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After grad school, Catherine and Gwen chose polar opposite paths. Catherine built a career as a rockstar academic, while Gwen built a home with her husband and children. Decades later, unfulfilled in polar opposite ways, each woman covets the other's life, commencing a dangerous game of musical chairs—the prize being Gwen's husband. With searing insight and trademark wit, this comedy is an unflinching look at gender politics in the wake of 20th-century feminist ideals.
Contains news releases and programs. The records document the activities of the theater and the performances sponsored by the theater from 1973 to 1997 and 2007-2008.
In the fall of 2011, The Long Story Shorts One Act Festival was launched, featuring performances of short plays written by undergraduate students in the Writing for the Screen and Stage minor, an interdisciplinary, dramatic writing program housed in the Department of Communication at the University of North Carolina at Chapel Hill. Marking the first five years of the festival, this anthology showcases works written to be performed in ten minutes with a small production budget. The festival gives students a unique opportunity to participate in a collaborative, developmental environment led by experienced faculty and professional actors and directors, and the plays included here rise to the occasion. Whether they are humorous, poignant, powerful, or provocative, they demonstrate why the short play form has become so popular; why this event has become one of the highlights of the university's cultural scene; and why the Writing for the Screen and Stage program has thrived.
A romantic comedy on midlife relationships and a pet dog.
The Federal Theatre Project in the American South introduces the people and projects that shaped the regional identity of the Federal Theatre Project. When college theatre director Hallie Flanagan became head of this New Deal era jobs program in 1935, she envisioned a national theatre comprised of a network of theatres across the country. A regional approach was more than organizational; it was a conceptual model for a national art. Flanagan was part of the little theatre movement that had already developed a new American drama drawn from the distinctive heritage of each region and which they believed would, collectively, illustrate a national identity. The Federal Theatre plan relied on a successful regional model – the folk drama program at the University of North Carolina, led by Frederick Koch and Paul Green. Through a unique partnership of public university, private philanthropy and community participation, Koch had developed a successful playwriting program and extension service that built community theatres throughout the state. North Carolina, along with the rest of the Southern region, seemed an unpromising place for government theatre. Racial segregation and conservative politics limited the Federal Theatre’s ability to experiment with new ideas in the region. Yet in North Carolina, the Project thrived. Amateur drama units became vibrant community theatres where whites and African Americans worked together. Project personnel launched The Lost Colony, one of the first so-called outdoor historical dramas that would become its own movement. The Federal Theatre sent unemployed dramatists, including future novelist Betty Smith, to the university to work with Koch and Green. They joined other playwrights, including African American writer Zora Neale Hurston, who came to North Carolina because of their own interest in folk drama. Their experience, told in this book, is a backdrop for each successive generation’s debates over government, cultural expression, art and identity in the American nation.
Carolina Playmakers: The First Fifty Years
Unto These Hills: A Drama of the Cherokee
Journey with author Kala Ambrose as she explores the most terrifying paranormal spots in the state of North Carolina. She begins in the coastal wetlands of East Carolina where she explores haunted lighthouses, battleships, forts, and the shipwrecked beaches where Blackbeard and his pirates still roam. She tours the Piedmont area of NC and visits the most actively haunted capitol in the US and interacts with the ghost of a former NC State Governor. Her journey continues west into the Blue Ridge Mountains where the ghost known as the pink lady and her friends await your presence at the historic Grove Park Inn, where many presidents, celebrities and ghosts have stayed over the decades. Travel information is provided to each haunted location for those brave enough to make the journey in person and for paranormal researchers who are interested in exploring haunted North Carolina. Join Kala Ambrose as your guide to Ghosthunting North Carolina as she takes you behind the scenes with detailed information about each destination.