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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Identifies some 1,700 works about African Americans. Entries include full bibliographic information as well as Library of Congress call numbers and location in 11 major university libraries. Entries are arranged by subjects such as art, civil rights, folk tales, history, legal status, medicine, music, race relations, and regional studies. First published in 1970 by the Library of Congress.
This volume examines the practice of memory in early modern Europe, showing that this was already a multimedia affair with many political uses, and affecting people at all levels of society; many pre-modern memory practices persist until today.
On a spring morning in 1813 the largest amphibious force in American history to that point - nearly 6,000 troops aboard 140 vessels - stormed ashore near the mouth of the Niagara River, routed the British garrison and captured Fort George. It was a textbook operation, the second consecutive American victory, and a promising sign that events of 1813 would redress the military calamities of 1812. The badly mauled British army, short of provisions and ammunition, reeled westward, its leadership uncertain where or how the retreat would end. The American forces were poised to deliver the critical body blow the War Hawks in Congress dreamed of when they predicted a four-week war to seize Britain's remaining colonies. The fate of Upper Canada hung in the balance. Ten days later, in a field near the hamlet of Stoney Creek, the promise of that triumph was smashed in a terrifying night action the outcome of which hinged on a single bayonet charge that carried the American artillery and decapitated the invading army. Little known or appreciated, Stoney Creek was one of the most decisive reversals of military fortune in the War of 1812 and in no small measure determined the fate of the colony that would become Ontario. Journalist and author James Elliott has compellingly reconstructed the chain of events. From the rise to brigadier general of Maine blacksmith John Chandler, to the Highland heroics of Alexander Fraser, Strange Fatality explores the dynamics of a battle that stemmed the tide of invasion, cost two generals their freedom and unseated the highest-ranking soldier in the American army. Book jacket.
One of the turning points in the War of 1812. In the fall of 1813 the largest army yet assembled by the United States invaded Canada, determined to capture Montreal. The courageous but ill-trained and badly led American forces were defeated by British, Canadian and native troops in two important encounters: the Battle of Chateuaguay and, above all, the Battle of Crysler's Farm, fought on a muddy field beside the St. Lawrence River.
One of a series of systematic catalogues of the National Gallery of Art's collection, this comprehensive volume discusses in detail 310 objects that comprise one of the world's outstanding repositories of American naive paintings. Works by renowned folk artists such as Edward Hicks, Erastus Salisbury Field, and Ammi Phillips are represented in depth and placed in stylistic as well as historical context. This catalogue is an indispensable tool for historians of Amerian painting and folk art, and for students of American life and culture. Thorough documentation and commentary are provided for the first time on some of the most intriguing images produced in America in the past two hundred years.