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An accurate and comprehensive study of the political aspects of Fielding’s art has been sorely needed. As a result of decades of work by literary scholars and a series of great historians, such a study is finally possible. This volume addresses that need, and, in the light of a recent revival of interest in Fielding’s work, it arrives most opportunely. The author offers here a wide-ranging focus and a firm grip on the shifting complexities of Fielding’s political situations—the loyalties and enmities, factional alignments and fractious rhetoric—that allow a satisfactory understanding of Fielding’s political writing. Political writing in Fielding’s day, as in ours, was topical, concerned with evanescent problems and day-to-day needs that were familiar to contemporaries, but that are now recaptured only with greatest difficulty. This study constitutes a thorough reconstruction of Fielding’s political context and extricates from the context Fielding’s own political endeavours. Cleary’s work will make many of Felding’s previously unstudied work accessible to students and scholars of eighteenth-century English literature. A necessary point of reference to both literary specialists and historians concerned with eighteenth-century England.
Scientist, abolitionist, revolutionary: that is the Benjamin Franklin we know and celebrate. To this description, the talented young historian David Waldstreicher shows we must add runaway, slave master, and empire builder. But Runaway America does much more than revise our image of a beloved founding father. Finding slavery at the center of Franklin's life, Waldstreicher proves it was likewise central to the Revolution, America's founding, and the very notion of freedom we associate with both. Franklin was the sole Founding Father who was once owned by someone else and was among the few to derive his fortune from slavery. As an indentured servant, Franklin fled his master before his term was complete; as a struggling printer, he built a financial empire selling newspapers that not only advertised the goods of a slave economy (not to mention slaves) but also ran the notices that led to the recapture of runaway servants. Perhaps Waldstreicher's greatest achievement is in showing that this was not an ironic outcome but a calculated one. America's freedom, no less than Franklin's, demanded that others forgo liberty. Through the life of Franklin, Runaway America provides an original explanation to the paradox of American slavery and freedom.
From the origins of modern copyright in early eighteenth-century culture to the efforts to represent nature and death in postmodern fiction, this pioneering book explores a series of problems regarding the containment of representation. Stewart focuses on specific cases of "crimes of writing"--the forgeries of George Psalmanazar, the production of "fakelore," the "ballad scandals" of the eighteenth and nineteenth centuries, the imposture of Thomas Chatterton, and contemporary legislation regarding graffiti and pornography. In this way, she emphasizes the issues which arise once language is seen as a matter of property and authorship is viewed as a matter of originality. Finally, Stewart demonstrates that crimes of writing are delineated by the law because they specifically undermine the status of the law itself: the crimes illuminate the irreducible fact that law is written and therefore subject to temporality and interpretation.
This volume completes the edition's coverage of Henry Fielding's journalism, which occupied a far greater part of his time than has been traditionally acknowledged. His contributions to The Champion are not only among his most energetic and intriguing works in the genre; they also have a densepolitical background, of interest to historians studying the interface between journalism and politicians of the time, as well as the role of newspaper publishers. Walpole figures hugely, and the extent to which Fielding hints at the minister's life and activities is remarkable.Much of the volume's material has never been reprinted before. Explanatory annotations are full, as the characteristically allusive and topical nature of Fielding's writing requires. Appendices provide an analytical textual apparatus, and the editorial introductions emphasize matters such as genesisand composition, circumstances of publication, in addition to immediate biographical, literary, and historical backgrounds.
This is the first volume of a projected four-volume reference guide to British literary magazines. The Augustan Age and the Age of Johnson covers the literature of the period between 1698, when the London Spy began publishing, through 1788. The work contains historical essays, publication details, and bibliographic sources for ninety magazines and lists, in two appendixes, an additional eighty-three magazines of the period.
A cumulative list of works represented by Library of Congress printed cards.