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Launches the series of text editions and studies of the birth bark scrolls in the British Library's Kharosthi manuscript collection, dating from about the first century AD. Most of the Gandhari fragments have yet to be identified, but the Rhinoceros Sutra is also known in Pali and Sanskrit versions. A 100-page introduction to the language and manuscript is followed by a transcribed text with translation and an annotated text with translation and commentary. Color photographs of the fragments themselves are also included. Ghandhari words are indexed, but not subjects. c. Book News Inc.
Setting Out on the Great Way brings together different perspectives on the origins and early history of Mahāyāna Buddhism and delves into selected aspects of its formative period. As the variety of the religion which conquered East Asia and also provided the matrix for the later development of Buddhist Tantra or Vajrayāna, Mahāyāna is regarded as one of the most significant forms of Buddhism, and its beginnings have long been the focus of intense scholarly attention and debate. The essays in this volume address the latest findings in the field, including contributions by younger researchers vigorously critiquing the reappraisal of the Mahāyāna carried out by scholars in the last decades of the 20th century and the different understanding of the movement which they produced. As the study of Buddhism as a whole reorients itself to embrace new methods and paradigms, while at the same time coming to terms with exciting new manuscript discoveries, our picture of the Mahāyāna continues to change. This volume presents the latest developments in this ongoing re-evaluation of one of Buddhism's most important historical expressions.
The present volume selcts twenty-four of Prof. Wayman`s published research papers around the topic of Buddhist Insight, and includes only strong, well developed papers consistent with the topic. Students of Buddhism and general Indian religion will find here a rich offering of genuine research with the best of sources and Wayman`s own thoughtful presentations and original organization of the information. The papers begin with Buddha as Savior among the latest and end with the earliest in this volume, Twenty one Praises of Tara.The Hindu and Buddhist Studies illustrate Wayman`s comparative approach by showing both sides in their strong independence, and sensitively revealing their relation.
A companion volume to 'The Koan' and 'The Zen Canon' this text concentrates primarily on texts from Korea and Japan that brought the Zen tradition to fruition.
Explaining Dzogchen teachings for the Western audience, this text provides a study and translation of the 'Authenticity of Open Awareness', a foundational text of the Bon Dzogchen tradition. This book provides an introductory and explanatory material that situates it in the context of Tibetan thought.
In modern Chinese Buddhism, Dizang is especially popular as the sovereign of the underworld. Often represented as a monk wearing a royal crown, Dizang helps the deceased faithful navigate the complex underworld bureaucracy, avert the punitive terrors of hell, and arrive at the happy realm of rebirth. The author is concerned with the formative period of this important Buddhist deity, before his underworldly aspect eclipses his connections to other religious expressions and at a time when the art, mythology, practices, and texts of his cult were still replete with possibilities. She begins by problematizing the reigning model of Dizang, one that proposes an evolution of gradual sinicization and increasing vulgarization of a relatively unknown Indian bodhisattva, Ksitigarbha, into a Chinese deity of the underworld. Such a model, the author argues, obscures the many-faceted personality and iconography of Dizang. Rejecting it, she deploys a broad array of materials (art, epigraphy, ritual texts, scripture, and narrative literature) to recomplexify Dizang and restore (as much as possible from the fragmented historical sources) what this figure meant to Chinese Buddhists from the sixth to tenth centuries. Rather than privilege any one genre of evidence, the author treats both material artifacts and literary works, canonical and noncanonical sources. Adopting an archaeological approach, she excavates motifs from and finds resonances across disparate genres to paint a vibrant, detailed picture of the medieval Dizang cult. Through her analysis, the cult, far from being an isolated phenomenon, is revealed as integrally woven into the entire fabric of Chinese Buddhism, functioning as a kaleidoscopic lens encompassing a multivalent religio-cultural assimilation that resists the usual bifurcation of doctrine and practice or "elite" and "popular" religion. The Making of a Savior Bodhisattva presents a fascinating wealth of material on the personality, iconography, and lore associated with the medieval Dizang. It elucidates the complex cultural, religious, and social forces shaping the florescence of this savior cult in Tang China while simultaneously addressing several broader theoretical issues that have preoccupied the field. Zhiru not only questions the use of sinicization as a lens through which to view Chinese Buddhist history, she also brings both canonical and noncanonical literature into dialogue with a body of archaeological remains that has been ignored in the study of East Asian Buddhism.
Thirty years after the publication of his classic work Dōgen Kigen—Mystical Realist, Hee-Jin Kim reframes and recasts his understanding of Dōgen's Zen methodology in this new book. Through meticulous textual analyses of and critical reflections on key passages primarily from Dōgen's Shōbōgenzō, Kim explicates hitherto underappreciated aspects of Dōgen's religion, such as the ambiguity of delusion and also of enlightenment, intricacies of negotiating the Way, the dynamic functions of emptiness, the realizational view of language, nonthinking as the essence of meditation, and a multifaceted conception of reason. Kim also responds to many recent developments in Zen studies that have arisen in both Asia and the West, especially Critical Buddhism. He brings Dōgen the meditator and Dōgen the thinker into relief. Kim's study clearly demonstrates that language, thinking, and reason constitute the essence of Dōgen's proposed Zen praxis, and that such a Zen opens up new possibilities for dialogue between Zen and contemporary thought. This fresh assessment of Dōgen's Zen represents a radical shift in our understanding of its place in the history of Buddhism.