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Adapted for the stage, the story of Arthur facing monsters conjured by Merlin, in his quest to become King, is perfect for schools and family audiences. The King is dead and the Green Kingdom is in turmoil as is seeks a new heir. Only the all-powerful wizard Merlin knows that the future lies in the hands of the young boy Arthur. Taken away from the only home he has ever known, Arthur slumbers in Merlin’s mystical Cave of Dreams. Here, his past and future are revealed in a glorious vision that will transform his life and lead him on a magical adventure. Can Arthur outwit the giants and slay the dragons that stand in his way? Will he pull the sword from the stone and claim his rightful kingdom? CHARLES WAY: Charles began writing plays in 1978 when he joined Leeds Playhouse TIE team. He has written over 40 plays, many of them for young people. His plays 'Sleeping Beauty' and 'The Search for Odysseus' were both nominated as Best Children's Play by the Writer's Guild with 'A Spell of Cold Weather' winning the award in 1996. His play about the percussionist Evelyn Glennie, 'Playing from the heart' was nominated as Best Children's Show by the TMA. Other plays include: 'The Flood', 'One Snowy Night' [Chichester Festival Theatre], and 'The Night Before Christmas ' [Polka Theatre]. Charles' plays for adults include adaptations of Bruce Chatwin's 'On the Black Hill' and Halldor Laxness' 'Independent People'. In Wales, he has long associations with Gwent Theatre, The Sherman Theatre and Hijinx Theatre, for whom he has written 'In the Bleak Midwinter', and 'Ill Met by Moonlight.' He was recently commissioned by the National Theatre to write 'Alice in the News', which children all over Britain have performed. Other new plays include: 'Still Life ' [Plymouth Theatre Royal], and 'The Long Way Home', for New Perspectives Theatre/CIAO Festival. In 2004, Charles won the Arts Council's Children's Award for his play 'Red Red Shoes' [Unicorn Theatre/The Place] and 'Merlin and the Cave of Dreams' [Imagination Stage] was nominated in USA for a Helen Hayes award for the outstanding new play of 2004 . Charles has written many plays for radio, and a TV poem for BBC2, 'No Borders', set on the Welsh borders, where he lives and has spent most of his creative life.
A vivid sense of the wilderness and nature’s power comes through in this intriguing and tension-filled YA novel narrated by a contemporary teen. Perfect for animal lovers, this unusual novel has hints of the quirky charm of Geek Girl and the emotional depth of The Last Leaves Falling. Darcy’s dad, a naturalist, moves their family from England to the snowy wilderness of Yellowstone National Park. Mum, Dad, and older brother Jem are all thriving, but Darcy misses her friends, and civilization, including WiFi. She’s also sick, getting weaker with each day, and having strange dreams—or are they something else? Then she finds an injured mother bear whose cubs were killed by hunters. The bear is enormous, and powerful, but she doesn’t threaten Darcy—she makes Darcy feel alive. The bear needs Darcy just as much as Darcy needs her. Darcy must help her, even though she might not be well enough to take care of the bear, let alone herself. A mystery illness, shifting points of view, and dreamlike sequences make this an unusual and immersive story. Darcy is brave and resourceful, but nothing has prepared her to confront nature’s ultimate question: Can a girl and a wild bear triumph over the basic rule of survival: kill or be killed?
Dreaming is vital to the human story. It is essential to our survival and evolution, to creative endeavors in every field, and, quite simply, to getting us through our daily lives. All of us dream. Now Robert Moss shows us how dreams have shaped world events and why deepening our conscious engagement with dreaming is crucial for our future. He traces the strands of dreams through archival records and well-known writings, weaving remarkable yet true accounts of historical figures who were influenced by their dreams. In this wide-ranging, visionary book, Moss creates a new way to explore history and consciousness, combining the storytelling skills of a bestselling novelist with the research acumen of a scholar of ancient history and the personal experience of an active dreamer.
Chris Gallagher is an associate professor of engineering at the University of Cincinnati. While on sabbatical from the university, Chris signed up for an archeological dig in Ardche, France, so he could study the structure of caves. Professor Gallagher has always had an interest in self-hypnosis, teleportation, and time travel. Chriss knowledge and paranormal skills are put to the test when his assignment accidentally takes him back in time. Chris spends his first night in France sleeping in the Circle of Dreams on the hill just above Chauvets Cave. While in his sleep, Chris meets the artist who drew the four horse heads in Chauvets Cave some 32,000 years ago.
