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A book that updates the stories of The Chalet School Girls into a world of sex, drugs and illegitimate babies bringing characters into the present day with references to Vietnam, Soweto, Greenham Common and the Falklands War. In the original Chalet School series there were 62 books, set in the archetypal girl's boarding school and all the heroines grew up to marry Princes, Dukes or Doctors. They are still selling over 100,000 copies a year.
Inspired by a vacation to the Austrian Alps, Elinor M. Brent-Dyer wrote The School at the Chalet, launching a series that would span more than 60 books. The series follows the adventures of a boarding school set in the picturesque Swiss Alps. The series begins with The School at the Chalet (1925), where readers are introduced to Miss Madge Bettany, a young woman who decides to start a school for girls in the Swiss mountains. The series then chronicles the growth and evolution of the school, as well as the trials and triumphs of its students.
The last term at the Chalet School for the Maynard triplets is bound to be an eventful one! A supposedly quiet afternoon has a near unhappy ending, and Examinations, Sports and the Sale all produce their own excitements. But it is Len, as head girl, who has the greatest shock of all when Dr Entwistle has a serious accident. Can she learn to grow up at last?
When they arrive at The Chalet School, the Lintons are as different as two sisters can be. Gentle and thoughtful Gillian soon settles down and makes friends, but wilful Joyce refuses to obey school rules or respect classroom honour. Problems come to a head when Joyce organizes a midnight feast.
A New York Public Library Book for the Teen Age: How do you define family? Jenny Fitzgerald is an artist who never fit in with her sports-obsessed parents and siblings. Still, she loves her family—even if she doesn’t relate to them. Even if, unlike her younger siblings, Jenny’s father is Donor 142. She’s always known the truth, but before now, it hasn’t seemed to matter much. But this summer—her sixteenth—is different. Where does Jenny really belong? Her parents don’t understand her artwork (and her boss at the studio isn’t even convinced she has talent), her twin sisters are so close it hurts (and it’s good at hurting Jenny), and she’s not entirely sure why she has a crush on jock Tate Brodeur (not that he’s noticed her . . . yet). To find her true self, Jenny begins to search for the one person who might really understand her—someone biologically connected. With Tate’s help, Jenny consults the Donor Sibling Registry, and before she knows it, she has discovered a half sibling. Alexa is witty, impulsive, and desperate to meet. Jenny’s convinced her genetic other half is the key to having a family, but when Alexa shows up unannounced, Jenny’s world changes in ways she never could have predicted.
NEW YORK TIMES BESTSELLER • "Once upon a time, there was a woman who discovered that she had turned into the wrong person." The woman is Rebecca Davitch, a fifty-three-year-old grandmother. "You’ll want to turn back to the first chapter the moment you finish the last.” —PEOPLE On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she married into after Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth-century Baltimore row house, where giving parties was his family business. What caught Joe's fancy was that she seemed to be having such a wonderful time. Soon this large-spirited divorcé with three little girls swept Beck into his orbit, and before she knew it she was embracing his extended family—plus a child of their own—and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms. Now, some thirty years later, after presiding over a disastrous family party, Rebecca is caught un-awares by the question of who she really is. Is she an impostor in her own life? Is it indeed her own life? How she answers—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel.
Everything can change – In Just One Day Flora has always adored her brother Billy. Born just eighteen months apart, their childhood was spent like two peas in a pod – no one could separate them. Now, as adults, they remain the best of friends. And as Flora is immersed in family life, Billy is always there to lend a hand. But, in just one day, everything changes. In just one day, Flora’s life falls apart. In just one day, Flora has to learn how to live again. From the nostalgia of seaside Britain to the breath-taking beauty of Venice, in tears and laughter, join Helen McGinn for this emotional, uplifting and joyful story about love in all its guises. But above all, this is an unforgettable story of one little girl and the brother she adored. Helen McGinn has written a novel to recommend to all your friends, perfect for fans of Elizabeth Noble, Cathy Kelly and JoJo Moyes. Praise for Helen McGinn: 'Escapist, warm, witty and wise' Daily Mail 'This is a lovely uplifting book that transported me away, firstly to the beautiful city of Rome and then to gorgeous Cornwall. It’s a moving and emotional story of families in all their messy wonderfulness, of people losing one another, and then coming together again - sometimes in unexpected ways. A hugely enjoyable family tale,it was exactly what I wanted to read at this time.' Louise Douglas ‘This Changes Everything is the perfect tonic. An uplifting, forget-about-everything-else read that I couldn’t put down. Romantic, emotional and page-turning, Helen McGinn’s debut novel can’t fail to cheer you up!' Zoe Folbigg 'I loved reading this book. I needed escapism - don't we all need escapism right now - and it gave me Rome, Cornwall and a family who immediately felt like old friends. I took it to the bath, to bed and had finished it within 24 hours. It was the perfect antidote to tough times.' Victoria Moore The Daily Telegraph
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).