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Alongside William Gibson and Neal Stephenson, Bruce Sterling stands at the forefront of a select group of writers whose pitch-perfect grasp of the cultural and scientific zeitgeist endows their works of speculative near-future fiction with uncanny verisimilitude. To read a novel by Sterling is to receive a dispatch from a time traveler. Now, with The Caryatids, Sterling has written a stunning testament of faith in the power of human intellect, creativity, and spirit to overcome any obstacle–even the obstacles we carry inside ourselves. The world of 2060 is divided into three spheres of influence, each fighting with the others over the resources of fallen nations and an environment degraded almost to the point of no return. There is the Dispensation, centered in Los Angeles, where entertainment and capitalism have fused with the highest of high-tech. There is the Acquis, a Green-centered collective that uses invasive neurological technology to create a networked utopia. And there is China, the sole surviving nation-state, a dinosaur that has prospered only by pitilessly pruning its own population. Products of this monstrous world, the daughters of a monstrous mother, and–according to some–monsters themselves, are the Caryatids: the four surviving female clones of a mad Balkan genius and wanted war criminal now ensconced, safely beyond extradition, on an orbiting space station. Radmila is a Dispensation star determined to forget her past by building a glittering, impregnable future. Vera is an Acquis functionary dedicated to reclaiming their home, the Croatian island of Mljet, from catastrophic pollution. Sonja is a medical specialist in China renowned for selflessly risking herself to help others. And Biserka is a one-woman terrorist network. The four “sisters” are united only by their hatred for their “mother”–and for one another. When evidence surfaces of a coming environmental cataclysm, the Dispensation sends its greatest statesman–or salesman–John Montgomery Montalban, husband of Radmila, and lover of Vera and Sonja, to gather the Caryatids together in an audacious plan to save the world.
A far-out, far-fetched, and fiendishly funny story about a strange nightclub and its outrageous entertainment.
From Athens and Arcadia on one side of the Aegean Sea and from Ionia, Lycia, and Karia on the other, this book brings together some of the great monuments of classical antiquity--among them two of the seven wonders of the ancient world, the later temple of Artemis at Ephesos and the Mausoleum at Halikarnassos. With 250 photographs and specially commissioned line drawings, the book comprises a monumental narrative of the art and architecture that gave form, direction, and meaning to much of Western culture.
Shadows on the Grass, Winter's Tales, Last Tales, Anecdotes of Destiny, and Ehrengard, Brantly explores the clues, details, and subplots in texts that critics often describe as puzzles and labyrinths. Brantly reveals the thought and care that Dinesen devoted to the construction of her stories, her expansive knowledge of world literature, and the great pleasure awaiting readers as they unravel the mysteries embedded in her texts."--BOOK JACKET.
Joseph Rykwert is one of the major architectural historians of this century. THE DANCING COLUMN is his most controversial and challenging work to date. A decade in preparation, it is a deeply erudite, clearly written, and wide-ranging deconstruction of the system of column and beam known as the "orders of architecture". Rykwert traces the analogy between columns and/or buildings and the human body. 315 illustrations.
Archaeological, epigraphic, numismatic, and historical research is used to illuminate the meaning and function of temples in both Jewish and Greco-Roman cultures. This evidence is then brought into a dialogue with a literary analysis of how the temple functions as a symbol in Revelation.
In this richly illustrated book, MacDonald analyzes the original design and construction of one of the grand architectural statements of all ages, discusses the technology that made it possible, and explores its metaphorical meaning.
Everywhere you look patriarchal society reduces women to a series of repeating symbols: serial girls. On TV and in film, on the internet and in magazines, pop culture and ancient architecture, serial girls are all around us, moving in perfect sync—as dolls, as dancers, as statues. From Tiller Girls to Barbie dolls, Playboy bunnies to Pussy Riot, Martine Delvaux produces a provocative analysis of the many gendered assumptions that underlie modern culture. Delvaux draws on the works of Barthes, Foucault, de Beauvoir, Woolf, and more to argue that serial girls are not just the ubiquitous symbols of patriarchal domination but also offer the possibility of liberation.
The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of research, such as the sculptures of Messene and Macedonia, sculpture in Roman Greece, and the contribution of Greek sculptors in Rome, as well as important aspects of Greek sculpture like techniques and patronage. The written sources (literary and epigraphical) are explored in dedicated chapters, as are function and iconography and the reception of Greek sculpture in modern Europe. Inspired by recent exhibitions on Lysippos and Praxiteles, the book also revisits the style and the personal contributions of the great masters.