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Where are the women in liturgical history? In considering the influential liturgical movement in the United States during the first half of the twentieth century, Katharine E. Harmon reveals that the reality is analogous to Matthew's account of the crucifixion of Jesus: "there were also many women there" (Matt. 27:55). In this groundbreaking study, Harmon considers women's involvement in the movement. Here, readers explore the contributions of Maisie Ward, Dorothy Day, Catherine deHueck Doherty, Ade Bethune, Therese Mueller, and many others. Harmon shows how movements and institutions such as progressivism, Catholic women's organizations, Catholic Action, the American Grail Movement, and daily Catholic family life played a prominent role in the liturgical renewal. The historical record is clear that women were there, they ministered to the Mystical Body, and their important work must be recognized.
As a social history of the liturgical movement, "Unread Vision" introduces readers to the movement's pioneers and promoters and to the issues that emerged from 1926-1955. "Unread Vision" explores the foundational years and their major themes and discusses how the movement's goals and principles were received by the broader community of American Catholics.
While all supported movements for the rights of labor, racial minorities, and women, some endorsed the military-industrial order that established the professional-managerial class as a dominant national force, while others favored a decentralized political economy of worker self-management. At the same time, McCarraher recasts the debate about the "therapeutic ethic" by tracing a shift, not from religion to therapy, but from religious to secular conceptions of selfhood.
What can the religious objects used by nineteenth- and twentieth-century Americans tell us about American Christianity? What is the relationship between the beliefs of the faithful and the landscapes they build? This lavishly illustrated book investigates the history and meaning of Christian material culture in America over the last 150 years. Drawing on a rich array of historical sources and on in-depth interviews with Protestants, Catholics, and Mormons, Colleen McDannell examines the relationship between religion and mass consumption. She describes examples of nineteenth-century religious practice: Victorians burying their dead in cultivated cemetery parks; Protestants producing and displaying elaborate family Bibles; Catholics writing for special water from Lourdes reputed to have miraculous powers. And she looks at today's Christians: Mormons wearing sacred underclothing as a reminder of their religious promises, Catholics debating the design of tasteful churches, and Protestants manufacturing, marketing, and using a vast array of prints, clothing, figurines, jewelry, and toys that some label "Jesus junk" but that others see as a witness to their faith. McDannell claims that previous studies of American Christianity have overemphasized the written, cognitive, and ethical dimensions of religion, presenting faith as a disembodied system of beliefs. She shifts attention from the church and the theological seminary to the workplace, home, cemetery, and Sunday school, highlighting a different Christianity--one in which average Christians experience the divine, the nature of death, the power of healing, and the meaning of community through interacting with a created world of devotional images, environments, and objects.