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"This book is a visual and oral history, telling the story of Chaplin's pursuit of beauty, and how he captured it on film. Compiled primarily from documents in the Charlie Chaplin archives, as well as other archives around the world, this book shows how Chaplin's work was not only inspired by his early poverty-stricken life in London, but also by his working life in the music halls of Britain and on the vaudeville stages of America."--Introduction, page 9.
Film star Charlie Chaplin spent February 1931 through June 1932 touring Europe, during which time he wrote a travel memoir entitled “A Comedian Sees the World.” This memoir was published as a set of five articles in Women’s Home Companion from September 1933 to January 1934 but until now had never been published as a book in the U.S. In presenting the first edition of Chaplin’s full memoir, Lisa Stein Haven provides her own introduction and notes to supplement Chaplin’s writing and enhance the narrative. Haven’s research revealed that “A Comedian Sees the World” may very well have been Chaplin’s first published composition, and that it was definitely the beginning of his writing career. It also marked a transition into becoming more vocally political for Chaplin, as his subsequent writings and films started to take on more noticeably political stances following his European tour. During his tour, Chaplin spent time with numerous politicians, celebrities, and world leaders, ranging from Winston Churchill and Mahatma Gandhi to Albert Einstein and many others, all of whom inspired his next feature films, Modern Times (1936), The Great Dictator (1940), Monsieur Verdoux (1947), and A King in New York (1957). His excellent depiction of his experiences, coupled with Haven’s added insights, makes for a brilliant account of Chaplin’s travels and shows another side to the man whom most know only from his roles on the silver screen. Historians, travelers, and those with any bit of curiosity about one of America’s most beloved celebrities will all want to have A Comedian Sees the World in their collections. Available only in the USA and Canada.
David Robinson's definitive and monumental biography of Charlie Chaplin, the greatest icon in the history of cinema, who lived one of the most dramatic rags to riches stories ever told. Chaplin's life was marked by extraordinary contrasts: the child of London slums who became a multimillionaire; the on-screen clown who was a driven perfectionist behind the camera; the adulated star who publicly fell from grace after personal and political scandal. This engrossing and definitive work, written with full access to Chaplin's archives, tells the whole story of a brilliant, complex man. David Robinson is a celebrated film critic and historian who wrote for The Times and the Financial Times for several decades. His many books include World Cinema, Hollywood in the Twenties and Buster Keaton. 'A marvellous book . . . unlikely ever to be surpassed' Spectator 'I cannot imagine how anyone could write a better book on the great complex subject . . . movingly entertaining, awesomely thorough and profoundly respectful' Sunday Telegraph 'One of the great cinema books; a labour of love and a splendid achievement' Variety 'One of those addictive biographies in which you start by looking in the index for items that interest you . . . and as dawn breaks you're reading the book from cover to cover' Financial Times
Derived from the XXL book that left no document unturned in the vast Chaplin archives, this new edition follows the making of each of the master's films through personal letters and memos, sketches, storyboards, posters, on-set photos, and an oral history from Chaplin and some of his closest collaborators. We discover the impromptu invention as...
The life of the silent film and comedy icon, in his own words—“the best autobiography every ever written by an actor . . . an astonishing work” (Chicago Tribune) Take an unforgettable journey with the man George Bernard Shaw called “the only genius to come out of the movie industry” as he moves from his impoverished South London childhood to the heights of Hollywood wealth and fame; from the McCarthy-era investigations to his founding of United Artists to his “reverse migration” back to Europe. Charlie Chaplin’s heartfelt and hilarious autobiography—one of the very first celebrity memoirs—tells the story of his life, showcasing all the charms, peculiarities and deeply-held beliefs that made him such an endearing and lasting character. Re-issued as part of Melville House’s Neversink Library, My Autobiography offers dedicated Chaplin fans and casual admirers alike an astonishing glimpse into the heart and the mind of Hollywood’s original genius maverick.
Drawing on research and interviews with those who knew Chaplin, Jeffrey Vance presents an illustrated account which captures Chaplin's fascinating life and his creative process, as well as describing in detail the main themes and ideas that persist through the major Chaplin films.
Charlie Chaplin first formed the story of Limelight as a 34,000-word novella, Footlights. This book traces the evolution of the story, from its origin in Chaplin's 1916 meeting with Nijinsky, then recounts the making of the film, and traces the real-life sources of Chaplin's memories: the people and theatres of London's Soho, and the ballet tradition of the theatres of Leicester Square, the Empire and the Alhambra.--From back cover.
Theodore Huff's biography of Charlie Chaplin is a fascinating account of the life and work of one of the greatest comedians and filmmakers of the 20th century. Based on extensive research and interviews with the people who knew Chaplin, the book explores his childhood in poverty, his rise to stardom, his controversial political views, and his personal relationships. With rare photographs and anecdotes, this book is a must-read for fans of the cinema and social history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book focuses on the re-invigoration of Charlie Chaplin’s Little Tramp persona in America from the point at which Chaplin reached the acme of his disfavor in the States, promoted by the media, through his departure from America forever in 1952, and ending with his death in Switzerland in 1977. By considering factions of America as diverse as 8mm film collectors, Beat poets and writers and readers of Chaplin biographies, this cultural study determines conclusively that Chaplin’s Little Tramp never died, but in fact experienced a resurgence, which began slowly even before 1950 and was wholly in effect by 1965 and then confirmed by 1972, the year in which Chaplin returned to the United States for the final time, to receive accolades in both New York and Los Angeles, where he received an Oscar for a lifetime of achievement in film.