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Mason defends a woman accused of poisoning her husband -- even though witnesses saw the corpse climb out the motel window. - Wikipedia.
Her husband was stealing her money, while accusing her of a plot to poison him -- or so claims the frightened young Mrs. Myrna Davenport. She wants Perry Mason to find the incriminating note her husband left for the authorities accusing her of murder -- especially now that Davenport is dying. Perry finds the envelope, but it's filled with blank paper. Then Davenport does die, or so everyone thinks until his alleged corpse climbs out a window and drives away -- straight into a prepared open grave in another county. With Davenport finally dead, Perry could become a possible accessory to murder. And though the victim died twice, Perry gets only one clear shot at saving his client -- and himself.
Virginia Baxter is the only witness still living who can vouch for the authenticity of Lauretta Trent’s will. Lauretta Trent, a wealthy widow, is also still living. But for how long? Someone has been peppering the spicy food Lauretta loves with arsenic. Could it be the same someone who tried framing Virginia Baxter for drug smuggling? Lauretta doesn’t trust her greedy heirs. But could a scheming servant be behind a master plan to fleece her estate? It all seems to fit. But when Lauretta is murdered on the highway, all the evidence places Virginia Baxter squarely in the driver’s seat. Confused? Just think how Virginia’s lawyer, Perry Mason, must feel.
Perry Mason is hired to identify a woman based on an appendix scar, as she fears being a look-alike to an heiress may be a setup for her arrest. A classic mystery!
An NYRB Classics Original Winner of the 2014 PEN Translation Prize Winner of the 2014 Read Russia Prize The stakes are wildly high in Sigizmund Krzhizhanovsky’s fantastic and blackly comic philosophical fables, which abound in nested narratives and wild paradoxes. This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky’s most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room’s previous occupant; the fingers of a celebrated pianist’s right hand run away to spend a night alone on the city streets; a man’s lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.
Mason is hired to identify a woman based on an appendix scar, as she fears being a look-alike to an heiress may be a setup for her arrest. Mason later defends the heiress on murder charges.
A man tells everyone that his wife has run away with his best friend, who seems to have a strange lack of enthusiasm about the affair. The case leads to murder, and a trial that hinges on multiple sets of footprints.