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The Vampire Diaries, the television series based on the iconic books by L.J. Smith, has already managed to captivate millions of viewers with its unique mix of immortal romance and very human drama. In A Visitor's Guide to Mystic Falls, YA authors—led by Red and Vee of premier Vampire Diaries resource Vampire-Diaries.net—take a closer look at Mystic Falls: its residents (both alive and undead) and its rich, inescapable history. • Claudia Gray delves into the events of 1864 and how they've shaped not just Mystic Falls but the success of the show itself • Sarah Rees Brennan tells us what it takes for a girl to hold her own against a vampire boyfriend (or two), placing Elena squarely between fellow vampire-daters Buffy and Bella • Jennifer Lynn Barnes takes Mystic Falls to task for poor treatment of Caroline Forbes • Jon Skovron examines the male-female vampire dynamic, in history and in The Vampire Diaries • Plus a guide to the book series for tv fans looking to visit The Vampire Diaries' literary inspiration, and more Whether you're a new visitor or a long-time fan, you won't want to continue your tour of Mystic Falls without it.
Of all the mysteries that Hazel and I have investigated, the Case of the Deepdean Vampire was one of the strangest. It was not a murder, which was a pity - but I did solve it very cleverly, and so I decided it ought to be written down, so that other people could read it and be impressed. Camilla Badescu is in the fifth form, and has pale skin, dark hair and red lips. She comes from Romania (which is practically Transylvania). She doesn't eat at meals. And she seemed to have an unhealthy influence over another pupil, Amy Jessop. Now, I do not believe in vampires - I am the Honourable Daisy Wells, after all. But when I heard the rumour that Camilla was seen climbing head-first down a wall, I knew it was time to investigate...
Solve kid-sized dilemmas and mysteries with SCIENCE SOLVES IT! These fun science books for kids ages 5–8 blend clever stories with real-life science. Why did the dog turn green? Can you control a hiccup? Is that a UFO? Find the answers to these questions and more as kid characters dive into physical, life, and earth sciences. Watch out! The new girl in town, Vivian, wears a bat T-shirt and bat earrings. Suddenly, there are bats flying all around at night! Does she have something to do with them? Is she really a vampire? Books in this perfect STEM series will help kids think like scientists and get ahead in the classroom. Activities and experiments are included in every book!
With loads of personal experience to draw upon, Laurence creates a road map to show readers how a vampire relationship can be achieved and conducted in harmony with everyday existence.
When sixteen-year-old Cynda goes to stay with her father and his second wife, Susan, at their remote bed-and-breakfast inn in Maine, everything starts off well despite legends about ghosts and a murder at the inn. But Cynda feels like a visitor in Dad's new life, an outsider. Then intense, handsome stranger Vincent Morthanos arrives at the inn and seems to return Cynda's interest. At first she is blind to the subtle, insistent signs that Vincent is not what he seems-that he is, in fact, a vampire. Can Cynda free herself-and her family-from Vincent's power before it's too late? Full-bodied characterizations and page-turning suspense ensure that this eerie, riveting novel will appeal to middle school fans of mystery and horror.
The free-standing radios of the middle decades of the 20th century were invitingly rotund and proudly displayed--nothing like today's skinny televisions hidden inside "entertainment centers." Radios were the hub of the family's after-dinner activities, and children and adults gorged themselves on western-adventure series like "The Lone Ranger," police dramas such as "Calling All Cars," and the varied offerings of "The Cavalcade of America." Shows often aired two or three times a week, and many programs were broadcast for more than a decade, comprising hundreds of episodes. This book includes more than 300 program logs (many appearing in print for the first time) drawn from newspapers, script files in broadcast museums, records from NBC, ABC and CBS, and the personal records of series directors. Each entry contains a short broadcast history that includes directors, writers, and actors, and the broadcast dates and airtimes. A comprehensive index rounds out the work.
