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'For my part, I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move.' - RLS In September 1878, Robert Louis Stevenson travelled by donkey through the Cevennes region of France. For personal memory - and, as it happens, for literary posterity - the young Stevenson recorded copious notes on his journey as he travelled. Some of these witty and incisive impressions were subsequently published in Travels With A Donkey. The remainder, however, didn't find its way into print until the first publication of The Cevennes Journal in 1978, one hundred years later. This travelogue, which also includes several of Stevenson's previously unpublished sketches of the region, provides both a unique socio-historical document and an important piece of literature.
On 23 September 1878 Stevenson set out from Le Monastier in the Haut Loire, to tramp through the wild region of the Cevennes. His only companion was a small donkey to carry basic necessities, and a commodious "sleeping sack". In the next 12 days, at a pace dictated by the donkey and carrying most of the supplies himself, he travelled 120 miles across rivers, mountains and forests. His stylish and witty account was published in 1879.
'For my part, I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move.' - RLS In September 1878, Robert Louis Stevenson travelled by donkey through the Cevennes region of France. For personal memory - and, as it happens, for literary posterity - the young Stevenson recorded copious notes on his journey as he travelled. Some of these witty and incisive impressions were subsequently published in Travels With A Donkey. The remainder, however, didn't find its way into print until the first publication of The Cevennes Journal in 1978, one hundred years later. This travelogue, which also includes several of Stevenson's previously unpublished sketches of the region, provides both a unique socio-historical document and an important piece of literature.
Robert Louis Stevenson spent 12 days with a donkey walking in the Cevennes in France in 1878. His Travels with a Donkey in the Cevennes became an instant hit, and his route is now called the Stevenson Trail. Hilary Macaskill and Molly Wood negotiated the whole 212 kilometres of the trail with donkeys, tenacity and a little humour, and lived to write about their adventure, along with loads of local facts about cuisine, flora, fauna and donkey management.
When Christopher Rush's wife died suddenly of cancer, leaving him with two young children, his world fell apart. He not only stopped writing, he also lost faith in everything that had informed his existence: literature, the arts, his role as teacher, his love of nature, the society of friends. Nothing could cure his almost suicidal depression. At last he decided to try to reclaim his sanity in the least expected of ways. A confirmed non-traveller, he went to France, bought a donkey and disappeared into the mountains of the Cevennes. Like a fellow Scot, Robert Louis Stevenson, who had made the same journey over a century before, he hoped to find a new reason to live. To Travel Hopefully is a memoir of grief and recovery, expressed in an intensely private but universal language, which records a compelling journey of the spirit from defeat to victory. Anyone who has had to confront bereavement will find in these pages an understanding, experience and expression of the human predicament which go far beyond mere sympathy.
Leaving London's cosmopolitanism in 1990 for a new life in rural south-west France, Adam Thorpe settled with his family in an ancient part of the Cévennes, a rugged landscape between the mountains and the sea. Here, amongst memories of religious conflict and Nazi savagery, alongside escapees of the 1968 Paris revolts and villagers deeply committed to their inheritance, Thorpe now makes his life as a writer. In his memoir Thorpe describes an author's existence embedded within an almost unrecognisably rustic setting and an impoverished yet proud local community. At the heart of his amusing yet profound account is a deep affection for the natural environment and the people that surround him, as well as a genuine fear for what the future may hold for them both.
Huguenot refugees were everywhere in the early modern world. French Protestant exiles fleeing persecution following the Revocation of the Edict of Nantes in 1685, they scattered around Europe, North America, the Caribbean, South Africa, and even remote islands in the Atlantic and Indian Oceans. The Global Refuge provides the first truly international history of the Huguenot diaspora. The story begins with dreams of Eden, as beleaguered religious migrants sought suitable retreats to build perfect societies far from the political storms of Europe. In order to build these communities, however, the Huguenots needed patrons, forcing them to navigate the world of empires. The refugees promoted themselves as the chosen people of empire, religious heroes who also possessed key skills that could strengthen the British and Dutch states. As a result, French Protestants settled around the world: they tried to make silk in South Carolina; they planted vineyards in South Africa; and they peopled vulnerable frontiers from New England to Suriname. This embrace of empire led to a gradual abandonment of the Huguenots' earlier utopian ambitions and ability to maintain their languages and churches in preparation for an eventual return to France. For over a century they learned that only by blending in and by mastering foreign institutions could they prosper. While the Huguenots never managed to find a utopia or to realize their imperial sponsors' visions of profits, The Global Refuge demonstrates how this diasporic community helped shape the first age of globalization and influenced the reception of future refugee populations.
In 1878 Robert Louis Stevenson escaped from his numerous troubles—poor health, tormented love, inadequate funds—by embarking on a journey through the Cévennes in France, accompanied by Modestine, a rather single-minded donkey. The notebook Stevenson kept during this time became Travels with a Donkey in the Cévennes, a highly entertaining account of the French and their country. The Amateur Emigrant describes his travels to and around America: the crowded weeks in steerage, the cross-country train journey. Filled with sharp-eyed observations, it brilliantly conveys Stevenson's perceptions of America and the Americans. Together, these writings reveal as much about the traveler as the places he travels to.
In his travel narrative Travels with a Donkey in the Cevennes (1879), Robert Louis Stevenson declares, "I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move. " Taking up the concepts of time, place, and memory, the contributors to this collection explore in what ways the dynamic view of life suggested by this quotation permeates Stevenson's work. The essays adopt a wide variety of critical approaches, including post-colonial theory, post-structuralism, new historicism, art history, and philosophy, making use of the vast array of literary materials that Stevenson left across a global journey that began in Scotland in 1850 and ended in Samoa in 1894. These range from travel journals, letters, and classic literary staples such as Treasure Island and The Strange Case of Dr. Jekyll and Mr. Hyde, to rarely read masterpieces such as The Master of Ballantrae or The Ebb-Tide. While much recent scholarship on Stevenson foregrounds geography, the present volume also examines the theme of movement across memory, time, and generic boundaries. Taken together, the essays offer a view of Stevenson that demonstrates how the protean nature of his literary output reflects the radical developments in science, technology, and culture that characterized the age in which he lived.
A SUNDAY TIMES TOP FIVE BESTSELLER SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE 2014 From the author of the New York Times bestseller A Train in Winter comes the extraordinary story of a French village that helped save thousands who were pursued by the Gestapo during World War II. High up in the mountains of the southern Massif Central in France lies a cluster of tiny, remote villages united by a long and particular history. During the Nazi occupation, the inhabitants of the Plateau Vivarais Lignon saved several thousand people from the concentration camps. As the victims of Nazi persecution flooded in – resisters, freemasons, communists and Jews, many of them children – the villagers united to keep them safe. The story of why and how these villages came to save so many people has never been fully told. But several of the remarkable architects of the mission are still alive, as are a number of those they saved. Caroline Moorehead has sought out and interviewed many of the people involved in this extraordinary undertaking, and brings us their unforgettable testimonies. It is a story of courage and determination, of a small number of heroic individuals who risked their lives to save others, and of what can be done when people come together to oppose tyranny.