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By a judicious use of psychoanalytic concepts, Richard Onorato interprets the Wordsworth revealed in the poem The Prelude and relates the problems of poetic autobiography to those of personality. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Winner of the National Book Award for Young People’s Literature, the Michael L. Printz Award, and the Pura Belpré Award! Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing New York Times-bestselling novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth. Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking. But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about. With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems. Because in the face of a world that may not want to hear her, Xiomara refuses to be silent. “Crackles with energy and snaps with authenticity and voice.” —Justina Ireland, author of Dread Nation “An incredibly potent debut.” —Jason Reynolds, author of the National Book Award Finalist Ghost “Acevedo has amplified the voices of girls en el barrio who are equal parts goddess, saint, warrior, and hero.” —Ibi Zoboi, author of American Street This young adult novel, a selection of the Schomburg Center's Black Liberation Reading List, is an excellent choice for accelerated tween readers in grades 6 to 8. Plus don't miss Elizabeth Acevedo's With the Fire on High and Clap When You Land!
The beloved and award-winning novel now available in a new format with a great new cover! When Wesley Boone writes a poem for his high school English class, some of his classmates clamor to read their poems aloud too. Soon they're having weekly poetry sessions and, one by one, the eighteen students are opening up and taking on the risky challenge of self-revelation. There's Lupe Alvarin, desperate to have a baby so she will feel loved. Raynard Patterson, hiding a secret behind his silence. Porscha Johnson, needing an outlet for her anger after her mother OD's. Through the poetry they share and narratives in which they reveal their most intimate thoughts about themselves and one another, their words and lives show what lies beneath the skin, behind the eyes, beyond the masquerade.
FROM THE #1 BESTSELLING AUTHOR OF THE HARRY BOSCH AND LINCOLN LAWYER SERIES An electrifying standalone thriller that breaks all the rules! With an introduction by Stephen King. Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write--and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.
A novel of tremendous scope and beauty, The Translator tells of the relationship between an exiled Russian poet and his American translator during the Cuban missile crisis, a time when a writer's words -- especially forbidden ones -- could be powerful enough to change the course of history.
New York Times bestselling author Lisa Renee Jones delivers a gripping new thriller that will keep you on the edge of your seat until the very end. A detective with a dark secret... Samantha Jazz used to be one of the top profilers in the Austin PD, living for the chase of hunting down a killer and bringing him to justice. That is, until one bad case nearly destroyed her. A killer with a hidden agenda... There’s a new kind of serial killer on the loose––and people are turning up dead. The only clues to their murders lie in the riddles the killer leaves behind. A mystery with more questions than answers, and a suspicion that he’s taunting Samantha. A dead body wrapped in a riddle... Samantha will have to use all her wits to solve each new puzzle before the killer can strike again. But the closer she gets to the killer, the more she draws him to her as well. And in this thrilling game of cat and mouse––only one of them will survive.
ORevenge may be sweet, but the joys of friendship and following your own star prove even sweeter in this engaging, low-key novel about a creative, rebellious youngster.ON"Kirkus Reviews."
A PASSIONATE, PAGE-TURNING TALE OF COERCIVE CONTROL AND FEMALE SOLIDARITY, FOR FANS OF THREE WOMEN AND ACTS OF DESPERATION. 'This is the book I have always needed, it is F*****G BRILLIANT and everyone should read it' Nikita Gill 'A beautiful, biting page-turner' Irish Times ********** I believe every word you say. That was always my mistake. Bright, promising Emma is entangled in a toxic romance with her old professor - and she's losing control. Cruel, charming Tom is idolized by his students and peers - confident he holds all the cards. In their small Oxford home, he manipulates and undermines her every thought and act. Soon, he will push her to the limit and she must decide: to remain quiet and submit, or to take her revenge. Written in verse and charged with passion and anger, The Poet is a portrait of a deeply dysfunctional relationship, exploring coercive control, class and privilege. It is also a page-turning tale of female solidarity and survival. 'Brisk, disturbing and very satisfying' Daily Mail
First-person poetry is a familiar genre in Latin literature. Propertius, Catullus, and Horace deployed the first-person speaker in a variety of ways that either bolster or undermine the link between this figure and the poet himself. In I, the Poet, Kathleen McCarthy offers a new approach to understanding the ubiquitous use of a first-person voice in Augustan-age poetry, taking on several of the central debates in the field of Latin literary studies—including the inheritance of the Greek tradition, the shift from oral performance to written collections, and the status of the poetic "I-voice." In light of her own experience as a twenty-first century reader, for whom Latin poetry is meaningful across a great gulf of linguistic, cultural, and historical distances, McCarthy positions these poets as the self-conscious readers of and heirs to a long tradition of Greek poetry, which prompted them to explore radical forms of communication through the poetic form. Informed in part by the "New Lyric Studies," I, the Poet will appeal not only to scholars of Latin literature but to readers across a range of literary studies who seek to understand the Roman contexts which shaped canonical poetic genres.
Papa Is a Poet: is a picture book about the famous American poet Robert Frost, imagined through the eyes of his daughter Lesley. When Robert Frost was a child, his family thought he would grow up to be a baseball player. Instead, he became a poet. His life on a farm in New Hampshire inspired him to write "poetry that talked," and today he is famous for his vivid descriptions of the rural life he loved so much. There was a time, though, when Frost had to struggle to get his poetry published. Told from the point of view of Lesley, Robert Frost's oldest daughter, this is the story of how a lover of language found his voice.