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Recently widowed, unhappily stuck on a pricey whiplash tour of Italy, Elizabeth Berman comes face to face with the first documented painting of a teardrop in human history, and in the presence of that tearful mother, and the arresting company of the renowned and anonymous women painted by Giotto in the Arena Chapel, she wakes up to the possibility that she is not lost. Mitchell left me everything, just as he promised. "Everything," he liked to say during his last month on the sofa, "everything will be yours," as if it wasn't yet. I was left with that and two adult children who could not tolerate my sitting in my home by myself—admittedly, rather too often in a capacious pink flannel nightgown and the green cardigan Mitchell was wearing on the afternoon he died. That's how Elizabeth winds up on a tour better suited to her late–husband, a Dante scholar. Mitchell masterminded the itinerary as a surprise for their thirty–fifth wedding anniversary. Itching to leave as soon as she arrives in Padua, Elizabeth's efforts to book a ticket home are stymied by her aggressively supportive children, the ministrations of an incomprehensibly Italian hotel staff, and the prospect of forfeiting the sizable
"This will be a new edition of a large-format illustrated guide to the architecture of the Princeton University Chapel, first published by PUP in 1971, with new color photos, redrawn figures, and a Foreword by the university's Dean of Religious Life"--
Lindsey Leavitt's trademark humor, heart, and sweet romance meet Vegas!
A bold and provocative interpretation of one of the most religiously vibrant places in America—a state penitentiary Baraka, Al, Teddy, and Sayyid—four black men from South Philadelphia, two Christian and two Muslim—are serving life sentences at Pennsylvania's maximum-security Graterford Prison. All of them work in Graterford's chapel, a place that is at once a sanctuary for religious contemplation and an arena for disputing the workings of God and man. Day in, day out, everything is, in its twisted way, rather ordinary. And then one of them disappears. Down in the Chapel tells the story of one week at Graterford Prison. We learn how the men at Graterford pass their time, care for themselves, and commune with their makers. We observe a variety of Muslims, Protestants, Catholics, and others, at prayer and in study and song. And we listen in as an interloping scholar of religion tries to make sense of it all. When prisoners turn to God, they are often scorned as con artists who fake their piety, or pitied as wretches who cling to faith because faith is all they have left. Joshua Dubler goes beyond these stereotypes to show the religious life of a prison in all its complexity. One part prison procedural, one part philosophical investigation, Down in the Chapel explores the many uses prisoners make of their religions and weighs the circumstances that make these uses possible. Gritty and visceral, meditative and searching, it is an essential study of American religion in the age of mass incarceration.
A first look at the recently restored Rothko Chapel, a world-renowned destination for spiritual renewal, with all-new photography and scholarship of the renovated building and campus, published on the occasion of its 50th anniversary. The Rothko Chapel--home to 14 monumental modernist paintings by the pioneer Abstract Expressionist Mark Rothko--is an interfaith sacred space dedicated to global human rights, art, and spirituality, located in Houston. The Chapel was founded in 1971 by arts patrons and philanthropists Dominique and John de Menil, who placed their utmost faith in Rothko's vision to express the profound, the miraculous, and regard for the sanctity of the human spirit in this oasis for the intellect and the spirit. Through photographic testimony and the insights of scholars, this large-format volume gives an intimate look at this sacred space, where visitors seek solace and inspiration within this truly ecumenical sanctuary featuring Rothko's iconic paintings. Pamela Smart discusses the spiritual side and Stephen Fox puts the architecture in the context of Houston. The Chapel has been reworked within an expanded campus to enhance the experience for its many visitors. As viewers sit in stillness or move about the Chapel's serene octagonal enclosure, the reinstalled skylight better reveals the nuances of Rothko's powerful panels and allows for better connection to the outdoors as conditions shift, such as when clouds pass above.
Slightly smaller than the Pew version, the Chapel Edition is ideal for personal use and especially suitable for travel. The red hardcover measures 4 x 6, and text is a 9 point font size. This is the standard Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church together with The Psalter or Psalms of David according to use in the Episcopal Church in the United States as authorized in 1979.
Nice series with interesting people, lots of characters to meet in the town and visitors to the Inn. This book tells what happens when the congregation has to choose a new minister for Grace Chapel; lots of squabbling; fun reading; even has a recipe.
V. 1-11. House of Lords (1677-1865) -- v. 12-20. Privy Council (including Indian Appeals) (1809-1865) -- v. 21-47. Chancery (including Collateral reports) (1557-1865) -- v. 48-55. Rolls Court (1829-1865) -- v. 56-71. Vice-Chancellors' Courts (1815-1865) -- v. 72-122. King's Bench (1378-1865) -- v. 123-144. Common Pleas (1486-1865) -- v. 145-160. Exchequer (1220-1865) -- v. 161-167. Ecclesiastical (1752-1857), Admiralty (1776-1840), and Probate and Divorce (1858-1865) -- v. 168-169. Crown Cases (1743-1865) -- v. 170-176. Nisi Prius (1688-1867).