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For centuries Boston has been one of the most important furniture-making centers in America. Soon after the town’s founding in 1630, Boston’s joiners and turners were the first craftsmen to make furniture in British North America, and the city’s cabinetmakers contributed to the art and craft of furniture making throughout the elegant colonial and federal periods. Its factories and designers have also been a source of fine furniture, creating major pieces in the various revival styles of the nineteenth and twentieth centuries. Published on the occasion of an exhibition at the Massachusetts Historical Society, The Cabinetmaker and the Carver showcases rare and exemplary pieces from private collections, illustrating three centuries of Boston history through carefully selected examples of furniture that represent the trajectory of this great tradition.
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Ang Lee (b. 1954) has emerged as one of cinema's most versatile, critically acclaimed, and popular directors. Known for his ability to transcend cultural and stylistic boundaries, Lee has built a diverse oeuvre that includes films about culture clashes and globalization (Eat Drink Man Woman, 1994, and The Wedding Banquet, 1993), a period drama (Sense and Sensibility, 1995), a martial arts epic (Crouching Tiger, Hidden Dragon, 2000), a comic book action movie (Hulk, 2003), and an American western (Brokeback Mountain, 2005). The Philosophy of Ang Lee draws from both Eastern and Western philosophical traditions to examine the director's works. The first section focuses on Taoist, Confucian, and Buddhist themes in his Chinese-language films, and the second examines Western philosophies in his English-language films; but the volume ultimately explores how Lee negotiates all of these traditions, strategically selecting from each in order to creatively address key issues. With interest in this filmmaker and his work increasing around the release of his 3-D magical adventure The Life of Pi (2012), The Philosophy of Ang Lee serves as a timely investigation of the groundbreaking auteur and the many complex philosophical themes that he explores through the medium of motion pictures.