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In The Casitians Return, life on Earth changes forever when aliens of human origin arrive with a startling new mandate, and the technology to enforce it. The aliens are here — and they are us. Or rather, they are human beings from another star system who have come to reunite the two branches of humanity, whether we like it or not. These aliens (who call themselves Casitians since their planet, Casiti, is casi tierra, or “almost Earth,”) are mandated by the Galactic Council to make earth a more enduring, peaceful and sustainable community — not so much for people, but for dolphins, the true galactic citizens. Predictably, many Earth humans resist, and the Casitians unveil a surprising solution: Earth humans are given the option to migrate to a whole new planet. There is Joel, a SETI scientist, who is first denounced, then vindicated when he discovers an alien signal. Marianne, a whip-smart programmer, is chosen as the first contact, and has to juggle the realities of telling the world as she is also emotionally drawn to the mysterious Casitian, Ja’el. Follow them and a whole host of Earth and Casitian characters in this engaging exploration of what might happen when humans meet … ourselves.
It was supposed to be just a just a routine visit to Reit'al… When Casitian physician Jam’elo makes a research trip to the western United States in 1859, he quickly becomes emotionally involved with Earth and its inhabitants. His visit brings great healing to many: the patients whom he surreptitiously treats and cures with powerful Casitian medicines; Emma, the sensitive young slave whom he befriends; and Lena, the struggling farm widow with whom he finds himself unexpected, passionate love. Although Civil-War-era life isn’t easy for a mixed-race visitor from another planet, Jam’elo uses his quick wit (and his secret arsenal of Casitian technology) to keep himself out of trouble – until his fateful decision to accompany Lena to her family home in Virginia. On that harrowing journey, Jam’elo learns more about slavery than he had ever hoped to know, and the boundary-crossing couple are plunged into circumstances that threaten both their love and their survival.
"Humans Untied" is Volume 3 of the Casitian Universe Trilogy. This novel takes off where "The Story of New Earth" (Volume 2) left off. Things on Earth and New Earth are settling down, but then Terrans are faced with an almost insurmountable task, and are getting no help at first from the Casitians in pulling it off. In addition, things get hairy for humans all over the galaxy, as a new Edict from the Galactic Council means enormous changes in human life, all over the galaxy. Marianne and Ja'el reunite, and help the next generation, including Marianne's neices, with a daunting task: preparing New Earth for massive immigration of Humans from Earth. And they all know that what happens may well determine history for 1000 years.
The Story of New Earth is Volume 2 of the Casitian Universe series. This novel takes off where "The Casitians Return" left off. Many human beings from Earth have settled on a new planet, called "New Earth." This planet is large and verdant, and a wide variety of people have begun to make their home there. Follow the New Americans, led by Gerard, who failed in his attempt to gain the US Presidency during the "Casitian Crisis." Leticia and Beatrice, Marianne's neices, travel far and wide. Humans on Earth and on New Earth learn of a new danger that they must contend with. Marianne comes back to New Earth, humans are put on trial by the Galactic Community, and the Casitians must face the consequences of their actions. Follow a host of old and new characters in this adventure.
Poetry. African & African American Studies. This perfect-bound chapbook showcases Safiya Sinclair's immense talents across a wide variety of genres, including poetry, memoir, and literary essay. Eddie Baugh writes, "Her mythopoeic imagination thrives on startling metaphors and combinations of images. Eschewing the naturalistic and consolatory, the poetry is alive in disturbing implosions of consciousness, drawn to cataclysm and apocalypse, whether in personal or communal histories."
Including the work of Derrick Bell, Trey Ellis, Haki Madhubuti, Clarence Major, Walter Mosley, Quincy Troupe, John Edgar Wideman, and August Wilson, among others, Speak My Name explores the intimate territory behind the myths about black masculinity.
As a favor for a friend, a bright and talented young woman volunteered to read her poetry to a group of prisoners during a Black History Month program. It was an encounter that would alter her life forever, because it was there, in the prison, that she would meet Rashid, the man who was to become her friend, her confidant, her husband, her lover, her soul mate. At the time, Rashid was serving a sentence of twenty years to life for his part in a murder. The Prisoner's Wife is a testimony, for wives and mothers, friends and families. It's a tribute to anyone who has ever chosen, against the odds, to love.
How do we save what’s coming? The love between two people, cut through by error and time, often marks the path for those who follow. In Starlight & Error, the legacies of love between aunts and uncles, mothers and fathers, children and their children’s children is re-told through the lens of imagined memory. In the difficult landscape of the present, is black love revolutionary? Are faith and forgiveness? Here, the history of love—fraught with fear and light, war and hunger, distance and gravity—is always asking: how do we transcend the mistakes of those who made us? Can music save us? Can the stars?
Colliding with and confronting The Tempest and postcolonial identity, the poems in Safiya Sinclair's Cannibal explore Jamaican childhood and history, race relations in America, womanhood, otherness, and exile. She evokes a home no longer accessible and a body at times uninhabitable, often mirrored by a hybrid Eve/Caliban figure. Blooming with intense lyricism and fertile imagery, these full-blooded poems are elegant, mythic, and intricately woven. Here the female body is a dark landscape; the female body is cannibal. Sinclair shocks and delights her readers with her willingness to disorient and provoke, creating a multitextured collage of beautiful and explosive poems.
This first collection of poems enacts the struggle of a young black gay man in his search for identity. Many voices haunt these poems: black and white, male and female, the oppressor's voice as well as the oppressed. The poet's aim, finally, is to rescue some portion of the drowned and the drowning.