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Jamie and Kendall Broderick are excited to read about a missing masterpiece. A museum in France was robbed 30 years ago. Suddenly the painting has turned up, and the owner is seeking the reward. But is he the thief? Can the Brodericks help find out before the reward money is paid? See if you can solve this 15-minute mystery before the Brodericks do. Similar to the old Encyclopedia Brown mysteries, these short mysteries give kids all the clues they need to solve the mystery, before revealing the answer on the last page, helping kids learn common sense and attention to detail. Ages 8 and up. LearningIsland.com believes in the value of children practicing reading for 15 minutes every day. Our 15-Minute Books give children lots of fun, exciting choices to read, from classic stories, to mysteries, to books of knowledge. Many books also work well as hi-lo readers. Open the world of reading to a child by having them read for 15 minutes a day.
Pablo Picasso redefined artwork throughout his extraordinary career, becoming indisputably one of the most influential artists of the twentieth century. In this evocative volume, the artist’s granddaughter, Diana Widmaier Picasso, curates the 100 quintessential, unique works that define the evolution of this illustrious artist, creating a stunning compendium of pieces that simply could never all be acquired by a single collector. Casual art lovers know his Cubist work and the Guernica, but Picasso: The Impossible Collection manages to go deeper, revealing and revisiting some less ubiquitous yet equally powerful paintings, prints, sculptures and photographs from Picasso’s astonishing oeuvre.
This is the first critical examination of Pablo Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed atheist, his work employs spiritual themesÑand, often, traditional religious iconography. In five engagingly written, accessible chapters, Jane Daggett Dillenberger and John Handley address Picasso's cryptic 1930 painting of the Crucifixion; the artist's early life in the Catholic church; elements of transcendence in Guernica; Picasso's later, fraught relationship with the church, which commissioned him in the 1950s to paint murals for the Temple of Peace chapel in France; and the centrality of religious themes and imagery in bullfighting, the subject of countless Picasso drawings and paintings.
One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.
The remarkable story of the famous painting by Picasso and its diverse meanings from its conception to the present day 'Enthralling ... This is high-action drama, told like the rest within a huge frame of reference, theme interlocked with theme ... A painting which began its life within a particular political context has emerged as a universal statement on the ever-present horror and suffering of war. Van Hensbergen has treated an extraordinary subject admirably' Evening Standard Of all the great paintings in the world, Picasso's Guernica has had a more direct impact on our consciousness than perhaps any other. In this absorbing and revealing book, Gijs van Hensbergen tells the story of this masterpiece. Starting with its origin in the destruction of the Basque town of Gernika in the Spanish Civil War, the painting is then used as a weapon in the propaganda battle against Fascism. Later it becomes the nucleus of the Museum of Modern Art in New York and the detonator for the Big Bang of Abstract Expressionism in the late 1940s. This tale of passion and politics shows the transformation of this work of art into an icon of many meanings, up to its long contested but eventually triumphant return to Spain in 1981.
This year marks the eightieth anniversary of the bombing of the Basque town of Gernika in Spain. Pablo Picasso created his iconic, anti-fascist painting, Guernica (1937), in protest against that attack and others targeted at civilian populations. This book, published alongside the exhibition, Guernica Remakings, explores the ongoing power of Picasso?s Guernica through a series of contemporary reworkings that continue to locate the iconic image within political protest. The featured artworks demonstrate the longevity and versatility of the original as it morphed from Picasso?s canvas, painted in 1937, to a tapestry in 1955, a textile artwork in 2010, a theatrical production in 2011-12 and a protest banner in 2012-14. Guernica?s humanitarian message is still relevant; it calls for solidarity and compassion across borders. Traversing geographical boundaries with each remaking it connects Spain and France, to the USA, UK, South Africa, Canada and India. The voices of those involved in creating the artworks are heard alongside the curator and maker, Dr Nicola Ashmore. 00Exhibition: University of Brighton, Gallery, UK (28.07.-23.08.2017).
Jamie and Kendall Broderick are excited to read about a missing masterpiece. A museum in France was robbed 30 years ago. Suddenly the painting has turned up, and the owner is seeking the reward. But is he the thief? Can the Brodericks help find out before the reward money is paid? See if you can solve this 15-minute mystery before the Brodericks do. Similar to the old Encyclopedia Brown series, kids get to test their wits and powers of observation against our detectives. These books help kids learn the vital skills of logic and attention to detail in a fun, easy way. Ages 8 and up. Educational Versions include exercises designed to meet Common Core standards. LearningIsland.com believes in the value of children practicing reading for 15 minutes every day. Our 15-Minute Books give children lots of fun, exciting choices to read, from classic stories, to mysteries, to books of knowledge. Many books also work well as hi-lo readers. Open the world of reading to a child by having them read for 15 minutes a day.
"Picasso and Truth" offers a breathtaking and original new look at the most significant artist of the modern era. From Pablo Picasso's early "The Blue Room" to the later "Guernica", eminent art historian T. J. Clark offers a striking reassessment of the artist's paintings from the 1920s and 1930s. Why was the space of a room so basic to Picasso's worldview? And what happened to his art when he began to feel that room-space become too confined--too little exposed to the catastrophes of the twentieth century? Clark explores the role of space and the interior, and the battle between intimacy and monstrosity, in Picasso's art. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, this lavishly illustrated volume remedies the biographical and idolatrous tendencies of most studies on Picasso, reasserting the structure and substance of the artist's work. With compelling insight, Clark focuses on three central works--the large-scale "Guitar and Mandolin on a Table" (1924), "The Three Dancers" (1925), and "The Painter and His Model" (1927)--and explores Picasso's answer to Nietzsche's belief that the age-old commitment to truth was imploding in modern European culture. Masterful in its historical contextualization, "Picasso and Truth" rescues Picasso from the celebrity culture that trivializes his accomplishments and returns us to the tragic vision of his art--humane and appalling, naive and difficult, in mourning for a lost nineteenth century, yet utterly exposed to the hell of Europe between the wars.
On August 21, 1911, Leonardo da Vinci’s most celebrated painting vanished from the Louvre. The prime suspects were as shocking as the crime: Pablo Picasso and Guillaume Apollinaire, young provocateurs of a new art. The sensational disappearing act captured the world’s imagination. Crowds stood in line to view the empty space on the museum wall. Thousands more waited, as concerned as if Mona Lisa were a missing person, for news of the lost painting. Almost a century later, questions still linger: Who really pinched Mona Lisa, and why? Part love story, part mystery, Vanished Smile reopens the puzzling case that transformed a Renaissance portrait into the most enduring icon of all time.
In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.