Poems and stories that stream directly from dreams and shamanic adventures in the world-behind-the-world.
Geralt is a witcher, a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary murderer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. He roams the country seeking assignments, but gradually comes to realise that while some of his quarry are unremittingly vile, vicious grotesques, others are the victims of sin, evil or simple naivety. One reviewer said: 'This book is a sheer delight. It is beautifully written, full of vitality and endlessly inventive: its format, with half a dozen episodes and intervening rest periods for both the hero and the reader, allows for a huge range of characters, scenarios and action. It's thought-provoking without being in the least dogmatic, witty without descending to farce and packed with sword fights without being derivative. The dialogue sparkles; characters morph almost imperceptibly from semi-cliche to completely original; nothing is as it first seems. Sapkowski succeeds in seamlessly welding familiar ideas, unique settings and delicious twists of originality: his Beauty wants to rip the throat out of a sensitive Beast; his Snow White seeks vengeance on all and sundry, his elves are embittered and vindictive. It's easily one of the best things I've read in ages.'
Poetry. Literary Nonfiction. LGBTQIA Studies. Unlike anything we've ever seen or published; LISTEN MY FRIEND; THIS IS THE DREAM I DREAMED LAST NIGHT is a book of wonder in which poet Cody-Rose Clevidence layers the language of information with the language of the heart; constantly locating the connections between attention and perception. On each page local and global concerns combine in an effort to reveal what it's like to live right now; during a pandemic in a broken world. With its uncategorizable form; somewhere between an essay and a prose poem; Clevidence mixes anthropology; poetry; autobiography; history; psychology; and philosophy; with subject matter ranging from agriculture; gender; justice; loneliness; pollution; space; guns; moths; family; grief; longing--it's hard to name a subject relevant to our time that isn't in this book. Clevidence's deft movement between facts and feelings is immediate from the first page; with an inquisitive and searching voice stretched over one long; never-breaking block of prose; a catalogue that becomes revelatory by the end; allowing readers to imagine a new way of processing their world.
From the acclaimed Booker Prize-winning author comes a dazzling novel of family, love and love's disappointments Anna's aged mother is dying. Condemned by her children's pity to living, subjected to increasingly desperate medical interventions, she turns her focus to her hospital window, through which she escapes into visions of horror and delight. When Anna's finger vanishes and a few months later her knee disappears, Anna too feels the pull of the window. She begins to see that all around her, others are similarly vanishing, yet no one else notices. All Anna can do is keep her mother alive. But the window keeps opening wider, taking Anna and the reader ever deeper into an eerily beautiful story of grief and possibility, of loss and love and orange-bellied parrots. Hailed on publication in Australia as Richard Flanagan's greatest novel yet, The Living Sea of Waking Dreams is a rising ember storm illuminating what remains when the inferno beckons: one part elegy, one part dream, one part hope.
A groundbreaking history of the human mind told through our experience of dreams—from the earliest accounts to current scientific findings—and their essential role in the formation of who we are and the world we have made. "A resounding case for the mystery, beauty and cognitive importance of dreams." —The New York Times What is a dream? Why do we dream? How do our bodies and minds use them? These questions are the starting point for this unprecedented study of the role and significance of this phenomenon. An inves­tigation on a grand scale, it encompasses literature, anthropology, religion, and science, articulating the essential place dreams occupy in human culture and how they functioned as the catalyst that compelled us to transform our earthly habitat into a human world. From the earliest cave paintings—where Sidarta Ribeiro locates a key to humankind’s first dreams and how they contributed to our capacity to perceive past and future and our ability to conceive of the existence of souls and spirits—to today’s cutting-edge scientific research, Ribeiro arrives at revolutionary conclusions about the role of dreams in human existence and evolution. He explores the advances that contempo­rary neuroscience, biochemistry, and psychology have made into the connections between sleep, dreams, and learning. He explains what dreams have taught us about the neural basis of memory and the transfor­mation of memory in recall. And he makes clear that the earliest insight into dreams as oracular has been elucidated by contemporary research. Accessible, authoritative, and fascinating, The Oracle of Night gives us a wholly new way to under­stand this most basic of human experiences.