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"Eger's life is a social and artistic tour through music and science of the twentieth century. In Einstein's Violin, readers encounter portraits of figures including Leonard Bernstein, David Bohm, Albert Einstein, Queen Noor al Hussein, and Eleanor Roosevelt. Eger also probes the origins of ancient music in the hands of the Hebrews. Egyptians, Hindus, ancient Chinese, and the schools of Pythagoras to plumb the sources of this socially and physically unifying language of the universe."--BOOK JACKET.
A boy rides a bicycle down a dusty road. But in his mind, he envisions himself traveling at a speed beyond imagining, on a beam of light. This brilliant mind will one day offer up some of the most revolutionary ideas ever conceived. From a boy endlessly fascinated by the wonders around him, Albert Einstein ultimately grows into a man of genius recognized the world over for profoundly illuminating our understanding of the universe. Jennifer Berne and Vladimir Radunsky invite the reader to travel along with Einstein on a journey full of curiosity, laughter, and scientific discovery. Parents and children alike will appreciate this moving story of the powerful difference imagination can make in any life.
Music brings great joy to many of us. But its other benefits often go underappreciated. Numerous studies and historical anecdotes highlight how powerfully music alters the human mind. Two characteristics drive most of music’s cognitive benefits: It builds a faster highway between the right and left sides of the brain, enabling greater cooperation between the logical and the creative. It also creates a vast mesh of connectivity within the brain, like a microcosm of the World Wide Web. In a fascinating study, Douglas Wadle celebrates the juxtaposition of art and science while examining music’s influence on humanity’s understanding of our place in the universe. Tracing the millennia-old love affair between music and science, Wadle chronicles the surprising ubiquity of musical training among history’s greatest thinkers. He shines a spotlight on the intertwining stories of pattern and form and how they complement one another in our search for creativity and insight. Einstein’s Violin relies on extensive research to tell the story of how music impacts the pattern recognition software in our brains, facilitating more creative problem solving. Without digression into technical treatise, it focuses on the historical stories that best display music’s beautiful interaction with mind and universe.
In a book that is both biography and the most exciting form of history, here are eighteen years in the life of a man, Albert Einstein, and a city, Berlin, that were in many ways the defining years of the twentieth century. Einstein in Berlin In the spring of 1913 two of the giants of modern science traveled to Zurich. Their mission: to offer the most prestigious position in the very center of European scientific life to a man who had just six years before been a mere patent clerk. Albert Einstein accepted, arriving in Berlin in March 1914 to take up his new post. In December 1932 he left Berlin forever. “Take a good look,” he said to his wife as they walked away from their house. “You will never see it again.” In between, Einstein’s Berlin years capture in microcosm the odyssey of the twentieth century. It is a century that opens with extravagant hopes--and climaxes in unparalleled calamity. These are tumultuous times, seen through the life of one man who is at once witness to and architect of his day--and ours. He is present at the events that will shape the journey from the commencement of the Great War to the rumblings of the next one. We begin with the eminent scientist, already widely recognized for his special theory of relativity. His personal life is in turmoil, with his marriage collapsing, an affair under way. Within two years of his arrival in Berlin he makes one of the landmark discoveries of all time: a new theory of gravity--and before long is transformed into the first international pop star of science. He flourishes during a war he hates, and serves as an instrument of reconciliation in the early months of the peace; he becomes first a symbol of the hope of reason, then a focus for the rage and madness of the right. And throughout these years Berlin is an equal character, with its astonishing eruption of revolutionary pathways in art and architecture, in music, theater, and literature. Its wild street life and sexual excesses are notorious. But with the debacle of the depression and Hitler’s growing power, Berlin will be transformed, until by the end of 1932 it is no longer a safe home for Einstein. Once a hero, now vilified not only as the perpetrator of “Jewish physics” but as the preeminent symbol of all that the Nazis loathe, he knows it is time to leave.
From New York Times bestselling author Sam Kean comes incredible stories of science, history, language, and music, as told by our own DNA. In The Disappearing Spoon, bestselling author Sam Kean unlocked the mysteries of the periodic table. In THE VIOLINIST'S THUMB, he explores the wonders of the magical building block of life: DNA. There are genes to explain crazy cat ladies, why other people have no fingerprints, and why some people survive nuclear bombs. Genes illuminate everything from JFK's bronze skin (it wasn't a tan) to Einstein's genius. They prove that Neanderthals and humans bred thousands of years more recently than any of us would feel comfortable thinking. They can even allow some people, because of the exceptional flexibility of their thumbs and fingers, to become truly singular violinists. Kean's vibrant storytelling once again makes science entertaining, explaining human history and whimsy while showing how DNA will influence our species' future.
When he was born, Albert was a peculiar, fat baby with an unusually big and misshaped head. When he was older, he hit his sister, bothered his teachers, and didn’t have many friends. But in the midst of all of this, Albert was fascinated with solving puzzles and fixing scientific problems. The ideas Albert Einstein came up with during his childhood as an odd boy out were destined to change the way we know and understand the world around us . . .
Leopold Mozart's Treatise on the Fundamental Principles of Violin Playing was the major work of its period on the violin and comparable in importance to Quantz's treatise on the flute and P.E. Bach's on the piano. This translation by Editha Knocker was the first to appear in English and remains scholarly and eminently readable.
In Einstein in Love, Dennis Overbye has written the first profile of the great scientist to focus exclusively on his early adulthood, when his major discoveries were made. It reveals Einstein to be very much a young man of his time-draft dodger, self-styled bohemian, poet, violinist, and cocky, charismatic genius who left personal and professional chaos in his wake. Drawing upon hundreds of unpublished letters and a decade of research, Einstein in Love is a penetrating portrait of the modern era's most influential thinker.
The first account of the role Britain played in Einstein's life--first by inspiring his teenage passion for physics, then by providing refuge from the Nazis In autumn 1933, Albert Einstein found himself living alone in an isolated holiday hut in rural England. There, he toiled peacefully at mathematics while occasionally stepping out for walks or to play his violin. But how had Einstein come to abandon his Berlin home and go '"on the run"? In this lively account, Andrew Robinson tells the story of the world's greatest scientist and Britain for the first time, showing why Britain was the perfect refuge for Einstein from rumored assassination by Nazi agents. Young Einstein's passion for British physics, epitomized by Newton, had sparked his scientific development around 1900. British astronomers had confirmed his general theory of relativity, making him internationally famous in 1919. Welcomed by the British people, who helped him campaign against Nazi anti-Semitism, he even intended to become a British citizen. So why did Einstein then leave Britain, never to return to Europe?
The most important scientist of the twentieth century and the most important artist had their periods of greatest creativity almost simultaneously and in remarkably similar circumstances. This fascinating parallel biography of Albert Einstein and Pablo Picasso as young men examines their greatest creations -- Picasso's Les Demoiselles d'Avignon and Einstein's special theory of relativity. Miller shows how these breakthroughs arose not only from within their respective fields but from larger currents in the intellectual culture of the times. Ultimately, Miller shows how Einstein and Picasso, in a deep and important sense, were both working on the same problem.