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Ramon Muntaner's account of the bloody adventures of the Almogaver army under Roger of Flor in the eastern Mediterranean in the early fourteenth century, one of the most spellbinding narratives of medieval European literature. Before its definitive fall into Turkish hands, the Byzantine Empire was the target of adventurers of many nations. Outstanding among these groups was the Almogaver army led by Roger of Flor, composed of mercenaries hardened in thewar between the Catalan and Angevin dynasties for domination of Sicily. The Catalan presence in Constantinople aroused suspicion among the Greek nobility who assassinated Roger of Flor and tried to exterminate his men. The devastating reaction of those who escaped the slaughter led to Catalan control of broad swathes of the Empire, including Athens. Ramon Muntaner, one of the ringleaders of the expedition, recounted the adventures of the Almogaver army inthe eastern Mediterranean in the fascinating section of his Chronicle translated here. The preface is by N. D. Hillgarth. Dr. Robert D. Hughes is a translator and researcher with particular expertise in the fields of fine art, the history of ideas and Catalan culture. Published in association with Editorial Barcino
On the occasion of the celebration of Ramon Muntaner’s Year in 2015, the Biblioteca de Catalunya and the Ministry of Culture of the Catalan Government have published Les cròniques catalanes. Through the voices of the researchers Josep Maria Solé Sabaté, José Enrique Ruiz-Domènec, Raül Sanchis Francés and Núria Silleras Fernández, who tell us about the four great chronicles from a current point of view, the reader is introduced to the medieval world, the arts, the festivals and the role of women. The work gives an account of the most relevant facts found in the chronicles and provides a selection of the most significant manuscripts kept at the Biblioteca de Catalunya, a preservation carried out by historian Almudena Blasco. In addition, the book contains a selection of thirty-nine passages from the various chronicles, accompanied by images of the original documents and their transcriptions. Finally, the book includes a bibliographic work that collects the codices and printed documents that transmit these chronicles, a task curated by Tània Alaix, librarian at the Biblioteca de Catalunya. All content and materials are now gathered in this open access e-book in a new and innovative format, published under a Creative Commons license.
The authors maintain that Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized the production and dissemination of his writings in a creative and unconventional fashion. Ramon Llull (1232-1316), mystic, missionary, philosopher and author of narrative and poetry, wrote both in Latin and in the vernacular claiming he had been given a new science to unveil the Truth. This book shows why his Latin andvernacular books cannot be read as if they had been written in isolation from one another. Llull was an atypical 'scholar' because he enjoyed a form of access to knowledge that differed from the norm and because he organized theproduction and dissemination of his writings in a creative and unconventional fashion. At a time when learned texts and university culture were conveyed for the most part using the vehicle of Latin, he wrote a substantial proportion of his theological and scientific works in his maternal Catalan while, at the same time, he was deeply involved in the circulation of such works in other Romance languages. These circumstances do not preclude the fact that a considerable number of the titles comprising his extensive output of more than 260 works were written directly in Latin, or that he had various books which were originally conceived in Catalan subsequently translated or adapted intoLatin. Lola Badia is a professor in the Catalan Philology Departament at the University of Barcelona. Joan Santanach is Lecturer of Catalan Philology at the University of Barcelona. Albert Soler (1963) is Lecturer of Catalan Philology at the University of Barcelona.
The Mediterranean has always attracted the imagination of modern historians as the epicentre of great political entities, such as the Egyptians, Greeks, Romans, Arabs, Ottomans, Venetians, and Spanish. However, it seems that the sea itself was always on the margins of historical inquiry – at least, until the publication of the famous two-volume work by F. Braudel in 1949. This collection of essays aims to offer a vertical history of war in the Mediterranean Sea, from the early Middle Ages to the early modernity, putting the emphasis on the changing face of several different aspects and contexts of war over time. Contributors are Stephen Bennett, Stathis Birtachas, Cornel Bontea, Wayne H. Bowen, Lilia Campana, Raffaele D’Amato, Elina Gugliuzzo, Nikolaos Kanellopoulos, Savvas Kyriakides, Tilemachos Lounghis, Alan V. Murray, Chrysovalantis Papadamou, Jacopo Pessina, Philip Rance, Georgios Theotokis, Iason Tzouriadis, Ian Wilson, and Aysel Yildiz.
