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Tommy is fond of an old wooden horse that once belonged to a merry-go-round. It is now the property of a second-hand shop owner. Tommy becomes upset when the owner wants to send the old horse to the dump.
A richly illustrated volume celebrating Jewish carving traditions from the Old World to the New
More than a century and a half after its founding, the Iowa State Fair is the state's central institution, event, and symbol. During its annual run each August, the fair attracts hundreds of thousands of visitors who make the pilgrimage to the fairground to see the iconic butter cow, to ride the Old Mill, to walk through the livestock barns, and to people-watch. At the same time that they enjoy fried candy bars and roller coasters, Iowans also compete to raise the best corn and zucchinis, to make the best jams and jellies, to rear the finest sheep and goats, the largest cattle and hogs, and the handsomest horses. This tension between entertainment and agriculture goes back all the way to the fair's founding in the mid-1800s, as historian Chris Rasmussen shows in this thought-provoking history. The fair's founders had lofty aims: they sought to improve agriculture and foster a distinctively democratic American civilization. But from the start these noble intentions jostled up against people's desire to have fun and make money, honestly or otherwise--not least because the fair had to pay for itself. In short, the Iowa State Fair has as much to tell us about human nature and American history as it does about growing corn.
This volume, introduced by the author, brings together three novels first published separately. 'The trilogy comprises Carnival (1985), The Infinite Rehearsal (1987) and The Four Banks of the River of Space (1990), novels linked by metaphors borrowed from theatre, traditional carnival itself and literary mythology. The characters make Odyssean voyages through time and space, witnessing and re-enacting the calamitous history of mankind, sometimes assuming sacrificial roles in an attempt to save modern civilisation from self-destruction.' Independent on Sunday ' The Four Banks of the River of Space is a kind of quantum Odyssey... in which the association of ideas is not logical but... a 'magical imponderable dreaming'. The dreamer is Anselm, another of Harris's alter egos, like Everyman Masters in Carnival and Robin Redbreast Glass in The Infinite Rehearsal... Together, they represent one of the most remarkable fictional achievements in the modern canon.' Listener
The WellieWishers couldn't be more excited because they're making a carnival in the garden! There will be games and cotton candy, balloons and baby chicks. Best of all, there will be a real horse to ride! There's only one problem: Ashlyn refuses to c
Marvin, a tap-dancing horse in a small traveling carnival, finds success and fame on Broadway but misses his friends from the old life. Full-color illustrations.
A boy's 11th birthday heralds the arrival of a bizarre new entourage, a suicidal diva just can't seem to die and a washed-up wrestler goes up against a strange new foe. All of these weird marvels, and more, can be found at the Nightmare Carnival! Hugo and Bram Stoker award-winning editor Ellen Datlow presents a masterwork of terror featuring contributions from Terry Dowling, Joel Lane, Priya Sharma, Dennis Danvers and Nick Mamatas.
Fans of the award-winning and visually stunning video game can see Cuphead, Mugman, and friends like never before in this original, illustrated middle-grade novel. Join them on their adventure as they make merry mischief in the vibrant and topsy-turvy world of the Inkwell Isles! It's a special day on the Inkwell Isles: Elder Kettle's birthday! Yes, sirree, it's a very special day. So Cuphead and Mugman need to find the perfect gift to honor their beloved mentor. But along the way, the brothers and their new friend Ms. Chalice are captivated by the sights and sounds of the carnival that just rolled into town. Despite Elder Kettle's warning that the attraction is filled with liars and thieves, the trio gets reeled in. At the carnival, the friends are bamboozled and burgled by enemies, old and new. Will they escape the chaos and get their gift before it's too late? Includes over 20 never-before-seen illustrations drawn by Studio MDHR's Lance Miller that feature hidden items for an interactive treasure hunt! Cuphead in Carnival Chaos is the first book in an original series and perfect for players of Cuphead, and readers of Hello Neighbor, Bendy and the Ink Machine, and Five Nights at Freddy's. © 2020 StudioMDHR Entertainment Inc. All Rights Reserved. Cuphead(TM), the Cuphead(TM) logo, StudioMDHR(TM) and the StudioMDHR(TM) logo are trademarks and/or registered trademarks of StudioMDHR Entertainment Inc. throughout the world.
Fifteen lovely, full-color stickers invite merry-go-round fans to surround themselves with prancing horses, a towering giraffe, a regal lion, and other familiar creatures.
The noted historian explores the mysterious origins and surprising adventures of four iconic bronze statues as they appear and reappear through the ages. In July 1798, a triumphant procession made its way through the streets of Paris. Echoing the parades of Roman emperors many years before, Napoleon Bonaparte was proudly displaying the spoils of his recent military adventures. There were animals—caged lions and dromedaries—as well as tropical plants. Among the works of art on show, one stood out: four horses of gilded metal, taken by Napoleon from their home in Venice. The Horses of St Mark's have found themselves at the heart of European history time and time again: in Constantinople, at both its founding and sacking in the Fourth Crusade; in Venice, at both the height of its greatness and fall in 1797; in the Paris of Napoleon, and the revolutions of 1848; and back in Venice, the most romantic city in the world. Charles Freeman offers a fascinating account of both the statues themselves and the societies through which they have travelled and been displayed. As European society has developed from antiquity to the present day, these four horses have stood and watched impassively. This is the story of their—and our—times.