This album contains, in chronological order, 160 photographs taken between 1963 and 1979 by Andrew Birkin of his sister Jane Birken, Serge Gainsbourg, and their relatives."--Preliminary page.
Jarvis Cocker is widely regarded as one of the most original and memorable lyricists and performers of the last three decades. Here, for the first time, is a selection of sixty-six lyrics, presented with commentary and an introduction by the man himself. In this volume, readers (and Pulp fans) will find such classic Jarvis lyrics as 'Common People', 'Disco 2000', 'Babies', 'This is Hardcore' and 'Do You Remember the First Time?' The selection, assembled by the author, reveals a sensibility that is unmistakeably Jarvis: a sometimes visceral, sometimes everyday take on love, relationships and the things we do to each other when the lights get low. Mother, Brother, Lover takes the reader on a thirty-year tour into the life, art and preoccupations of one of the great British artists of the late twentieth century. Shocking, sharp, clever and funny, it is a beautiful collection of lyrics and commentary.
A whimsical love letter, a shared promise, a thank you note, and a whispered secret to mothers and daughters everywhere. The perfect gift, B celebrates the bond that exists between a parent and a child. Short, touching, and lovingly illustrated, it is a family tradition waiting to begin.
Twelve years ago, Amores Perros erupted in the cinemas across the world and announced the arrival of Mexican film-makers. The film-makers profiled in that book have now come of age and have made a decisive impact on the international cinema scene The last few years Mexican film-makers winning the Best Director Oscars 5 times, and Best Picture 4 times: Alfonso Cuaron with Gravity and Roma. Alejandro Inarritu with Birdman and The RevenantGuillermo del Toro with The Shape of WaterThis revised edition of The Faber Book of Mexican Cinema brings this astounding story up to date, as well as profiling the next generation, waiting in the wings.