Translated into English for the first time, Andrés Avelino de Orihuela’s El Sol de Jesús del Monte is a landmark Cuban antislavery novel. Published originally in 1852, the same year as Harriet Beecher Stowe’s Uncle Tom’s Cabin (which Orihuela had translated into Spanish), it provides an uncompromising critique of discourses of white superiority and an endorsement of equality for free people of color. Despite its historical and literary value, The Sun of Jesús del Monte is a long-neglected text, languishing for 150 years until its republication in 2008 in the original Spanish. The Sun of Jesús del Monte is the only Cuban novel of its time to focus on La Escalera, or the Ladder Rebellion, a major anticolonial and slave insurrection of nineteenth-century Cuba that shook the world’s wealthiest colony in 1843–44. It is also the only Cuban novel of its time to take direct aim at white privilege and unsparingly denounce the oppression of free people of color that intensified after the insurrection. This new critical edition—featuring an invaluable, contextualizing introduction and afterword in addition to the new English translation—offers readers the most detailed portrait of the everyday lives and plight of free people of color in Cuba in any novel up to the 1850s. Writing the Early Americas
The author and six historical characters of his own choosing tell tales and guide you through the artistic and literary maze of Latin-occupied Greece. They show you patterns, influences, and dissimilar evolutions in what appears to be a 13th-14th century cultural conundrum.
What bodily experiences did fighters make through their lifetime and especially in violent conflicts? How were the bodies of fighters trained, nourished, and prepared for combat? How did they respond to wounds, torture and the ubiquitous risk of death? The articles present examples of body techniques of fighters and their perception throughout the Middle Ages. The geographical scope ranges from the Anglo-Scottish borderlands over Central Europe up to the Mediterranean World. This larger framework enables the reader to trace the similarities and differences of the cultural practice of "Killing and Being Killed" in various contexts. Contributions by Iain MacInnes, Alastair J. Macdonald, Bogdan-Petru Maleon, and others.
An era rich in artistic creations and political transformations, the Mongol period across Eurasia brought forth a new historical consciousness visible in the artistic legacy of the thirteenth and fourteenth centuries. Historicity of the present, cultivation of the secular within received cosmologies, human agency in history, and naturalism in the representation of social and organic environments all appear with consistency across diverse venues. Common themes, styles, motifs, and pigments circulated to an unprecedented extent during this era creating an equally unprecedented field of artistic exchange. Exploring art’s relationship to the unique commercial and political circumstances of Mongol Eurasia, Sudden Appearances rethinks many art historical puzzles including the mystery of the Siyah Kalem paintings, the female cup-bearer in the Royal Drinking Scene at Alchi, and the Mongol figures who appear in a Sienese mural. Drawing on primary sources both visual and literary as well as scholarship that has only recently achieved critical mass in the areas of Mongolian studies and Eurasian histories, Roxann Prazniak orchestrates an inquiry into a critical passage in world history, a prelude to the spin-off to modernity. Sudden Appearances highlights the visual and emotional prompts that motivated innovative repurposing of existing cultural perspectives and their adjustment to expanding geographic and social worlds. While early twentieth-century scholarship searched for a catholic universalism in shared European and Chinese art motifs, this inquiry looks to the relationships among societies of central, western, and eastern Asia during the Mongol era as a core site of social and political discourse that defined a globalizing era in Eurasian artistic exchange. The materiality of artistic creativity, primarily access to pigments, techniques, and textiles, provides a path through the interconnected commercial and intellectual byways of the long thirteenth century. Tabriz of the Ilkhanate with its proximity to the Mediterranean and al-Hind seas and relations to the Yuan imperial center establishes the geographic and organizational hub for this study of eight interconnected cities nested in their regional domains. Avoiding the use of modern geographic markers such as China, Europe, Middle East, India, Sudden Appearances shifts analysis away from the limits of nation-state claims toward a borderless world of creative commerce.