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'When hunting began, it was not a man who chased an animal. It was a being that chased another being. No one could say with certainty who each of them were.' Connecting Greek and Egyptian myth, the stories of poets, shamans and gods, Roberto Calasso takes us on a spellbinding voyage that traces the beginnings of our detachment from the animal world; from the landmark evolutionary moment in which humans became the hunter rather than the prey. Roaming through time and across cultures - from the Palaeolithic era to Turing's Machine - The Celestial Hunter delves into the crucible of all our stories- the source of human grief, guilt, resilience and redemption with which we have wrestled throughout history.
Brilliant, inspired, and gloriously erudite, Literature and the Gods is the culmination of Roberto Calasso’s lifelong study of the gods in the human imagination. By uncovering the divine whisper that lies behind the best poetry and prose from across the centuries, Calasso gives us a renewed sense of the mystery and enchantment of great literature. From the banishment of the classical divinities during the Age of Reason to their emancipation by the Romantics and their place in the literature of our own time, the history of the gods can also be read as a ciphered and splendid history of literary inspiration. Rewriting that story, Calasso carves out a sacred space for literature where the presence of the gods is discernible. His inquiry into the nature of “absolute literature” transports us to the realms of Dionysus and Orpheus, Baudelaire and Mallarmé, and prompts a lucid and impassioned defense of poetic form, even when apparently severed from any social function. Lyrical and assured, Literature and the Gods is an intensely engaging work of literary affirmation that deserves to be read alongside the masterpieces it celebrates.
In this revelatory volume, Roberto Calasso, whom the Paris Review has called 'a literary institution', explores the ancient texts known as the Vedas. Little is known about the Vedic people who lived more than three thousand years ago in northern India: they left behind almost no objects, images, ruins. They created no empires. Even the hallucinogenic plant, the soma, which appears at the centre of some of their rituals, has not been identified with any certainty. Only a 'Parthenon of words' remains: verses and formulations suggesting a daring understanding of life. 'If the Vedic people had been asked why they did not build cities,' writes Calasso, 'they could have replied: we did not seek power, but rapture.' This is the ardor of the Vedic world, a burning intensity that is always present, both in the mind and in the cosmos. With his signature erudition and profound sense of the past, Calasso explores the enigmatic web of ritual and myth that define the Vedas. Often at odds with modern thought, he shows how these texts illuminate the nature of consciousness more than neuroscientists have been able to offer us up to now. Following the 'hundred paths' of the Satapatha Brahmana, an impressive exegesis of Vedic ritual, Ardor indicates that it may be possible to reach what is closest by passing through that which is most remote, as 'the whole of Vedic India was an attempt to think further'.
A historical novel about the ruin of an imaginary country called Kasch, set in the context of true events.
'It will be read and re-read not as a treatise but as a story: one of the most extraordinary that has ever been written of the origins of Western self-consciousness' Simon Schama The marriage of Cadmus and Harmony was the last time the gods of Olympus feasted alongside mortals. What happened in the distant ages preceding it, and in the generations that followed, form the timeless tales of ancient Greek mythology. In this masterful retelling of the myths we think we know, Roberto Calasso illuminates the deepest questions of our existence. 'The kind of book one comes across only once or twice in one's lifetime' Joseph Brodsky 'A perfect work like no other' Gore Vidal
In "the very best book about Hindu mythology that anyone has ever written" (The New Republic) Calasso plunges Western readers into the mind of ancient India. He begins with a mystery: Why is the most important god in the Rg Veda, the oldest of India's sacred texts, known by a secret name—"Ka," or Who? What ensues is not an explanation, but an unveiling. Here are the stories of the creation of mind and matter; of the origin of Death, of the first sexual union and the first parricide. We learn why Siva must carry his father's skull, why snakes have forked tongues, and why, as part of a certain sacrifice, the king's wife must copulate with a dead horse. A tour de force of scholarship and seduction, Ka is irresistible.
In Off-Duty Angel, dark witch and half-demon Eve Levine is desperate for a little entertainment while her lover, Kristof Nash, is detained in afterlife court--enough to volunteer an extra week's worth of angel corps duty just to pass the time. Luckily something even better comes up: a real celestial bounty-hunter mission to trail a shaman, someone who might prove to be a useful lead in Kristof's court case. Following the target goes smoothly, until he leads Eve to the British Museum, where she inadvertently steps into a secret dimensional passage and stumbles upon a far more enticing puzzle . . . and a much greater danger. Packed with suspense and surprising twists, Off-Duty Angel reveals fascinating new insights into a beloved series character. It's not a good sign when Elena Michaels and Clayton Danvers resort to everyday activities on their long-awaited honeymoon in St. Louis. But their encroaching boredom is about to take a backseat to an unexpected threat that catches Clay's attention. A non-pack werewolf is clearly stalking them--out to claim Elena for himself--and Clay has no intention of letting the upstart mutt spoil their romantic getaway, even if that means deceiving Elena as he pursues the rival werewolf on his own. Originally part of an anthology of supernatural romance stories, Stalked is the perfect introduction to Kelley Armstrong's Otherworld series and an action-packed interlude for fans to revisit some of their favorite characters. Includes an exclusive early look at 13, the epic finale to the Otherworld series, coming July 24, 2012.
The undisputed master of the tough thriller, New York Times bestselling author Stephen Hunter delivers an “exciting and intelligent” (The Wall Street Journal) masterpiece set in 1940s Arkansas, where law and corruption ricochet like slugs from a .45 automatic. Earl Swagger is tough as hell. But even tough guys have their secrets. Plagued by the memory of his abusive father, apprehensive about his own impending parenthood, Earl is a decorated ex-Marine of absolute integrity—and overwhelming melancholy. Now he’s about to face his biggest, bloodiest challenge yet. It is the summer of 1946, organized crime’s garish golden age, when American justice seems to have gone to seed for good. Nowhere is this truer than in Hot Springs, Arkansas, the reigning capital of corruption. When the district attorney vows to bring down the mob, Earl is recruited to run the show. As casino raids erupt into nerve-shattering combat amid screaming prostitutes and fleeing johns, the body count mounts—along with the suspense in this “riveting” (Los Angeles Times), “richly told tale” (The San Francisco Examiner).
In this analysis of human history and myth, “[Calasso’s] flow of associations leaves you feeling not out of your depth, but smarter and better read” (The New York Times Book Review). A New York Times Book Review Editors’ Choice There was a time, even before prehistory, when man was simply a defenseless animal. The gods he worshiped took the form of other beasts or were the patterns of the stars he saw above him each night in the sky, which he transformed into figures and around which he created stories. Soon, however, man learned to imitate the animals that attacked him and he became a hunter. This transformation, Roberto Calasso posits, from defenseless victim to hunter was a key moment, the first step on man’s ascendance to power. Suddenly the notion of the hunter became fundamental. It would be developed over thousands of years through the figures that became central to Greek mythology, including the constellations. Among them was Orion, the celestial hunter, and his dog, Sirius. Vivid and strikingly original, and expertly translated from the Italian by Richard Dixon, The Celestial Hunter traces how man created the divine myths that would become the cornerstones of Western civilization. As Calasso demonstrates, the repercussions of these ideas would echo through history, from Paleolithic to modern times. And they would be the product of one thing: the human mind. “Calasso is vital.” —The Guardian “At a moment when atavistic kinds of peril, awe and terror seem close at hand, it feels no great stretch to share Calasso’s core belief that ‘The gods always return.’” —Financial Times “Elliptical, allusive and dazzlingly eclectic.” —The Spectator “Thought-provoking.” —Publishers Weekly