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Papers presented at two related seminars jointy organized by Indira Gandhi Rashtriya Manav Sangrahalaya, Bhopal, India, and St. Joseph's College, Tiruchirapalli, India, on the themes, Cauvery, a living museum, and Cauvery, thy name perenniality on September 16-17, 1999, and April 5-6, 2001 respectively; chiefly on civilization of Cauvery River Valley.
Recent literature has identified modern "parenting" as an expert-led practice--one which begins with pre-pregnancy decisions, entails distinct types of intimate relationships, places intense burdens on mothers and increasingly on fathers too. Exploring within diverse historical and global contexts how men and women make--and break--relations between generations when becoming parents, this volume brings together innovative qualitative research by anthropologists, historians, and sociologists. The chapters focus tightly on inter-generational transmission and demonstrate its importance for understanding how people become parents and rear children.
Rivers have always been worshipped in India, and yet they are in a deplorable state today. The Ganga, regarded as holy and formally declared as the national river, and the Yamuna, the river of Indiaas capital, are mortally sick. Many other rivers in the country are declining or dying. It is difficult to find living, healthy rivers, and even the few that exist are under threat of decline. Heavy pollution is a major cause of this situation, but there are also other factors, such as excessive abstractions or diversions of waters, and violence to their physical components such as the river-bed, banks, floodplains, and so on. Underlying such abuses is a poor understanding of what constitutes a river. This book goes into the present condition of several Indian rivers, their various states of decline or health, and the factors that have had an effect on their well-being. It explores also the deeply flawed attitudes and approaches towards rivers and towards the environment in general. The chapters by diverse authors make a plea for a proper understanding of our rivers in all their complexity, for a healthy relationship with them, and for a radical re-examination of what constitutes true development. This compilation is important as a detailed river-wise account of the situation, and serves as an aid to understanding what has gone wrong (or right in a few cases) and what needs to be done in order to restore our rivers to vibrant health. "
Board the train for a story of art, diversity, and community in a near-wordless tale told through masterful, sumptuously detailed black-and-white illustrations. Train riders are used to stressful delays on the Zero Local line. But when a new passenger shows gratitude to the driver on their daily commute, tensions begin to ease. Eventually the artistic traveler stops riding the Zero Local line, and discord begins to creep back into the train car. Will the regular passengers find a way to restore the sense of camaraderie they once felt? Inspired by a true story, Ethan and Vita Murrow share with us a tender ode to the power of art and its ability to foster friendship and community in the most unlikely of places.
Katha Vilasam: The Story Within offers a path-breaking series of 50 articles by S. Ramakrishnan, published over the course of four years in the widely read Tamil magazine Ananda Vikatan, to a wider reading public through translation into English. The writing style is intentionally direct and compact to suit a magazine readership. Nevertheless, the prose is elevating, even lyrical at times. There are “Aha” moments aplenty. The author uses a unique device in these units. They are “stories within stories”. In each unit, he describes an incident from his own experience and relates it to a short story he has read by a particular eminent Tamil writer. He paraphrases/summarises the writer’s story, melds it into his own reminiscence, and allows the two to resonate and create a musical signature in the reader’s mind. Thus, 50 noted short story writers in the Tamil language are featured here. The avowed purpose of the author was to introduce the readers of Ananda Vikatan (who may have been readers of nothing but magazines) to also delve into the works of excellent Tamil short story writers. The series ran for four years and was very well received by readers. Each unit deserves to be read and re-read not only for the insights and information about writers in different genres, but for the word wizardry and imagery that flow effortlessly through the lines. It is hoped that this English translation will teleport these unique offerings to a wider reading public and bring the works of excellent Tamil writers into the lives of discriminating lovers of literature everywhere.