First in a delightfully irreverent new series-and second to none when it comes to beautiful 227-year-old career women. Being dead isn't all it's cracked up to be. Take it from Francesca Marinelli, trapped underground for over 200 years and rediscovered during the renovation of a Victorian mansion in historic St. Augustine. A tourist attraction herself, she's well suited for a job as an Old Ghost Town Tour guide. Francesca's due for a new lease on afterlife-and with enough sunblock, she can finally live it. Unfortunately, everything she learned about men is a little dated. And when people in her tour group turn up dead, naturally the police suspect her. After all, she is a vampire. Which is why a crazed vampire-hunting vigilante squad is out to get her as well. Between the dead bodies, the stalkers, and a seriously non-existent love life, she's starting to wish she was dead. Or at least buried, where she was safe.
Since the publication of John Polidori's The Vampyre (1819), the vampire has been a mainstay of Western culture, appearing consistently in literature, art, music (notably opera), film, television, graphic novels and popular culture in general. Even before its entrance into the realm of arts and letters in the early nineteenth century, the vampire was a feared creature of Eastern European folklore and legend, rising from the grave at night to consume its living loved ones and neighbors, often converting them at the same time into fellow vampires. A major question exists within vampire scholarship: to what extent is this creature a product of European cultural forms, or is the vampire indeed a universal, perhaps even archetypal figure? In this collection of sixteen original essays, the contributors shed light on this question. One essay traces the origins of the legend to the early medieval Norse draugr, an "undead" creature who reflects the underpinnings of Dracula, the latter first appearing as a vampire in Anglo-Irish Bram Stoker's 1897 novel, Dracula. In addition to these investigations of the Western mythic, literary and historic traditions, other essays in this volume move outside Europe to explore vampire figures in Native American and Mesoamerican myth and ritual, as well as the existence of similar vampiric traditions in Japanese, Russian and Latin American art, theatre, literature, film, and other cultural productions. The female vampire looms large, beginning with the Sumerian goddess Lilith, including the nineteenth-century Carmilla, and moving to vampiresses in twentieth-century film, literature, and television series. Scientific explanations for vampires and werewolves constitute another section of the book, including eighteenth-century accounts of unearthing, decapitation and cremation of suspected vampires in Eastern Europe. The vampire's beauty, attainment of immortality and eternal youth are all suggested as reasons for its continued success in contemporary popular culture.
It’s Halloween, and John Justin Mallory’s partner, Winnifred Carruthers, has been so busy preparing for the biggest holiday of the year (in his Manhattan, anyway) that she seems short of energy and pale. Mallory is worried that she’s been working too hard. Then he notices the two puncture marks on her neck… On this night when ghosts and goblins are out celebrating, detective Mallory must stalk the vampire who has threatened his assistant, Winnifred Carruthers, and killed her nephew. With the aid of Felina, the catgirl, Mallory and Carruthers investigate clubs and lairs that only seem to exist on this one night of the year. His hunt takes him to Creepy Conrad's Cut-Rate All-Night Mortuary, where he questions the living and the dead; to the Annual Zombies' Ball, to learn more about the undead; to the Hills of Home Cemetery, where the vampire sleeps by day; and to Battery Park, where all of Manhattan's bats come to feed and sleep. Along the way he meets a few old friends and enemies, and a host of strange new inhabitants of this otherworldly Manhattan. Locked in an intriguing battle of wits with the millennia-old vampire, Mallory has until dawn if he is to save his trusted partner.
School is out for summer, and for the Tackleford mystery team, that means lazy days, balmy evenings, and... creeping existential dread that threatens the whole city. With half the team gallivanting off to exotic locales (like Aunty Kath's in Margate), can Linton, Jack, and Lottie solve this season's most dire case? The Case of the Unwelcome Visitor, the sixth book in John Allison's award-winning Bad Machinery series, pits our young heroes against the terrors of the unfamiliar and unknown. Lottie's mum and sister have both fallen in love (thanks to the internet), Linton is determined to save his father from the soul-sucking responsibility of a promotion, and why is Jack working at the local paper with team nemesis (and hot-shot reporter) Erin Winters? Isn't print meant to be dead? Could the link between these tangled threads be The Night Creeper, who prowls Tackleford's streets and leaves people in the hospital with a blank stare and a terrible smile on their face?